Copious Notes

Ichthus Farm looked peacful Friday afternoon. It won't look that way next Friday. Photo by Rich Copley | LexGo.com.

Ichthus, has it really been 10 years?

The first year I covered the Ichthus Festival was 1999. The festival, which returns next week with its 40th edition, had just made the move out from the campground in Wilmore to the Ichthus Farm on U.S. 68, just outside town. It was still primarily run by student volunteers from Asbury College and seminary, and Christian pop was in the midst of tasting a steady stream of mainstream success.

In the ensuing 10 years, a lot of bands have crossed the stage: That’s about 30 headliners over the past decade, and lots of acts on the under-cards that certainly made a mark. So, with this personal anniversary and 10 years at the farm in mind, here’s my list of best-and-or most memorable performances at Ichthus over the past decade.

1. P.O.D., 2000: Before Satellite put P.O.D. atop the rock charts in 2001, the San Diego band came to Ichthus to play a late Friday afternoon set. Many people knew who they were before the set, but everyone was aware by the time it was over.

We said the Boys from the South played “the kind of show that makes you wonder whether the performers dropped dead when they walked off the stage.”

The band, which usually tours with hard-core mainstream metal bands, played an impassioned set, primarily from the album The Fundamental Elements of Southtown, seemingly fueled by the embrace of a Christian crowd.

Michael W. Smith on stage, in the snow, at Ichthus 2005. Photo courtesy of Ichthus.

2. Michael W. Smith, 2005: This was the final set on the day that changed Ichthus forever. Friday of the 2005 fest was warm and sunny until the evening, when severe thunderstorms ripped through, shredding the campsite and scuttling an evening lineup of TobyMac and Audio Adrenaline. The next day, temperatures plunged into the low 40s.

By the time Smith took the stage, snow was falling over Ichthus.

He was playing piano wearing gloves with the fingertips clipped off and a winter cap from his merchandise table. The worship set with Watermark was seen by few, but will never be forgotten by those who stuck it out.

The next year, Ichthus moved to June.

3. Audio Adrenaline, 2006: After this show, Audio A made one more Central Kentucky stop, at Rupp Arena, before breaking up for good in 2007. But this was the last time we saw together the core of the group, which formed at Kentucky Christian College.

Ichthus was Audio Adrenline’s first festival when the band was starting out, looking to be heard. Many, many hit songs later, playing the festival-closing main-stage gig, it was clear that the band remembered where it came from and appreciated that playing Ichthus for the last time was closing a major chapter in its career.

TobyMac in his 2002 Ichthus performance. Photo by Janet Worne.

4. TobyMac, 2002: Up until this year, Toby has played every Ichthus since releasing his first solo album — well, he’s been scheduled to play, as he’s been rained out twice. Those have included some great sets such as a Saturday night throwdown in 2007.

But his first solo gig at Ichthus, under chilly rainy skies with fans standing ankle deep in mud, was noteworthy in its scrappiness.

Not too far removed from his headlining days with dc talk, this slot and these circumstances could have seemed like a comedown to Toby. But he and his band attacked their set with an energy that warmed the soggy amphitheater. Giving it up for crowds like this is probably a big reason why Toby has returned to headliner status.

5. The Ascenxion Band, 2006: Contemporary Christian music fans known so much about everyone on stage at Ichthus, it is rare to find an act that can totally catch you by surprise. But that’s what Ascenxion did when they took the stage at Ichthus 2006.

The “all-star” act of Nashville session players was basically a set of unknowns to festivalgoers. But they quickly had everybody’s attention with stellar musicianship.

Ascenxion has returned to the fest each year since and delivered fabulous performances. But the surprise of that first outing made that set unforgettable.

Jon Foreman of Switchfoot at Ichthus 2007. Photo by Rich Copley | LexGo.com.

6. Switchfoot and Relient K, 2007: A dream lineup of crossover acts topped the ’07 fest with sets that showed why the bands have such broad appeal. Striking in the showcases were often goofy Relient K’s virtuosity and how clearly Switchfoot’s social justice and personal responsibility messages rang through the rock ’n’ roll.

7. Jennifer Knapp, 2001: The bluesy rocker’s amazing Ichthus set is one of the main reasons I keep wondering whatever happened to her.

8. David Crowder Band, 2008: Is there a group better tailored to bring worship music to a crowd of 18,000?

David Crowder performs at Ichthus 2008. Photo by Rich Copley | LexGo.com.

What’s amazing is how Crowder can have you laughing at a keytar (one of those guitar-looking contraptions with a keyboard) one minute and lost in a song like O Praise Him the next.

9. OC Supertones, 2001: The ’Tones were a big act in ’01, big enough that they were invited to play the Dove Awards that year. Problem was, the Supertones were also booked to headline Ichthus the same night.

