Copious Notes

Eastern Kentucky University’s new performing arts center, which is currently under construction, has an executive director.

Katherine Eckstrand. Photo courtesy of EKU.

Katherine Eckstrand, who is currently director of community development for the Ohio Arts Council, will be the director of the Center for the Performing Arts at Eastern Kentucky University, which is scheduled to be completed in the middle of 2011.

The 93,000-square-foot center will include a 2,000-seat theater capable of presenting Broadway-style productions and a “black-box” theater that will seat as many as 250. The center is adjacent to EKU’s business and technology center, on the south side of the Eastern By-Pass, between Lancaster Road and Kit Carson Drive.

Prior to working with the Ohio Arts Council, where she oversees four grant programs as well as many other projects, Eckstrand was the arts director and director of cultural programs at Shepherd University in Shepherdstown, W.Va. (1986-1994), and the executive director of the performing arts center at Clark State Community College in Springfield, Ohio (1994-2005). She has been the president of both the Ohio Arts Presenters Network and the West Virginia Arts Presenters and served on the boards and in other capacities for numerous national, state and local organizations.

Her husband, Edward Weisenbach, is a retired educator and technology director who is also a bluegrass musician in the Muleskinner Band.

It’s only November, but Balagula Theatre can already lay claim to an award-winning season. The company, based at Natasha’s Bistro and Bar, took its productions of Samuel Beckett’s Play and Not I to Morehead State University for the community theater festival at the Kentucky Theatre Association’s annual conference, and it came home with several of the top prizes.

They included:

Ryan Case shown in Samuel Beckett's "Play." He won best actor at the Kentucky Theatre Association's community theatre festival for the performance and best director for "Not I." Photo by Rich Copley.

Best performance: “Selected Plays of Samuel Beckett,” performed by the Balagula Theatre Company

Outstanding director: Ryan Case and Natasha Williams, “Selected Plays of Samuel Beckett,” Balagula Theatre

Outstanding actor: Ryan Case, “Selected Plays of Samuel Beckett,” Balagula Theatre

Excellence in lighting design: Gareth Evans, “Selected Plays of Samuel Beckett,” Balagula Theatre

Excellence in scenic design: Gareth Evans, “Selected Plays of Samuel Beckett,” Balagula Theatre

The remainder of the community theater festival award winners were:

1st Runner Up for best performance: “Overtones,” performed by Shelby County Community Theatre

Outstanding actress: Lynn McReynolds Chenault, “Overtones,” Shelby County Community Theatre

Outstanding supporting actor: Cody Anderson, “Little Women,” Artists Collaborative Theatre, Elkhorn City

Outstanding supporting actress: Teresa Myers, “One Freaky Afternoon in the Office Lunchroom,” Village Players, Fort Thomas

Outstanding ensemble: “Overtones,” Shelby County Community Theatre

Excellence in costume design: “Little Women,” Artists Collaborative Theatre

Outstanding technical crew: “Little Women,” Artists Collaborative Theatre

Excellence in stage management: Peggy Kenney, “One Freaky Afternoon in the Office Lunchroom,” Village Players

Spirit award: “Little Women,” performed by Artists Collaborative Theatre

The Lexington area was also distinguished in KTA’s inaugural Roots of the Bluegrass New Play Competition, where Danville’s Elizabeth Orndorff  won the top prize for “Aidan’s Gift” and Lexington’s Walter May was second runner up with “Gone Astray.” First runner up was “Bernice Sizemore’s 70th Birthday” by Nancy Gall-Clayton of Louisville.

In the High School festival, Paul Laurence Dunbar’s production of William Shakespeare’s “Taming of the Shrew” was first runner up. The winner was Owensboro High School’s “Almost, Maine” and the second runner up was Bardstown High School’s “Zoo Story.”

For their wins, Balagula Theatre, Shelby County Community Theatre, Owensboro High School and Dunbar High will participate in the Southeastern Theatre Conference’s play competitions when the annual regional theater event comes to Lexington March 3-7.

Kayoko Dan takes a bow with the Central Kentucky Youth Orchestra Concert Orchestra Sunday night at the Lexington Opera House. Photos by Rich Copley.

Since I am a Central Kentucky Youth Orchestra parent, I stay away from writing about CKYO for the paper — sort of an obvious conflict of interest there.

Dan addresses the audience.

