Copious Notes

Lauren Tenney (left, front), Meredith Dunlevy (back, left), Megan Jacobs (right, front) and Ashley Wilcock (back, right) dance while cellist Peter Kucirko plays a sonata by J.S. Bach in a rehearsal of a new piece which will be performed as part of the company's season-opening concert, Sept. 18. Photo by Rich Copley | LexGo.com.

The Lexington Philharmonic and Lexington Ballet are teaming up to sell tickets to their season premieres for one price.

Scott Terrell. Photo by David Stephenson | LexGo.com.

Both the Ballet’s Sept. 17 and 18 Fabric of Dance performance and the Phil’s Sept. 25 MasterClassics concert are big debuts: the ballet unveiling its new professional performing company and the Phil’s new music director Scott Terrell opening his inaugural season with guest Evelyn Glennie, the most famous percussion soloist in the world.

The organizations are selling a combined ticket for $60. Individual tickets are $20-$35 for the ballet and $40-$100 for the Philharmonic. Call (859) 233-4226.

Copious Notes is taking the last week of July off and will return Aug. 2. In the meantime keep up with Lexington-area arts and entertainment at LexGo.com and be sure to check in on Walter Tunis’ blog, The Musical Box.

Have a great week, and see you in the eighth month.

Scott Terrell conducts the Lexington Philharmonic in the orchestra's annual Patriotic Concert at Transylvania University. The concert was also his debut as music director of the orchestra. Photo by Mark Cornelison | Herald-Leader.

Click here to see more photos from Friday’s Patriotic Concert.

Scott Terrell said he liked the view from the stage in front of the Old Morrison Building at Transylvania University. When he looked one way, he saw his new orchestra, the Lexington Philharmonic. When he turned around, he saw his new town, or what must have looked like the whole town, from that perch.

The crowd for the Patriotic Concert the Philharmonic presents ever July 3 stretched from the steps of Old Morrison back across the lawn and over Third Street through Gratz Park almost to the back steps of the Carnegie Center for Literacy and Learning. Our own Tom Eblen, a veteran Patriotic Concert fan, guessed the audience was almost twice as large as the typical crowd for this event.

That makes sense, as it wasn’t a typical Patriotic Concert.

It was the debut of Scott Terrell as the Phil’s music director — his first concert conducting the orchestra since he was named to that post in April.

Whether it was that or the perfect night that drew people out, it was a truly big debut that showed Terrell had some good instincts.

Conventional wisdom would have had him waiting for his first bow in September when the Philharmonic opens its Masterclassics season at the Singletary Center for the Arts.

Thing is, you couldn’t fit this audience in a couple of Singletarys.

By taking the baton Friday night, he got in front of one of the Phil’s biggest audiences of the year for a concert that sent a few messages.

~ Masterclassics aren’t the only thing. Terrell has talked about reviving the Phil’s pops series and introducing other concerts and series in coming seasons. That he chose to debut with this concert and obviously put some thought into it says he’s serious about broadening the orchestra’s profile.

~ Get ready for some new ideas about repertoire. Friday night’s concert had some of the staples of the event, including a tribute to the Armed Forces and the “get out your sparklers” rendition of Stars-and-Stripes Forever. He also got to conduct My Old Kentucky Home for the first time, and complimented the “mass choir” of the audience joining the Lexington Singers for the state song.

But Terrell wanted to make it about the broader concept of American music, so he added a selection of traditional melodies, showtunes and movie themes.

My favorite moment of people watching came during All That Jazz, from Chicago, when near the front of the stage, a little girl was dancing with abandon while, a few yards behind her, a senior couple was walking in rhythm, as if they were about to cut a rug — or lawn, as the case would be.

Exploring American music for the Fourth is an interesting idea, and it could yield some intriguing programs in the future. I did hear that some people wanted a concert more in line with the traditional Fourth evening of patriotic standards. The audience immediately around me, near the front of the stage, seemed to enjoy the program. Just as Lexington will spend the next season hearing Terrell’s ideas, Terrell will certainly spend the next season — and beyond — hearing audience feedback.

One note: It was cool he included Leroy Anderson’s Blue Tango, as Anderson was a favorite of Terrell’s predecessor, George Zack.

Speaking of Zack . . .

~ Terrell is ready to embrace the role of “Face of the Philhamonic.” Replacing such an iconic figure in Lexington arts, Zack’s successor needed to be ready to step forward in a PR role as well as musical role. Terrell seems ready for that, picking a debut concert that had him talking to the audience quite a bit.  And by picking this concert, Terrell chose a venue that would put him center-stage before one of the orchestra’s biggest audiences.

And he seemed to have a great time, a big time — big gestures, big eyes and a big smile on the podium.

That would be the podium where he saw his orchestra and his audience, and we got out first good look at the Philharmonic’s future.

Friday’s concert will be repeated Saturday night in Versailles.

