Copious Notes

Amanda Balltrip, shown as Ann Rutledge in October's "River of Time," has never left the Kentucky District Round of the Met Auditions empty handed. She'll compete again Saturday. Photo by Rich Copley.

Usually singers in the Kentucky District round of the Metropolitan Opera National Council Auditions have a 1-in-5, maybe 1-in-4 chance of advancing to the next round. This year, it’s more like 1-in-9.

Maybe it’s some sort of anniversary karma because this will be the 10th year the Kentucky District auditions have been contested in Memorial Hall, but regardless of the cosmic reasons, the fact is 28 singers are going to give it a shot Saturday.

Reginald Smith Jr., 21, will compete in the Met Auditions for the first time, Saturday. Nick Provenzale, foreground, is also in the field of 28. Photo by Rich Copley.

We don’t know a lot of these singers, as they hail from Indiana, Cincinnati and even as far off as New York and Chicago. But in the midst of them is a veritible all-star team of University of Kentucky singers we know very well, including virtually all the leads in October’s world premier production of Joseph Baber’s “River of Time.”

And over 10 years, UK has developed a strong record of sending people who come into town looking for an easy win home empty handed. Certainly any of the voices judges will hear could break through to the regional round in Indianapolis, but here are a couple of locals and one well-known visitor worth watching:

Amanda Balltrip — She has never left a Met Auditions empty handed. Her first two years she won the encouragement award and last year she broke through to the regionals. Clearly a variety of judges have liked what this 24-year-old soprano does, so it wouldn’t be at all surprising to see her finish in the money again.

Former UK student Afton Battle, the last UK student to advance to the national rounds of the Met Auditions, will be competing Saturday. Photo by Tim Collins.

Reginald Smith Jr. — Since 2000, when 21-year old Asbury College tenor Norman Reinhardt won the first Met Auditions at Memorial Hall, Lexington fans have understood the Met likes to get singers young. Since he appeared as the baritone soloist in George Zack’s final “Messiah” in 2007, 21-year-old Smith has been knocking local music fans out with his massive voice. Given his age, if he has a similar effect on the judges, it’s easy to imagine him advancing to Indy.

Afton Battle — Speaking of massive voices, Battle was the last UK singer to advance from the Kentucky Districts to New York, where she competed in the national semifinals. A former student of late UK voice professor Gail Robinson, Battle has moved on to Westminster Choir College in Princeton, N.J. But she’s returned to Kentucky to take another shot at the Met, and Lexington could easily be the first of several steps for her, again.

Of course, there are 25 other singers in the field, and one thing that was striking last year was the vastly improved quality of the Kentucky District field over the years. So, regardless of who wins, it should be a great day for the audience.

Billy the Barber (Reginald Smith Jr.) is a key character in reminding Abraham Lincoln (Nick Provenzale) of his commitment to fight slavery. Photo from Sept. 29 rehearsal by Rich Copley, LexGo.com.

I’ve talked before at le blog about the challenge of reviewing University of Kentucky Opera Theatre productions because the collegiate company always double-casts shows due to singers’ needs for vocal rest — professional companies rarely put a show up on consecutive days for that reason — and to spread experience around.

It has its up sides, of course, but one downside is that only one cast gets reviewed by the paper. We simply do not have the time or space to review a show twice, and waiting for both casts to perform would hamper our efforts to deliver a timely review.

The same is true for UKOT’s world premier production of River of Time, which opened Thursday night at the Lexington Opera House. Nick Provenzale sings the lead role of Abraham Lincoln all three nights, but most of the primary singing roles are double cast. We reviewed Cast A (UKOT’s termionology) last night, which acquitted itself quite well in a new opera that had some big issues in story and pace.

Abraham Lincoln (Nick Provenzale) tries to comfort Ann Rutledge (Julie La Douceur) in her final hours in "River of Time."

That said, I did get to catch Cast 1, which performs tonight (Oct. 9), in a rehearsal last week, and if you are holding tickets for tonight’s performance or are thinking of going, I don’t think you’ll be shortchanged.

Among the standouts set to go on tonight are Reginald Smith Jr. as Billy the Barber and Julie LaDouceur as Ann Rutledge.

Based on what I caught that evening, some of the different performers will likely bring different vibes to their work. LaDouceur’s Ann seemed sweeter and more whistful than Amanda Balltrip’s more feisty, jocular take. And Smith, whose voice will always get your attention, put a lot of comand behind his version of Billy, performed with tremendous empathy by Mark Elliott Golson II last night and Saturday.

So the takes may be somewhat different, but either way, you should expect some terrific performances.

Ann Rutledge (Amanda Balltrip) and Abraham Lincoln (Nick Provenzale) at a town dance in New Salem, Ill., in the world premier production of Joe Baber's "River of Time." Photo by Rich Copley | LexGo.com.

Note: Space is finite in newspapers, really more finite than ever. This being a new opera, I wrote a bit longer than a usual review, and a little bit longer than the printed page in Saturday’s paper will hold. This posting of our River of Time review contains portions that will not be in the print edition.

No one in Abraham Lincoln’s home state has celebrated the bicentennial of the 16th president’s birth as well as the University of Kentucky Opera Theatre.

At the start of the celebration in 2008, the Opera Theatre teamed with the Kentucky Humanities Council to present Our Lincoln, a multi-faceted tribute to the Hodgenville native that eventually traveled to Washington, D.C.

Before that show was even conceived, UK Opera Theatre director Everett McCorvey had commissioned an opera about Lincoln from composer Joe Baber and librettist Jim Rodgers.

That opera, River of Time, had its world premiere Thursday night at the Lexington Opera House. It’s not the unqualified success of Our Lincoln, but there is much to like and even potential for Baber’s opera to endure as a portrait of the president before he was presidential.

River of Time’s story takes Lincoln from birth through the death of his first true love, Ann Rutledge. Along the way, he fights with his dad, becomes a bookworm, grieves the deaths of the three most important women in his life and even wrestles.

That story makes for some great moments, including a slave auction in New Orleans where Lincoln declares that if he gets a chance to fight slavery, “I’m gonna hit it hard.” The scene, with a heavy dose of spirituals, is the grand opera spectacle of the show.

But for the most part, this opera strives for a soothing — sometimes too soothing — Midwestern feel, in the spirit of Aaron Copland or Samuel Barber. That’s exemplified in a small-town dance scene in which Lincoln and Ann realize that regardless of whether she is engaged to another guy, they are in love. Read the rest of this entry »

Click the play button to hear a podcast of our River of Time report for WEKU-FM 88.9:

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The University of Kentucky Opera Theatre presents the world premier production of composer Joe Baber and librettist Jim Rodgers’ River of Time Oct. 8-10 at the Lexington Opera House. The opera, commissioned by UK Opera, looks at Abraham Lincoln’s early years including his search for purpose in his life and the roots of his desire to fight slavery. Photos by Rich Copley | staff.

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