But it is certainly worth noting that the Kayoko Dan era officially got underway Sunday night with the Youth Orchestra’s season-opening concert at the Lexington Opera House. The group’s Symphony Orchestra and Concert Orchestra played a tidy program of just over 90 minutes that included music from Peter Ilyich Tchaikovsky’s “Swan Lake” for the Concert players and the third movement Gustav Mahler’s “Symphony No. 1 in D Major ‘Titan’” for the Symphony. That was some challenging stuff, to say the least.

Also debuting was CKYO assistant conductor Daniel Chetel, who was actually a candidate for the top spot and ended up coming to Lexington to pursue a doctorate in musical arts and conducting at the University of Kentucky, where he also serves as assistant conductor of the UK Symphony. Chetel, who holds a bachelors from Harvard and a masters from the University of Maryland, was offered the Kentucky post by UK Symphony director John Nardolillo after he interviewed for the CKYO job. Sunday night, Chetel conducted the Concert Orchestra in an arrangement of Modest Mussorgsky’s “The Great Gate of Kiev” and the Symphony in the second movement of Ludwig van Beethoven’s “Symphony No. 7 in A Major.”

Assistant conductor Dan Chetel greets Concert Orchestra concertmaster Laura Saikawa after conducting Mussorgsky

The Symphony’s program was a bit of an introduction to Dan as she said from the stage it was her favorite movements from symphonies. Bookending the Beethoven and the Mahler on that program called “Symphonic Progression” were the first movement of Franz Joseph Haydn’s “Symphony No. 104 in D Major ‘London’” and the fourth movement of Tchaikovsky’s “Symphony No. 4 in f minor.”

When Dan auditioned for the Lexington Philharmonic’s music director post, Tchaikovsky was also a centerpiece of her LPO concert with music from “Swan Lake.” So, judging by her programming — Tchaikovsky’s “Russian Choral and Overture” opened the concert — and comments from the stage Sunday, it looks like CKYO kids will be getting used to Peter I.

Chetel’s presence also drove home the fact the Philharmonic and Youth Orchestra’s recent music director searches yielded two new conductors each: new Philharmonic music director Scott Terrell and Dan, who first came here as an LPO candidate, and Dan and Chetel at the CKYO. So Lexington’s conductor pool is enhanced with a trio of new talent, which is certainly worth noting.

Jondra Harmon, a University of Kentucky mezzo-soprano, was one of the first competitors of the morning.

12:15 p.m. Sorry to be a bit late in starting the live blog from the Metropolitan Opera National Council Kentucky District Auditions. The program has been moving fairly quickly with a bunch of UK singers up front, and since they are not quite as cool with people texting from opera seats as basketball seats, this is the first chance to check in.

As of Friday, we understood we had 28 singers in the field, but auditions chair Dr. Clifton Smith announced everybody’s favorite bug, the flu, took two competitors out, so then there are 26. (But in the end, there were 27, with a previously unannounced singer at the end.)

Mezzo-soprano Paulette Maria Penzvalto delivered the first award-winning performance of the day.

Still, a very full day that started a little after 10 a.m. with the always stunning group sing of the national anthem — all those opera students and teachers, think about it.

Through 12 competitors, this year is shaping up to be a lot like last, as we have yet to hear a bad voice, though some did stand out.

UK’s Nicholas Provenzale and Reginald Smith Jr. teamed up on two of the most fun arias in the baritone repetoire, “Largo al factotum” from “Barber of Seville” and “Madamina,” the catalog aria from “Don Giovanni,” respectively.

Nicholas Provenzale channeled Figaro in one of his arias.

The judges, who get to choose each singer’s second aria, seem to be going for contrast, throwing the singers something that will bring out another side of them, like requesting Smith’s free-spirited “Madamina” after as serious take on “Sorge infausta una procella” from Handel’s “Orlando.” Amanda Balltrip was given a little control exercise in “The Magic Flute’s” “Ach, ich fuhls” after a rapturous “Ah! non credea mirarti” from “La Sonnambula.”

One of the fun moments of the morning was faintly hearing Smith warming up backstage when Balltrip finished “non credea.” Another was when UK Opera Theatre costumer Susan Wigglesworth had to grab a balloon left over from a previous event that floated down to the stage as UK’s Stephanie Granade prepared to sing.