Comment: What did you think of the program?

Copious Notes is taking a few days off for the Fourth of July week. New posts will resume this weekend. Meanwhile, for the latest on Central Kentucky arts and entertainment news — and there is some, this week — check out LexGo.com.

Wilmore-based Rookie is Landon Cunningham, Abe Parker and Grant Ebright. Photos by Rich Copley | LexGo.

WILMORE — The trio Rookie did a lot of the right things when they started performing together.

They picked bandmates they liked hanging out with. They defined a sort of jazzy edge to their sound that they say makes them different from most other Christian rock acts. They jettisoned a meaningless name, Auburn, for one that said something: Rookie, they say, is a commentary on the clumsiness with which most people go about their faith.

And they got the director of the Ichthus Festival to come see their show.

OK, that last element isn’t necessarily part of the prescription for most bands. And a few years ago, it might not have yielded much.

Kevin Young of Disciple performs on the main stage at Ichthus on the festival.

But, while Ichthus’ calling card is still chart-topping international Christian bands such as Skillet and Family Force 5, Kentucky musicians have had a growing role in the festival, whether it’s competitors in the fest’s 3-year-old battle of the bands, local rockers invited to perform on secondary stages, area church leaders playing during late-afternoon worship sessions, or the occasional national artist who resides right here in the Bluegrass.

“My family got to come out,” Disciple frontman and Central Kentucky resident Kevin Young said of the band’s Thursday main-stage set. “That’s why I like Ichthus a lot, because I actually get to do this and my family is close by. My daughter is 81/2 months old, and yesterday was her first Disciple concert. I didn’t get to see her face, but my wife said she was kicking a lot, so apparently she liked the music.”

The biggest concentration of local talent was earlier that day on the worship stage where bands competed in the third annual Ascenxion Scout Competition. The first year of the competition, three bands were selected in an online competition to play Ichthus stages. The past two years, the competition’s finals have been live the opening morning of the festival, meaning even if they don’t advance, all the competitors can say they played Ichthus.

They included 16-year-old Radfordville resident Allison Stafford, who said when she saw Christian rocker’s BarlowGirl at Ichthus two years ago, “I decided I wanted to do that.”

Playing a festival like Ichthus gives local acts, as well as other less familiar bands, a chance for people to run across their music as opposed to concerts or club dates, where a lot of people who come are already familiar with the band.

“We got a really good crowd response,” Landon Cunningham, Rookie’s drummer, said the day after their Friday set on the Edge Stage. “It’s great that they are providing this kind of opportunity to local bands,” he added, noting some other area acts such as Wilmore’s Shane Tracy Project also got moments in the spotlight.

A few locals even got main-stage shots: The Lee Roessler Band, which won the Ascenxion Scout Competition, and Lexington’s Too Many Drummers, which got there via another competition.

But possibly the most prominent local musicians on the Ichthus stage this year were area worship leaders who led devotional times late each afternoon.

Amaris Blevins sang with the worship "all-star team," at Ichthus on June 12.

A group from Quest Community Church and then a worship “all-star team” — comprising musicians from churches such as Southland Christian, Centenary United Methodist and Southern Acres — took the stage in the evenings, where nationally known artists used to play.

“It’s different from church,” said Amaris Blevins, a singer at Southland who was part of the team. “It was a lot more people and a different energy from church.”

And while the worship all-star team isn’t looking for a recording contract the way bands might, the musicians did appreciate the opportunity.

“I like that they’re getting more locals involved,” Jonathan Mckeowen, a guitarist with the group, said. “It used to be kind of hard to get in here.”

Remember, so long ago, Thursday, as the 40th edition of Ichthus was getting started? Jason Morrow has some video to remind us.

Donna Sheehy in her goth ministry tent at Ichthus. Photo by Gabriel Tait for LexGo.com.

Walk into Donna Sheehy’s tent at Ichthus, and you will probably be offered gooey eyeballs or minty maggots. The 53-year-old Northern Kentuckian is known among Ichthus staff as the “Goth mom,” and her ministry is to people embrace the goth lifestyle, often seen as in opposition to Christianity.

“People often think of it as witchcraft and vampires,” she said.

And the ministry does work with people coming out of those communities - vampires, she says, are people addicted to drinking blood.

But the ministry does not tell people they have to stop being Goth to be Christians.

“God looks at the heart,” she says. “This is the shell. I’ve been goth for a long time. I like the style, but I also love Jesus.”

Mark Feuerstein as Hank Lawson, Reshma Shetty as Divya Sharma, and Paul Costanzo as Evan Lawson in Royal Pains, premiering in USA June 4. Photo by Barbara Nitke | USA Network.

When she was on stage at the University of Kentucky early this decade, Reshma Shetty was known for playing ambitious young women such as Zelina in Don Giovanni and Musetta in La Boheme.

