. . . to tell it what you want from local theater.
Actors Guild of Lexington has undertaken a set of public meetings to get input from members of the arts community and the community in general as it moves forward from several crises.
The meetings started Monday and will continue from 6 to 7:30 p.m. Wednesday (Sept. 2) in conference room B on the fourth floor of the Central Branch of the Lexington Public Library. The other two meetings are at 6-7:30 p.m. Sept. 8 and 10 at a location yet to be announced.
Each meeting will be attended by AGL managing director Kimberly Shaw, associate artistic director Eric Seale and board president Jennifer Miller. They are trying to limit the guests to 10 each meeting to give everyone a chance to talk and be heard. That’s probably a good idea as larger gatherings in the wakes of other theater crises the in the past decade or so have resulted in fairly pointless excercises. According to at least one account, the initial meeting on Monday night went well.
Actors Guild is in the midst of a turbulent time. In June, LexArts announced it would not extend the theater an allocation for general operating funds — a contribution that has been around $70,000 the past several years — and the theater was already struggling with a significant financial crisis. Then, in August, the theater’s artistic director, Richard St. Peter, announced he was leaving to pursue a doctorate in theater.
So, AGL is trying to dig out of a hole and start the search for a new AD. But, before getting too far down that road, the theater leadership wants to get a handle on how the community is feeling, hear what it wants out of one of Lexington’s leading theaters, and even get some ideas.
If you want to get in on a chat, contact Miller at email@example.com. Miller has also said she and the staff are open to private conversations and meetings.
Meanwhile, St. Peter has started a blog. The stated purposed of the journal is to discuss the 127 plays he says he needs to read in pursuing his Ph.D. He seems to be a speedy reader and writer already on play 2: David Mamet’s Oleanna.
In his intro, he briefly discusses his experiences as, “Artistic Director of a small pseudo-professional theatre in a town that didn’t really want or need professional theatre.”