The crowd was a bit smaller than normal, which was expected given this is the auditions’ first ever start before lunchtime. A lot of cars are winding through the Funkhauser lot finding no empty spaces, so there may be a rise in the afternoon audience. The afternoon lineup includes Julie LaDouceur, Karmesha Peake, Megan McCauley, Sarah Klopfenstein, and old UK friends Anne Fuchs and Afton Battle.

Reginald Smith Jr. sings the catalog aria from "Don Giovanni."

1:30 - Just saw a trio of distinctive, impressive voices in Cincinnati’s Daniel Anderson, UK’s Julie LaDouceur and Chicago’s Jonathan R. Green (a very old school baritone). Call them all contenders, and this promises to be not only the biggest, but most competitive Kentucky district auditions.

Megan McCauley auditions accompanied by Cliff Jackson, who played for all 27 auditoners Saturday.

2: Megan McCauley looked and sounded as good as ever on “Vissi d’arte” and “Csardas.” great interpretation.

3 p.m. We have now seen 23 singers.

3:30: with previously unannounced competitor Kara Joy Lambert, we have heard 27 singers. The judges ended the singing competition with a crowd pleaser, “A Simple Sailor Lowly Born,” by Gilbert and Sullivan.

It seems there are big battles between sopranos and baritones, with numerous excellent competitors in each voice. the judges are deliberating, and you have to wonder if they might call a few from the morning back for a refresher.

4: Tedrin Blair Lindsay: “I think we not only had a record number of competitors, but a record number of excellent competitors.”

Eric Brown was the sole winner from UK, Saturday.

and the winners are:
Paulette Maria Penzvalto, mezzo-soprano, Oberlin Conservatory
Eric Brown, baritone, University of Kentucky
R. Kenneth Stavert, baritone, University of Cincinnati College-Conservatory of Music
Jeremy Parker, soprano, University of Cincinnati College-Conservatory of Music

Encouragement award: Holly Flack, University of Kentucky

Holly Flack is getting her UK career started with a bang, winning the Encouragement Award Saturday.

Post script:

There was general agreement in the hall with Tedrin’s assessment that we saw a record number of excellent competitors.

In Saturday’s field of 27, there was not one person who didn’t belong there and there were no obvious winners as evidenced by several people who usually nail the Top 3 (ahem, Tedrin) completely missing this year.

“A different set of judges on a different day might have picked a completely different set of winners,” auditions chair Dr. Clifton Smith said after the competition.

Smith said according to Met National Council rules he does have the option of capping the number of entries, but thus far he has not done that, leaning toward giving everyone that wants to participate a chance. Some districts, such as New York, have hundreds of competitors and the auditions stretch over several days.

The audience was noticeably down for this year’s auditions, which have in the past attracted as many as 500. No one had a crowd count yesterday. Smith acknowledged that saying the earlier start time may have scared people off. The noonish to 1 p.m. lunch break was designed to allow people to come in at the traditional start time if they didn’t want to make a day of it. But Smith said he didn’t think that was well known. Also, people who did come late missed many of UK’s best known voices, including winner Eric Brown.

Click here for our story at LexGo.

Timothy Hull, seen here with Allie Darden in the On the Verge production of "Another Part of the Forest" in May, will star as the Elf in Actors Guild of Lexington's production of "The SantaLand Diaries." Photo by Rich Copley.

Yes, Kentucky, there will be a Christmas production by Actors Guild of Lexington.

The troubled theater’s next show will be a site-specific staging of David Sedaris’ The SantaLand Diaries at the site of the former Portabella Restaurant on Locust Hill Drive. It will run Dec. 10 to 20.

The show comes in the wake of a stormy summer and uncertain fall for the theater, whose funding from LexArts was eliminated and whose top two directors resigned. LexArts cut the funding, which had been about $70,000 in recent years, saying it had concerns about the fiscal management and overall viability of the theater, Lexington’s only semi-professional stage troupe for adults.

The SantaLand Diaries is Actors Guild’s first production since Beguiled Again, a Rodgers and Hart musical revue that had a two-weekend run at the Downtown Arts Center in early fall. The season schedule that Actors Guild announced last spring was to include David Hare’s The Vertical Hour and, for the holidays, a one-man version of It’s a Wonderful Life.

