Julie Schindall (right) shows 8-year-old Isadora Koch the proper way to hold marimba mallets Saturday at the WEKU event at Joseph-Beth Booksellers. Photos by Rich Copley | LexGo.

After Lexington Philharmonic bassist Joe Tackett finished his chat with WEKU Morning Classics host Michael Carter at Joseph-Beth Booksellers Saturday, he pointed something out.

During the chat, part of a WEKU/Joseph-Beth Gives Back event at the book store, Carter had played several musical selections like one of Maurice Ravel’s Slavonic Dances.

“Every time Michael played a piece, kids would come over and stand,” Tackett said. “Some of them even started to dance. Kids innately recognize great art.” Then, noting some adults he saw rush their kids along, he added, “It the parents that try to tear them away from it.”

Particpating in the WEKU event were (clockwise from top, left) Joe Tackett, Julie Schindall, Michael Carter and Roger Duvall.

Did we mention Joe is the Phil’s education director, too?

Certainly there were some serious blocks of time in the afternoon event devoted to adults talking about music. I discovered both Joe and I share the same roots in our love for classical music. John Williams’ music caught Joe’s ear when his father took him to see The Empire Strikes Back (1980). So, when I sat down to chat with WEKU station manager Roger Duvall, I had to share my similar experience when my parents gave me the soundtrack to Star Wars (1977).

Classical music probably owes a lot to George Lucas commissioning those iconic scores.

Roger called our conversation Dancing about Architecture, a reference to the oft quoted but hard to attribute aphorism that writing and talking about music is sort of like dancing about architecture. And indeed, while we did have a good conversation about this highly transitory time in Lexington music, from my seat, the most fun was trading short passages of favorite works with Roger. He kicked it off with a segment of Aaron Copland’s Appalachian Spring, and I got to answer with Dawn Upshaw singing the opening passage of Samuel Barber’s Knoxville: Summer of 1915 – if there’s a more perfect representation of a Southern summer evening, I am not aware of it.

Michael and Joe also had a great chat, zeroing in on the idea that enjoying classical music is not so much something you learn as it is something that comes naturally.

And the best demonstration of that came in those children who wandered over from the kids book section to hear, and later in ones who were brave enough to step up and try their hand at marimba with musical guests Julie Schindall and Ian Meiman.

We came in to talk about the future of classical music. But in their faces, we got to see it.

Ian Meiman gives 5-year-old Annika Koch a high-five after she plays the marimba.