Copious Notes

The first day of Ichthus 2009, the 40th edition of the Wilmore Christian music event, included rain and mud, a battle of the bands with mostly Kentucky acts, and an evening bill of Family Force 5 and Hawk Nelson.

Nathan Dickerson (in yellow) and Clayton Allender (white) of Maysville, joined Brittany Strong and Jillian Krouse of Lexington to dance and cheer on the Lee Roessler Band, which won the Ascenxion Scout Competition. Photos by Rich Copley | LexGo.com.

There’s plenty of pressure in performing in a battle of the bands in front of top record executives for the chance to play on the main stage at Ichthus and go on to another competition that could put you in line for a deal with a major label.

Add to that being woken up at 4:30 in the morning by a severe thunderstorm that makes you throw all of your stuff in plastic bags and sleep — if you can call it that — in your car for the rest of the night.

“Our campsite was flattened,” said Christina Conyers, one of the singers in CrossLife, one of the nine bands that competed in the Ascenxion Scout Competition Thursday morning at Ichthus.

Jones Beene, guitarist for Athens, Tenn. band Calling Glory, was in an actual home. But still, the thunder roused him around 5 a.m., and he decided to go ahead and get up.

Jacob Allen of Wisdom's Call in the Ascenxion Competition.

But that is not all the competing bands had to deal with. Since the campsite was closed due to weather issues until after 10 a.m., the competition, which was supposed to start at 9 a.m., was moved to one of the worship stages in the campground and didn’t start until nearly 10:30.

“The good thing was we were too busy running around to get to the new place to have any time to get nervous,” said Eric Draine of Versailles based Eyesuponus.

The competition did offer up a variety of Christian pop styles, from the worship set of CrossLife, to the atmospheric sounds of Calling Glory, to the metal of Elizabethtown-based Wisdom’s Call.

The bravery award had to go to 16-year-old Allison Stafford of Radfordville, who took the stage and said, “I don’t have a band, but I’m going to get up here and sing anyway.”

Allison Stafford, 16, of Radfordville performed by herself in the competition.

She was a lone girl with a guitar in the middle of a bunch of dudes with bands, and she confessed it did intimidate her, but, “I knew God was with me.”

Stafford said she had been inspired by seeing BarlowGirl at Ichthus a few years ago, and she said, “I want to do that.”

She got onto the Ichthus stage via an online competition that narrowed the field down for the live showdown, that was really cordial for something billed as a, “battle.”

The ultimate winner was the Lee Roessler Band out of Alexandria, in Northern Kentucky.

“It’s great,” said Roessler, the head of the trio. “But I don’t view it as a competition. We’re all out here just praising God.”

It was a competition with a prize. Roessler will play the Ichthus main stage at noon Friday. Calling Glory, the runners up, will play the Edge Stage at 6:20 p.m. Saturday, and third place finisher’s Wisdom’s Call will play the Edge at 3:10 p.m. Friday.

Mat Kearney. Photo courtesy of Columbia Records.

Review: Mat Kearney — City of Black & White

Mat Kearney approaches sophomore album pressure in a different way: He sings about it . . . in the opening lines of the opening track of his sophomore album.

Here we go at it three years later
Will you help me to dream it all up again?
Tired of the same song everyone’s singing
Rather be lost with you instead

Kearney’s 2006 Columbia Records debut, Nothing Left to Lose, was a mainstream hit and also found the artist embraced by Christian listeners for his faith and songs that certainly had faith-based underpinnings. Now, the aforementioned three years later, Kearney is back with a new album that should reaffirm the Christian market’s faith in him as well as his status as one of the leaders in the current singer-songrwriter ranks that includes Jason Mraz and Gavin DeGraw.

City of Black & White has some ambition, clocking in with 14 tracks that run around an hour. It also finds Kearney diversifying his sound and subject matter. The unity of the album is a steady echo, as if we are always navigating concrete and glass towers in an urban jungle. That best resolves in the title track, which ends in lonely threads that sound like dulcimer and slide guitar.

The lyrical content is empathetic, individualistic stories and portraits, Annie being the most immediate and memorable. Most of the songs have a spiritual interpretation, if not an overt message. With City of Black & White, Kearney has cleared the sophomore hurdle, and his future is sounding good.

The Ichthus Battle is set: Get your coffee, kids, because the Ichthus Festival’s Battle of the Bands will get started at 9 a.m. June 11, the first full day of the fest. Nine bands will be vying for a spot on the Ichthus Main Stage during the festival, and that winner will advance to a national competition between bands that win battles at other fests during the summer, with the possibility of a Word Records deal being the big prize.

The contendah’s are:

Eyesuponus of Versailles, which won a secondary stage spot in Ichthus’ first band battle in 2007.

7:13 of Paintsville

Crosslife of Owingsville

Too Many Drummers of Lexington

The Lee Roessler Band of Alexandria

Allison Stafford of Bradfordsville

Chasing Canaan of Shreveport, La.

