Copious Notes

Alex Parker as Sweeney Todd and Brittny Congleton as Mrs. Lovett sing "A Little Priest," from "Sweeney Todd" at UKMOO rehearsal Wednesday night. Photos by Rich Copley.

Brittny Congleton loves Stephen Sondheim’s music but has always been told that college students are too young to sing it.

“They’ll say, ‘Until you’ve had two divorces and suffered through alcoholism, how can you ­possibly understand Sondheim?” says ­Congleton, 22, a Transylvania University graduate.

Lexington attorney Pamela Perlman is Joanne singing "The Ladies Who Lunch" from "Company."

But there she was in the ­rehearsal room at UK’s Schmidt ­Vocal Arts Center, devouring “A Little Priest,” the number from Sweeney Todd in which Congleton as murderous Mrs. Lovett and Alex Parker as the “Demon Barber from Fleet Street” joke about all the people they have cooked into their pies.

“‘Sweeney’ is wonderful because you are exposed to Sondheim’s manic genius,” Congleton says. “He wrote this terrifying music about a demon barber, but it’s still so ­honest - it’s really scary, but based on incredible truth.”

Congleton and Parker’s ­performance will be part of “An ­Evening With Stephen Sondheim,” on Thursday at UK’s Memorial Hall.

It is the second production of the UK Musical and Operetta ­Organization, or UKMOO, which debuted with a Valentine’s-themed show at Natasha’s Bistro & Bar on a snowy night in February 2008.

The group’s formation ­exemplified one of the ­beauties of college: students using their skills to make opportunities for themselves.

The two ­opportunities that ­UKMOO forged were presenting musical theater and operetta, something that neither UK Theatre nor UK Opera Theatre do on a regular basis, and giving ­undergraduates more opportunities to perform.

“The main focus of the group is undergraduates and people from the ­community,” says Patrick Joel Martin, 22, a senior from ­Louisville. “Most of the leads in the ­opera productions are ­graduate students.”

The original plan for UKMOO’s second act was a full production of “Company,” Sondheim’s Tony Award-­winning drama revolving around a man on his 35th birthday and his group of married friends and girlfriends.

Martin, who’s directing Thursday’s show, had studied “Company” through the ­summer and had some ideal casting lined up, ­including UK student Adam VonAlmen as commitment-phobic Bobby and ­Lexington attorney Pamela ­Perlman as acerbic, oft-married Joanne.

Clayton Burchell sings "Nothing's Gonna Harm You" from "Sweeney Todd" with pianist David Erem.

But it became clear, Martin says, that because of classes and other performance demands, some key players wouldn’t have enough time to devote to a full-fledged “Company.” So, on the advice of faculty advisers Everett ­McCorvey and Margo Buchanan, they changed the production to a Sondheim ­revue. The audience will get a taste “Company”: ­VonAlmen and ­Perlman will perform their ­characters’ big numbers - ­”Being Alive” and “The ­Ladies Who Lunch,” respectively - as part of the show.

“Sondheim isn’t performed much around here,” Martin says. “The thing I like about this is it gives people a look at the breadth of his work.

“Some composers, like Mozart, you hear something and immediately recognize that’s Mozart. But there are things people have heard in this show and said, ‘I didn’t know Sondheim wrote that.’”

Sondheim has his fans in the cast, but the show has been an introduction to the Broadway legend for a few cast members, including Parker, who plays Sweeney.

“He has interesting ­melodies that start in one place and then don’t go where you expect them to go,” he says. “It’s been a real growing experience.”

In addition to “Company” and “Sweeney,” Thursday’s show will include numbers from “Into the Woods,” “Follies,” “A Little Night Music,” “Sunday in the Park With George” and “A Funny Thing Happened on the Way to the Forum.”

Next, Martin says, ­UKMOO will dip into the ­operetta pool with a Gilbert and Sullivan revue during the spring semester.

Dudley Webb gave a 15 minute prepared statement to the council then answered questions regarding the stalled Centrepointe development at a city council work session in Lexington, Ky., Tuesday, May 5, 2009. Thursday, three town criers will give their own take on Webb's statement. Photo by Pablo Alcala | Staff.

ELandF Gallery is back at it, announcing a line-up of three town criers who will read developer Dudley Webb’s letter to the Lexington-Fayette Urban County Council on Thursday.

Webb’s letter attempted to explain the apparently stalled Centrepointe project. In the letter, Webb stated that the project was still viable and he expected it to commence in the the near future. He also complained of being maligned by columnists, editorial writers, bloggers and others. Clearly, the ELandF criers won’t make the developer feel any better.

The gallery selected three criers, based on essays they submitted:

• Brittny Congleton, a comedic performer wrote, “By confronting this ridiculous letter of irresponsibility, we bring to the public a rallying point and reminder of broken promises, as well as our responsibility as citizens to communicate.” She said she hopes to wear a, “spectacular yellow dress — like a techni-color Alice and Wonderland (or a female Dick Tracy) searching the streets of Lexington for a purpose and a playground.”
• Elaine Parker wrote, “I can embellish the reading with snorts, groans, and eye rolling . . . “
• Alex Johns wrote, “The Centerpointe project was a huge blow to our local music scene. While both music locales and most the stores have found new homes, there is a different atmosphere and a lack of interest from the community.”

Demolition for the Centrepointe project dislocated numerous entertainment establishments including The Dame (now at the Main Street Live complex next to Thoroughbred Park) and Buster’s (relocating to the Distillery District later this year).

The Town Criers will begin their reading at Third Street Stuff Coffee, 257 N. Limestone, and then separate and read at various locations including the Centrepointe site until 1 p.m., when they will converge on the Puiblic kiosk at the corner of E. Main and Quality streets where they will read and post the letter.

The reading is the latest protest of the Centrepointe project from the gallery, which also sponsored a public mourner of the demolished buildings and other demonstrations.