They played the Doves, but the next night, they came to play Ichthus. There was no room on the main stage, so they played the second stage (there was only one, back then) giving fans as intimate a Supertones show as they could ask for, back then.

John Varnadeau (Xanadu) of Atlanta, Georgia, dances with Family Force 5 on the Main Stage at ichthus in Wilmore, Ky., on Saturday, June 14, 2008. Photo by Emily Spence | Staff.

10. Family Force 5, 2008: What better band for a Saturday afternoon party than the boys from Marietta, Ga. The band that has quickly become a fan favorite put an any early punctuation mark on Ichthus ’08 with its late afternoon set featuring bright renditions of well-worn tracks from its album Business Up Front, Party in the Back and some new stuff.

This year, FF5 closes out the proceedings Thursday night. Will it be another set for the decades?

Producer Marty Spears and host Steve Gorman, also the drummer for the Black Crowes, prepare for Gorman's broadcast from Churchill Downs. Photo by Rich Copley | LexGo.

Black Crowes drummer Steve Gorman says, “I have a bizarre perspective on things because I spent the last 20 years in a rock band touring the world.”

Gorman, who moved to Hopkinsville when he was 10, brought that bizarre perspective to Kentucky’s signature event, Saturday. He got a $7.99 thrift-shop suit, just for the occasion.

A few years ago, Gorman started showing up as a guest on a friend’s show for Nashville’s sports radio outlet, WGFX-104.5 FM (The Zone).

“First it was 10 minutes, then it grew into 15, 20, and eventually a whole half hour,” Gorman said, leaning on the rail outside the media center overlooking Churchill Downs’ muddy track.

Steve Gorman, on the air in Louisville.

Eventually, he was offered his own show, which usually runs for two hours on Sunday nights. For Gorman, it’s a natural fit. With the Crowes, he is often the guy who does radio spots for the band. And he says Sports Center is regular viewing for the group, which rose to fame on hits such as Hard to Handle and Jealous Again and is still a going concern with an upcoming album and tour.

That said, Gorman claims no actual sports expertise.

“We start with sports, and then we try to veer off track as quickly as possible,” Gorman says. “I love being the dumbest guy in the room. If I’m the smartest guy in the room, we have a problem.”

Gorman co-hosts the show with his friend Brandon Gnetz, a graphic designer for Nashville’s Frist Center for Visual Arts.

Among the host’s favorite sports to discuss are European soccer and his Western Kentucky University Hilltoppers.

“I claim no objectivity,” Gorman said. “When Gonzaga beat Western Kentucky, as far as I was concerned, the NCAA Tournament was over. Bring on the NFL Draft.”

Though he grew up in Kentucky, Louisville always seemed much farther away than Nashville. Still, he is now happy to embrace the Bluegrass State’s longest standing sporting tradition.

“I’ve actually talked to a lot of people in the last month getting ready for this and learned a lot,” Gorman said.

Friday afternoon, he found himself in the winner’s circle mere feet from Kentucky Oaks winner Rachel Alexandra.

“These horses are amazing althletes,” Gorman said. “It’s really a great sport.”

Not that it couldn’t be greater.

Among suggestions Gorman had as he started his Saturday afternoon broadcast were fans getting a little bit more vigilant about rooting for their horses, New York Yankees vs. Boston Red Sox style.

“Think about two drunk guys, one in a Friesan Fire jersey and one in an I Want Revenge jersey,” Gorman said, “It would be great.”

He also has a theory about Derby hats: “It’s saying look at my hat, and don’t notice that my dress doesn’t fit. I should have gone with the size 8.”

And a lot of this came out before the second hour of his show, which he promised listeners would be done, “juleps in hand.”

Like Gorman said, he brings a different perspective.

Louisville arts groups have announced a new program that will offer $10 rush tickets to more than 70 performances during the balance of the 2008-09 arts season, including propductions by Actors Theatre of Louisville, the Louisville Orchestra, Louisville Ballet and the Broadway series.

The program is part of an effort to battle the faltering economy that is putting a pinch on arts groups and patrons alike. Last month, Louisville arts groups saw their city funding cut by 50 percent.

“As an arts community, we are very grateful for the enormous support and positive feedback we receive each year,” Stephen Klein, President of The Kentucky Center, said in a news release. “This is a way for us to give back, something especially important in light of the current economic crisis. Patrons will now have the opportunity to see award-winning live performances for the price of a movie ticket.”

Discounted performances at the Kentucky Center will include the Mark Morris and Alvin Ailey dance groups. Other groups will be offering shows such as productions in the Humana Festival of New American Plays and Leonard Bernstein celebration by the Louisville Orchestra.

The Arts Rush tickets will be available in person at the box office two hours prior to the selected performances.