Reshma Shetty. Photo by Justin Stephens | USA Network.

Next week, the nation will get to know Shetty as an ambitious physician assistant in the new USA Network series, Royal Pains.

The series, which debuts at 10 p.m. June 4, centers on a doctor, Hank Lawson (Mark Feuerstein), who retreats into private medicine for wealthy residents of the Hamptons after a career setback. Shetty plays a woman from a wealthy family who talks her way into being Hank’s assistant. It’s a gig she has to hide from her family, who would not approve.

After leaving UK, Shetty studied at the University of Cincinnati College-Conservatory of Music and had the lead role of Priya in the national tour of Bombay Dreams by A.R. Rahman, who went on to win two Oscars this year for his work on Slumdog Millionaire. Shetty is now based in New York, where she has worked with numerous theaters, made her Off-Broadway debut in Ayub Khan-Din’s Rafta Rafta, and has appeared in guest roles on shows such as 30 Rock.

Reshma Shetty as Dorine in UK Opera Theatre's 2001 production of Tartuffe. Photo by Dwayn Chambers.

In a 2006 article previewing UK Opera’s annual Grand Night for Singing showtune concert, director Everett McCorvey recalled suggesting Shetty be in the annual event and, “”She looked at me as if I just asked her to kill her mother,” McCorvey said.She has since become something of a poster child for how an opera student’s career can evolve away from the High C’s. Grand Night for Singing, by the way, is June 12-14 and 19-21 this year.

Julie Schindall (right) shows 8-year-old Isadora Koch the proper way to hold marimba mallets Saturday at the WEKU event at Joseph-Beth Booksellers. Photos by Rich Copley | LexGo.

After Lexington Philharmonic bassist Joe Tackett finished his chat with WEKU Morning Classics host Michael Carter at Joseph-Beth Booksellers Saturday, he pointed something out.

During the chat, part of a WEKU/Joseph-Beth Gives Back event at the book store, Carter had played several musical selections like one of Maurice Ravel’s Slavonic Dances.

“Every time Michael played a piece, kids would come over and stand,” Tackett said. “Some of them even started to dance. Kids innately recognize great art.” Then, noting some adults he saw rush their kids along, he added, “It the parents that try to tear them away from it.”

Particpating in the WEKU event were (clockwise from top, left) Joe Tackett, Julie Schindall, Michael Carter and Roger Duvall.

Did we mention Joe is the Phil’s education director, too?

Certainly there were some serious blocks of time in the afternoon event devoted to adults talking about music. I discovered both Joe and I share the same roots in our love for classical music. John Williams’ music caught Joe’s ear when his father took him to see The Empire Strikes Back (1980). So, when I sat down to chat with WEKU station manager Roger Duvall, I had to share my similar experience when my parents gave me the soundtrack to Star Wars (1977).

Classical music probably owes a lot to George Lucas commissioning those iconic scores.

Roger called our conversation Dancing about Architecture, a reference to the oft quoted but hard to attribute aphorism that writing and talking about music is sort of like dancing about architecture. And indeed, while we did have a good conversation about this highly transitory time in Lexington music, from my seat, the most fun was trading short passages of favorite works with Roger. He kicked it off with a segment of Aaron Copland’s Appalachian Spring, and I got to answer with Dawn Upshaw singing the opening passage of Samuel Barber’s Knoxville: Summer of 1915 – if there’s a more perfect representation of a Southern summer evening, I am not aware of it.

Michael and Joe also had a great chat, zeroing in on the idea that enjoying classical music is not so much something you learn as it is something that comes naturally.

And the best demonstration of that came in those children who wandered over from the kids book section to hear, and later in ones who were brave enough to step up and try their hand at marimba with musical guests Julie Schindall and Ian Meiman.

We came in to talk about the future of classical music. But in their faces, we got to see it.

Ian Meiman gives 5-year-old Annika Koch a high-five after she plays the marimba.

Rob Way of Louisville serves up burgers at one of Bruce Gernstein's concession tents around Churchill Downs on Derby day. Photo by Rich Copley | LexGo.

A lot of Kentuckians like to go to the Kentucky Derby. Many also like to work there.

Rob Way was flipping burgers Saturday morning at one of Bruce Gernstein’s concession tents located on the Churchill Downs concourse.

“To him, it’s gigantic,” Way said of Gernstein setting up shop at the Derby. “It’s about 40 percent of his business.”

His sentiments are shared by other Kentucky businesses around Churchill Downs, all the way up to Brown Forman distillers, the people who bring you mint julep ingridients Woodford Reserve and Early Times.

“Derby is very important to us,” spokesman Tim Laird said. “You think of Derby, you think of bourbon.”

Several of the Kentucky business folks just agreed they’d like to see more like them at the Derby.

“The thing that irritates me is a lot of the business from out of the state come in here,” Way said. “It’s the Kentucky Derby, not the out-of-state Derby.”