Copious Notes The journal of a Kentucky culture vulture
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    Silas House travels back to the theater

    Silas House listens as Missy Johnson and the cast of A Long Time Traveling read through the play in the lobby of the Downtown Arts Center on March 12, 2009. Photo by Rich Copley | LexGo.

    Silas House listens as Missy Johnson and rest of the cast of "A Long Time Traveling" read through the play in the lobby of the Downtown Arts Center on March 12, 2009. Photo by Rich Copley | LexGo.

    “I didn’t write an Appalachian play,” Silas House said before a group of actors dove into his latest script. “I wrote a rural play.”

    Thus began the Lily author’s second journey to the stage. House, author of Clay’s Quilt and other best sellers, first wrote for the theater in 2005 when the University of Kentucky Theatre premiered The Hurting Part. This time, House’s theatrical voice is in the hands of Actors Guild of Lexington, which will open his A Long Time Traveling April 23 for a four-weekend run at the Downtown Arts Center.

    Thursday night, the author gathered with the cast for the first time. It was the group’s second time reading through the show, and House’s first time hearing his words.

    Members of the cast received a CD House, also a sought after Nashville press kit writer, had mixed of 22 songs he said were representative of characters or scenes from the show.

    • Long Time Traveler by The Wailin’ Jennys — “Another thesis of the play. Life’s a journey and all that.”
    • Bend by Ben Sollee — “What these characters have to learn to do in their relationships.”
    • Denomination Blues by Rodney Crowell — “The way Adam feels about religion and the point the play is trying to make.”

    Adam (Josiah Correll) is an auto mechanic who’s discovered a love for literature, much to his bride’s chagrin. Said bride, Lora (Hayley Williams), is devoted to the memory of her late father, a fundamentalist preacher in their small town. But things are changing, including her mother and her husband, and it’s putting a strain on their young marriage.

    Much of the discussion at Thursday night’s read through centered on trying to find authentic voices for the characters, Alyssa Graves, who plays the left-of-center Diva, getting particular praise for an accent that sounded authentically similar but separate from the rest of her family.

    After the rehearsal, House marveled at how Williams, Missy Johnson who plays Lora’s mother, and Graves whose character is their cousin, looked alike.

    “The casting is just amazing,” House said.

    Playwrighting is a process of writing, rewriting, seeing what works and what doesn’t, and that is the process this crew is headed into. When the rehearsal was over, House snapped his notebook closed, said, “I know what to fix,” and headed into the snowy downtown Lexington night for the drive back to Lily.

    But he will be back plenty of times between now and opening night.

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One Response to “Silas House travels back to the theater”

  1. This will be a “must see” for me! I think House is one of the best authors to come out of Kentucky in a long time. His writing is so real! Thanks for highlighting his new play!

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About Rich Copley & Copious Notes

Raised by opera-loving parents in a rock ’n’ roll world, Rich Copley has parlayed his broad interests into his career writing about arts and entertainment. Since 1998, he has covered performing arts, film and faith-based popular culture for the Lexington Herald-Leader, the daily newspaper in Lexington, Ky. MORE | E-mail Rich


 

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