Copious Notes
The journal of a Kentucky culture vulture
-
Sep24
Review: Jeremy Camp at Quest Community Church
Filed under: Music, Religion, Reviews, rc talk - Christian pop culture; Tagged as: Bebo Norman, Give Me Jesus, Jeremy Camp, Natalie Grant, Quest Community Church, review2 Comments
Jeremy Camp listens for the audience to sing back the chorus to "Tonight" during his Thursday night performance at Quest Community Church. Photos by Rich Copley | LexGo.com.
After nearly an hour of performing rousing rock ‘n’ roll (and encouraging the audience to “dance like nerds” with him), ballads and worship, Jeremy Camp sat down at an upright piano Thursday night and sang a spiritual.
“Give me Jesus, give me Jesus,” he sang, bathed in lavender light. “You can have all of this world. Give me Jesus.”
Hunched over the keyboard, his face shielded from the crowd, Camp’s voice filled the room with the same kind of power that seemed to exist in his biceps — toned by px90 workouts — and simultaneously had the tremor of a young man who’s already endured some trials, including losing a wife to cancer and an unborn child in a miscarriage.
Whether in recordings or on stage, there is nary an un-genuine moment from Jeremy Camp, which is a big part of why he can so seamlessly rock, worship and sing empathetic ballads — I’ll Take You Back is still his best tune, which he performed Thursday with a bit more fire than some acoustic renditions he’s delivered in the past.
The new sanctuary at Quest Community Church proved to be an ideal venue for Camp, as the 2,400 seat auditorium would probably be great for any artist seeking a midsized room. That describes a lot of Christian artists. It’s not clear whether Quest intends to use its facility as a Christian concert hall — this show was booked by an outside promoter — but you have to think word will get out about the room, which you had to keep reminding yourself is a church.
And there were two other artists on the bill to testify for it. Natalie Grant played right before Camp with a more rock oriented show than you might expect and a moving rendition of God of This City, and Bebo Norman opened the night flanked by a superior sideman in Gabe Scott, who flipped between guitar, keyboards and hammer dulcimer.