Calling Glory of Athens, Tenn.

Those seven acts got in through online voting in the Ascenxion Scout Competition. Two additional bands made it through preliminary competitions.

Wisdom’s Call of Elizabethtown won a competition in Tennessee.

Divine Day, which was an Ichthus winner last year, won an Ohio competition.

The whole festival, numero 40 for the fish, is now under two weeks away. Keep checking in here and on my Twitter page for updates, stories and info. At Twitter, we use the hashtag #ichthus.

Danny Gokey visited Faith Builders International in Milwaukee May 8. Photo by Carrie Antlfinger | AP.

This year’s American Idol finals ­offered the nation 13 singers from across the country with ­different strengths, looks, backgrounds and styles. But six of them had ­something in common, aside from wanting to be the next American Idol: They all had experience as church worship leaders.

That included two of the final three competitors in the eighth season of Idol, which wraps up Wednesday with a two-hour season finale.

Danny Gokey, 28, was praise and worship leader at two Faith Builders International locations in Wisconsin.

Kris Allen performs Kanye West's "Heartless" on "American Idol" May 12. Photo by Frank Micelotta | PictureGroup for FOX.

And Kris Allen, 23, has worked with praise and worship teams at two New Life churches in Arkansas.

Gokey was booted Wednesday night, so Allen is the one who is going on to compete in next week’s final against Adam Lambert, long considered the front runner in this year’s race. And that was fine by several Christian music observers.

“I see the worship leader in Danny, but Kris has more of the ability to be artistic,” said Joanne Brokaw, a Christian music writer who brought the preponderance of worship ­leaders in this year’s Idol field to light with a Feb. 27 post on her Beliefnet.com blog that asked, “Is this the season of the worship leader?”

Other artists in this year’s final group who have Christian music backgrounds were dueling pianist Matt Giraud, blind musician Scott MacIntyre, oil rigger Michael Sarver and Memphis mother Lil Rounds.

“The thing that really struck me was not just that they were Christians, but they were church worship leaders,” said Brokaw, who has since ­predicted Allen will win the finale, already ­being ­characterized by some as David vs. Goliath. “These are people who have actively been ­working within their churches as musicians.”

And that work can give a singer a leg up on the ­competition. Read the rest of this entry »

Review: Newsboys, In the Hands of God

Out of the weirdness that has been the Newsboys of recent months comes a new album — a new album with the old guy on lead vocals. Or is he the old guy, or just the singer who will no longer travel with the group? It’s a murky picture, but what we do know is the Aussie group has released its first album since frontman Peter Furler announced he would not be touring with the band anymore and former dc talk member Michael Tait took over the mike.

In the Hands of God was recorded before that, and it is unmistakably Newsboys in sound and tone. You get the feel of an act wanting to take one last sweep through its current state before everything changes, such as the late-90s humor in The Way we Roll and the more recent worshipful nature of the title track. Problem is it all sounds like classic Newsboys, but nothing is quite as compelling as the best of the band’s catalog. Maybe it was time for a change.

Review: Sarah Reeves, Sweet Sweet Sound

Sarah Reeves could have titled her debut album “Getting to Know You,” if she didn’t have a nice little title tune to bing off of. Her short debut — maybe EP most accurately describes this offering — is a sextet of nice personal songs co-written by Reeves that leave a strong impression of a young woman very devoted to worship and looking for direction in how to use her gifts.

While none of the tunes are terribly distinctive or instant classics, the 19-year-old Alabamian had a pretty cool opportunity to write with longtime hitmakers Ed Cash and Matt Brownlee. And the voice we hear is young, earnest and full of hope. With Sweet Sweet Sound, we can say we’ve been introduced to Sarah Reeves, and we hope to hear more from her.

Ichthus tick-tock: Time is running out on two things you can act on with Ichthus.

1. The latest ticket-price increase is being held off until May 22. So, until then, full weekend tickets are $98, single-day tickets are $53, single evening tickets are $56 and children ages 7-10 are $57 for the weekend and $37 for a day. After the 22nd, the weekend adult tickets pop up to $108 and all other tickets increase too. You can order tickets at the festival website or by calling (859) 858-3001. Ichthus is also advertising payment plans for tickets.

2. There are only a few days left in voting for the Ascenxion Scout Competition. The Top 5 acts will be on the Deep End Stage the first day of the festival, and the top act, as chosen by judges during those performances, will get to play Ichthus’ Main Stage July 12 and the Deep End July 13.

The 8 Kentucky acts in the 13-band competition are:

Versailles’ Eyesuponus

Paintsville’s 7:13

Owingsville’s Crosslife

Paintsville’s Battlelion

Bradfordsville’s Allison Stafford

Alexandria’s The Lee Roessler Band

Wilmore’s The Shane Tracy Project

Lexington’s Too Many Drummers

Voting ends May 15.