Associate artistic director Eric Seale, currently the theater’s only paid staff member, said SantaLand is a signal that AGL will continue presenting shows.

“If people are wondering, ‘Is there an AGL?,’ Yes, there’s an AGL,” Seale said. “If they are wondering, ‘Are they putting on shows?,’ Yes, we’re putting on shows.”

He said the theater is not ready to announce any productions after SantaLand.

A site-specific production is staged in a venue that relates to the subject matter. It’s not a new concept and has been popular in Lexington in the past year. On the Verge Productions presented Lillian Hellman’s family dramas The Little Foxes and Another Part of the Forest in historic homes downtown.

SantaLand, a one-person show about a man who plays an elf in the Christmas display at Macy’s, will be presented in the vacant retail space formerly occupied by Portabella, next to the Kroger at Richmond Road and Man o’ War Boulevard.

It will star Tim Hull, an emerging Lexington actor who recently was in Another Part of the Forest. Co-directors will be Seale and Leif Erickson Rigney, an actor last seen in Studio Players’ production of The Unexpected Guest.

AGL previously staged SantaLand in 2004 at the Downtown Arts Center.

Seale said the site-specific nature of this fall’s production was an aesthetic decision inspired by ideas he had heard at theater conferences. He said AGL explored several retail-space options before settling on the old Portabella location.

The play, based on Sedaris’ 1992 essay, looks at how people try to find holiday happiness in retail experiences, including visiting a department-store Santa. Seale said the Portabella site will be done up like a mall-Santa display to make the show “an experience.”

Seale said he expects tickets to go on sale early next week through Actors Guild’s Web site, www.actorsguildoflexington.org, or by calling 1-866-811-4111.

HorseMania 2010 isn’t the only equine-related art project that will ride again during the Alltech FEI World Equestrian Games. ­Horsetails, a project that the ­Lexington Philharmonic first ­orchestrated in 2003 and repeated the next three years, is returning to coincide with next year’s big event.

Big Brown by Peter Williams.

The public can get a look at the pieces for this year’s event starting Tuesday morning, when the Horsetails 2010 website is launched.

The idea behind Horsetails is to highlight the link between classical music and horses: Hair from horses’ tails is used in the bows of string ­instruments. The artworks in Horsetails use hair from the tails of famous horses including Big Brown, Funny Cide and Smarty Jones. Showpieces are by many local notable artists, including ­Lucinda Alston Chapman, ­Federico Pizzurro and Gary R. Bibbs.

All 54 pieces will have a premiere exhibition in April at L.V. Harkness and will be shown at other locations in and beyond Central Kentucky from April until WEG, Sept. 25 to Oct. 10. The pieces will be auctioned off during the games, with proceeds benefitting Partners in Education, a program that supports music education.

Backstage at the 2006 auditions, Colleen Lauve pulled aside the curtin for contestant Brian Tierney. David Perry | Herald-Leader.

This year’s Kentucky District round of the Metropolitan Opera National Council Auditions will be an event of Wagnerian proportions, at least in length.

With 25 hopefuls, Saturday’s presentation of the Kentucky District Auditions at the University of Kentucky’s Memorial Hall will roll its start time back from 1 p.m. to 10 a.m.

The morning session will go to 12:30 p.m. After a half-hour break, the auditions will resume at 1 p.m. and go until their usual late-afternoon conclusion — just about the amount of time you might need to squeeze in a production of Die Walküre.

The district auditions are open to anyone who wants to give it a shot, and often feature 14-16 hopefuls. In the past, the Kentucky District has had as many as 20 auditioners.

Auditions chair Dr. Clifton Smith took the preponderance of Kentucky District applicants as a sign that word has gotten out that the Bluegrass State edition is well-run, attracts a strong panel of judges, and gives out attractive prizes. He noted that Saturday’s field will include singers from New York and Chicago, as well as hopefuls from Kentucky, Southern Ohio and Indiana. The three winners Saturday will get $1,500 each and they will advance to the Tri-State Regional Round Jan. 16 at Butler University in Indianapolis. Next stop after that is the National Semi-Final round at the Metropolitan Opera in New York.

Saturday’s judges will include Met luminaries including bass Richard Best, soprano Carol Vaness and tenor Douglas Ahlstedt.

Since moving to UK’s Memorial Hall in 2000, the auditions have proved popular among music fans who regularly pack Memorial Hall. Admission is free.

