Copious Notes
The journal of a Kentucky culture vulture
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Sep28
Discuss: Lexington’s performance spaces
Filed under: Arts administration, Balagula Theatre, Classical Music, Current Affairs, Discuss, Downtown Arts Center, Kentucky Theatre, Lexington Children's Theatre, Lexington Opera House, Music, Musicals, Norton Center for the Arts, Opera, Paragon Music Theatre, Rupp Arena, Singletary Center for the Arts, Studio Players, UBS Chamber Music Festival of Lexington, Woodford County Theatre; Tagged as: Balagula Theatre, Guignol Theatre, Haggin Auditorium, Lexington Children's Theatre, Lexington Opera House, Quest Community Church, Rupp Arena, Singletary Center for the Arts5 Comments
Quest Community Church's new state-of-the-art 2,400-seat auditorium was built with private funds. Could Lexington arts supporters do something similar?
What do you think of Lexington’s inventory of theaters and other venues for live performances?
Currently, leaving aside our behemoth of Rupp Arena, our major arts and entertainment venues are the Singletary Center for the Arts, which seats about 1,500, and the Lexington Opera House, which accomodates just under 1,000. Then, in the seats-a-few-hundred category, you have the black box theater in the Downtown Arts Center, the Lyric Theatre, which is currently being rennovated, and the Kentucky Theatre. There are also venues such as Studio Players’ Carriage House Theatre and the Lexington Children’s Theatre that are almost exclusively used by the groups that occupy them, and University spaces such as the University of Kentucky’s Guignol Theatre and Transylvania University’s Haggin Auditorium that are primarily used by the institutions.
Am I leaving any Big Kahunas out?
So, is that a good inventory. What do we lack?
Some lament we never got the major performing arts center that was supposed to happen where the courthouses now stand at Main and Limestone. Others say Lexington isn’t ready for a venue of that caliber. Others look at smaller spaces such as the Woodford Theatre’s venue in Falling Springs Arts and Recreation Center and wonder why Lexington couldn’t have something like that for groups that may see the Opera House as too big for their needs.
Still others say creativity trumps venues, and point to places such as Charleston, S.C., that have built vibrant performing arts scenes without an ideal inventory of venues. Here, we have examples such as Balagula Theatre at Natasha’s Bistro and Bar and the chamber music festivals that bookend the summer taking place in an old tobacco barn at Shaker Village and Fasig-Tipton’s horse sales pavilion showing a creative use of non-traditional spaces in town.
Here’s another fly I’ll throw in the ointment: I just attended a concert last week in a new, state of the art 2,400-seat Lexington venue that would have been the envy of many area arts groups: Quest Community Church’s new sanctuary. If there is a desire for a new theater or theaters in town, do you need to have public funds to build it, or can the arts community come together to make something happen like, oh, Quest or a little baseball park near Broadway and New Circle that was built with private funds.
That’s sort of a distillation of conversations and thoughts I’ve had over the last several years about Lexington’s theater space.
So, what do you think? Hit the comment button and let’s talk.
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Aug1248 Comments
Over the weekend we found out that Actors Guild of Lexington artistic director Richard St. Peter will be leaving at the end of this season, at the latest, to pursue a doctorate degree in theater.
AGL board chair Jennifer Miller said the theater would not be in a rush to name a successor, as the theater has other immediate issues to deal with and initiatives to embark on such as working with a consultant to help right the theater’s financial ship and point it in the right direction.
But, just like when the Cats make a coaching change, you mention a theater is changing its artistic chief, and interested parties cannot help thinking about who or what type of person that next director may be?
The last time AGL made a change at the top, the theater took the unprecedented step of conducting a nationwide search, which resulted in St. Peter’s hire. Should it do the same thing this time, or maybe look for a more familiar face to area theater fans and practitioners? Late in the spring, Actors Guild announced plans to expand its offerings and become a more professional theater by signing a small professional theater contact with Actors Equity. Good moves, or maybe over-reaching?
I want to hear what you think. Actors Guild of Lexington is undeniably a theater at a crossroads. What directions do you think it should steer into?
Hit the comment button, below, and let’s talk about it.



