Copious Notes The journal of a Kentucky culture vulture
  • Nov
    21

    The headline in the news that Actors Guild will put on a production of “The ­SantaLand Diaries” at the old Portabella restaurant space was, of course, that Actors Guild will put on a show at all.

    After all the drama of the summer and a relative silence from the theater after late September’s production of “Beguiled Again,” people started wondering whether the theater would ever put on another production.

    Seeing how AGL does after all the drama will be compelling.

    But I’m interested in a subplot: arts in the ’burbs.

    The Portabella space is well outside of downtown Lexington, nearly five miles from AGL’s usual venue, the Downtown Arts Center. It’s in an active strip mall at one of Lexington’s busiest intersections, Richmond Road and Man o’ War Boulevard. Film, not theater, is the art form that dominates this part of town, with the Movie Tavern just a few doors down from where Actors Guild will stage its show.

    But as populations — here and in most cities — have moved into the suburbs, most art groups have remained rooted in downtowns and at universities.

    Infrastructure is part of it. Suburbs, as they developed, were for houses and malls. Movie theaters and churches were the main multi-seat venues. That left most dedicated performing-arts venues downtown, away from where most people live.

    But the arts sort of feel right rooted in the urban core.

    Over the years, many people have defended that status to me, saying the arts should be downtown, at the center of everything.

    But in 21st-century America, are downtowns the center of everything? You could easily argue, particularly at this time of year, that the center of everything in Lexington is somewhere near Nicholasville and New Circle roads, with a nod to the Hamburg area.

    What if a theater performed there? What if there were orchestra concerts there? Might they catch a few more eyes?

    If you Google “arts in the suburbs,” the resulting Web sites and articles fairly uniformly regard it as something of a nutty idea. But it can work.

    Just last month, the Chicago Tribune had a story about a suburban movie house that was bought by a group that wanted to present plays. The troupe thought it needed to also book movies to support the theater, but they were surprised to find that it was the performing arts that sold.

    There are reports out of the Minneapolis-St. Paul area of suburban arts initiatives catching on. A September 2007 story in the Minneapolis Star Tribune reported that suburban concerts helped turn around declining ticket sales for the St. Paul Chamber Orchestra.

    Right here in Central Kentucky, you can see Woodford County’s success with The Woodford Theatre at Falling Springs Arts and Recreation Center.

    I have heard people deride the venue for being in a recreation center fronted by a big parking lot, but that misses the fact that “ample free parking” is often a phrase used to lure people to attractions. The evidence is that Woodford Theatre’s venue puts theater close to a general population and frequently sells out its productions.

    If Actors Guild can put up a fun, engaging show at a major intersection, there’s no reason that with a little good word of mouth, people shouldn’t be able to find their ways there.

    I always say I was raised as a kid from the ’burbs, but I have a long-standing love of downtowns and thoroughly enjoy working and participating in a lot of activities there. I am not saying the arts should leave downtown.

    But in staging a little theater in the suburbs, Actors Guild might have stumbled into an experiment that is well overdue.

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2 Responses to “Arts in the ‘burbs an interesting experiment”

  1. I can’t possibly guess whether AGL’s experiment in the ‘burbs will be successful or not, but probably anything is better than the theatre continue to attempt to do plays under the onerous conditions of the Downtown Arts Center. When I was on the board, LexArts was an incredibly poor landlord and steward of the building. Although AGL was one of the main tenants (and one of the main draws), it was never allow to brand the DAC as its home. The theatre was allowed no signage, no presence in the lobby in the form of posters or production pictures. It had to pay rent for a rehearsal hall that no one EVER used, which should have come free with the tenant rent. Theatre personnel had no keys to the stage or backstage areas, dependent on the whims of disinterested operations people who seemed oblivious of the theatre’s needs or schedule.

    Even during the weeks, AGL had a show running there, the theatre spaces were not at its disposal. During the four shows I did there as an actor, the dressing rooms were invariably filthy, half the make-up mirror lights were out, the trash bins usually overflowing, and I bet the toliet in the men’s dressing room still leaks whenever flushed. Upon a few occasions, the cleaning crew appeared in the lobby on show nights with their mops and brooms and big rolling trash barrels we had audience gathering. I heard that the relationship had disintegrated to the point where during AGL’s last show there, there were strict time limits imposed as to when the theatre and dressing-rooms would be open and closed. And lest we forget, for almost two years, AGL staff was forced to work in a fourth floor office that had no heat or air conditioning because the landlords refused to attend to repairs.

    I have heard many similar complains from other organizations who have mounted shows there. Sadly, AGL was the only business that offered the DAC any real identity at all. I don’t know how many times when I mentioned one of its plays being done at the DAC, people would ask where the DAC was.

    On the larger scale, I’m not sure just what the allure is to downtown as a general destination place. Aside from a few nice restaurants, some clubs, bars, and the library, there is really not much to do down there. Lots of Art Galleries, but who buys art everyday? And that’s the problem…no everyday shops that people frequently patronize. No books stores, CD-DVD stores, no clothing stores, no groceries, only one movie theatre. Why should I bother with downtown when from Georgetown, I can get on I-75, get to Hamburg faster than downtown and have every variety of shop I need all in one centralized area? Not being a drinker or a clubber, I don’t find downtown Lexington particularly vibrant. Hardly teaming with the bright lights and open shops you can find in many dowtown cities after 5:00.

    I wish AGL every continued success, I don’t know if moving their venue will help, but it can’t be any worse than a dead downtown and a poorly-run venue they had no control over.

  2. [...] And click here for some thoughts on taking theater to the suburbs. [...]

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About Rich Copley & Copious Notes

Raised by opera-loving parents in a rock ’n’ roll world, Rich Copley has parlayed his broad interests into his career writing about arts and entertainment. Since 1998, he has covered performing arts, film and faith-based popular culture for the Lexington Herald-Leader, the daily newspaper in Lexington, Ky. MORE | E-mail Rich


 

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