Warren Hammack, the longtime artistic director of Horse Cave Theatre, will be at the Kentucky Book Fair Saturday in Frankfort to support a new book of plays that premiered at the theatre during his tenure.

World Premiers from Horse Cave Theatre compiles 14 scripts from writers including Sallie Bingham, Billy Edd Wheeler and Liz Bussey Fentress, who co-edited the book with Hammack. From 9:30 until 11 a.m. Saturday, Hammack, Fentress and other actors will present cuts from plays featured in the anthology in the Glass Room of the Capitol Plaza Hotel, adjacent to the Book Fair. They will then be at the fair, which runs from 9 a.m. to 4:30 p.m. to sign books and talk to visitors.

During his years at Horse Cave, now Kentucky Repertory Theatre, Hammack established a tradition of presenting new works from Kentucky authors, some of which were filmed and presented on KET, through a project called Kentucky Voices. The anthology, published by Motes Books of Louisville, includes a preface from Hammack, an afterword from Fentress and notes from the playwrights about their shows and the productions of them.

Tom Eblen writes about the Book Fair and Kentucky’s literary tradition.

Mark O'Connor rehearses with University of Kentucky graduate student Jessica Miskelly and the UK Symphpny Orchestra on Oct. 28, 2009. Photos by Rich Copley | LexGo.com.

It’s a typical rehearsal two days before a concert.

The University of Kentucky Symphony Orchestra is on the stage in the Singletary Center for the Arts Concert Hall with conductor John Nardolillo stopping occasionally to tweak parts, but mostly letting the music flow.

Centerstage two violinists trade increasingly virtuosic, knee bending phrases, somewhat reminiscent of a  little Peach State fiddle duel Charlie Daniels once sang about.

This is where things become less typical.

O'Connor and cellist Geoffrey Hershberger rehearse O'Connor's "Double Concerto for Violin and Cello."

One of the violinists is UK graduate student Jessica Miskelly. The other is Mark O’Connor, a classical music star who has distinguished himself by successfully bridging traditional classical music and American folk. He’s currently in the midst of a short residency at UK which will culminate in a Friday night concert featuring O’Connor, several of his compositions, the UK Choirs and several students sharing his spotlight.

“I’ve been doing more residencies the last couple of years at institutions,” O’Connor said in his dressing room, a few minutes before Wednesday’s rehearsal began. “Every time I show up at performances around the country, there’s all kinds of questions about, ‘Where’s this music going?’ and what your background is. There’s always some kind of educational component to it, so I just decided to expand that.”

In addition to UK, O’Connor works with students at the School for Creative and Performing Arts and the UK String Project, a primary school program, this week.

O’Connor has done his mini-residencies at prestigious schools such as the Curtis Institute of Music in Philadelphia and the University of California, Los Angeles.

But he wanted to come to Kentucky.

In part, it was because of a growing relationship between O’Connor and the orchestra, which included another visit several years ago and a performance in February with the UK Symphony at the John F. Kennedy Center for the Performing Arts as part of the Our Lincoln production.

“John Nardolillo has put a great emphasis on performance and getting the material ready,” O’Connor said, referring the UK Symphony’s director. “It’s just fantastic to see and hear . . . It’s going to be a darned good show for the audience.”

This visit also brings O’Connor close to Appalachia, a region he is strongly identified with thanks to his own music and several celebrated albums of Appalachian music with cellist Yo-Yo Ma and bassist Edgar Meyer.

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Studio Players is soliciting play proposals from potential directors for its 2010-11 season.

Director Gary McCormick proposed "The Unexpected Guest" -- starring Graeme Hart and Lisa Welch -- which opened Studio Players' current season.

For several years, the theater in the Carriage House on Bell Court has programmed seasons by selecting plays from director proposals.

Hopefuls may submit as many as three scripts for consideration, and directors are encouraged to put together a mix of styles and genres. The theater generally programs two comedies, a drama/mystery/thriller, a classic or period piece, and one lesser-known piece. Musicals will be considered too, primarily as summer selections.

Submissions should include the title, author, publisher, number and gender of characters, and a brief synopsis of each play. Director résumés are optional. Send submissions by e-mail to Scott Turner at scotthalvorsenturner@gmail.com, or by mail to 110 Kelly Avenue, Georgetown, Ky. 40324.