Actors Guild’s artistic director announces he’ll leave by the end of the season

Actors Guild of Lexington artistic director Richard St. Peter and managing director Kimberly Shaw photographed in the theater's new officies in the Distillery District. Photo by Rich Copley |

Actors Guild of Lexington artistic director Richard St. Peter and managing director Kimberly Shaw photographed in May in the theater's new offices in the Distillery District. Photo by Rich Copley |

Actors Guild of Lexington Artistic Director Richard St. Peter has told the theater’s board that he will be leaving by the end of the 2009-10 season to pursue a doctorate degree in theater.

St. Peter declined to say where he will be going to graduate school, as he has not finalized those plans with the school. He did say that his departure is not a reaction to Actors Guild’s recent financial troubles which came to a head in June when LexArts declined to grant the theater an allocation for general operating funds.

“I want to stress as much as I can that this is not a bad thing, not death or disaster,” St. Peter said Saturday night. “It’s just the next thing.”

St. Peter said he is not leaving immediately and expects to negotiate a departure time with the theater’s board, when a succession plan is in place.

Actors Guild board president Jennifer Miller said that St. Peter’s decision was of his own volition. She said she had been aware he was contemplating pursuing a doctorate, but was still surprised when he informed her of his plans this weekend.

She said the theater’s board has not had a chance to meet and discuss searching for a successor, but she expected it would be a little while before that effort starts.

“We don’t want to make rapid decisions, we want to make the right decisions,” Miller said.

St. Peter arrived at Actors Guild in 2004, after a national search was conducted to find a successor to Kevin Hardesty. He came from Virginia, where he studied theater at Christopher Newport University in Newport News and Virginia Commonwealth University in Richmond. He worked at Barksdale Theatre and TheatreVirginia, both in Richmond.

St. Peter arrived with a charge to increase Actors Guild’s professionalism and did so, primarily by engaging local and out-of-town actors who were members of Actors Equity, the stage actors union. Under St. Peter’s direction, the theater also staged several world premiers including Georgetown-based writer Charles Edward Pogue’s adaptation of Tartuffe, Silas House’s Long Time Traveling and Brian Hampton’s Checking In, which had its New York premier last month, under St. Peter’s direction. The theater also received national recognition for St. Peter’s multimedia production of William Shakespeare’s Hamlet.

But the theater has also chaffed under a series of financial travails both before and after St. Peter arrived, including the current situation, which has the theater working to dig itself out of a deficit that rose to $43,220 according the theater’s last tax return.

At the moment, the theater staff, including St. Peter, is working without pay as Miller says it works settle external financial obligations.

“Cash-flow has been and continues to be a problem,” St. Peter says. “We have been assured we will be caught up.”

Despite the financial travails and St. Peter’s departure, he and Miller maintained that they believe Actors Guild is a viable institution that will survive. And considering the overall state of theater in the United States, which has suffered during the recession, St. Peter says there will be interest in the AGL job.

“Nobody else is hiring,” St. Peter said, “so anyone who is in the market will give Actors Guild a look.”

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