Copious Notes

Kayoko Dan takes a bow with the Central Kentucky Youth Orchestra Concert Orchestra Sunday night at the Lexington Opera House. Photos by Rich Copley.

Since I am a Central Kentucky Youth Orchestra parent, I stay away from writing about CKYO for the paper — sort of an obvious conflict of interest there.

Dan addresses the audience.

But it is certainly worth noting that the Kayoko Dan era officially got underway Sunday night with the Youth Orchestra’s season-opening concert at the Lexington Opera House. The group’s Symphony Orchestra and Concert Orchestra played a tidy program of just over 90 minutes that included music from Peter Ilyich Tchaikovsky’s “Swan Lake” for the Concert players and the third movement Gustav Mahler’s “Symphony No. 1 in D Major ‘Titan’” for the Symphony. That was some challenging stuff, to say the least.

Also debuting was CKYO assistant conductor Daniel Chetel, who was actually a candidate for the top spot and ended up coming to Lexington to pursue a doctorate in musical arts and conducting at the University of Kentucky, where he also serves as assistant conductor of the UK Symphony. Chetel, who holds a bachelors from Harvard and a masters from the University of Maryland, was offered the Kentucky post by UK Symphony director John Nardolillo after he interviewed for the CKYO job. Sunday night, Chetel conducted the Concert Orchestra in an arrangement of Modest Mussorgsky’s “The Great Gate of Kiev” and the Symphony in the second movement of Ludwig van Beethoven’s “Symphony No. 7 in A Major.”

Assistant conductor Dan Chetel greets Concert Orchestra concertmaster Laura Saikawa after conducting Mussorgsky

The Symphony’s program was a bit of an introduction to Dan as she said from the stage it was her favorite movements from symphonies. Bookending the Beethoven and the Mahler on that program called “Symphonic Progression” were the first movement of Franz Joseph Haydn’s “Symphony No. 104 in D Major ‘London’” and the fourth movement of Tchaikovsky’s “Symphony No. 4 in f minor.”

When Dan auditioned for the Lexington Philharmonic’s music director post, Tchaikovsky was also a centerpiece of her LPO concert with music from “Swan Lake.” So, judging by her programming — Tchaikovsky’s “Russian Choral and Overture” opened the concert — and comments from the stage Sunday, it looks like CKYO kids will be getting used to Peter I.

Chetel’s presence also drove home the fact the Philharmonic and Youth Orchestra’s recent music director searches yielded two new conductors each: new Philharmonic music director Scott Terrell and Dan, who first came here as an LPO candidate, and Dan and Chetel at the CKYO. So Lexington’s conductor pool is enhanced with a trio of new talent, which is certainly worth noting.

Lexington Philharmonic music director Scott Terrell conducts a combined rehearsal of the Central Kentucky Youth Orchestras' symphony orchestra and the Philharmonic Oct. 19. CKYO director Kayoko Dan stands at the back of the orchestra, in a black blouse. Photos by Matt Goins.

When I moved to Lexington in 1998, one thing that immediately struck me about the ­local arts scene was the prominence of children and organizations geared toward children.

The Lexington Children’s Theatre’s shows rated the same sort of attention as productions at Actors Guild of Lexington and other area stages.

The Central Kentucky Youth Orchestras’ events and personnel moves were prominent news. There were two institutions - the Explorium (then, the Lexington Children’s Museum) and the Living Arts and Science Center - geared toward children’s arts, particularly visual arts.

The School for Creative and Performing Arts had a prominent place in town, but there were stage, art and music programs at other schools also producing talented graduates who went on to arts careers.

Children’s Health magazine recently ranked Lexington No. 6 on its list of the 100 best places to raise a family. The criteria included crime and safety, education, economics, housing, cultural attractions and health.

I’d be willing to bet that if someone wanted to rank best places to be an artsy kid, Lexington would rate high on that list, too. By virtue of what is offered, we tell our children that the arts are something to do and be respected for doing.

Students Madelyn Nelson, left, Sara Arthur-Paratley, and Mary Rollins-Mathews rehearsed with the Lexington Ballet on Monday in preparation for Youth Arts Day.

The Lexington Philharmonic, the Horse Capitol of the World’s flagship arts organization, will celebrate young artists with its Youth Arts Day family concert at 3 p.m. Sunday at the Singletary Center for the Arts. It will include young singers from SCAPA, Fayette County Public Schools and the School of the Lexington Ballet.

The prominence of youth-oriented groups here is quite a bit more than other communities that I have lived in or observed. Over the nearly 12 years since I arrived, it has become clear that a big reason for that is quality.

Take the Children’s Theatre: In a town that has struggled with the concept of professional theater for adults, the Lexington Children’s Theatre has established itself with its own building on Short Street and a professional staff, including actors. What’s more, Larry and Vivian Snipes have developed a national reputation for the theater by being a venue that presents and creates new work. And the primary beneficiaries are kids.

And it really wasn’t terribly surprising that when the Central Kentucky Youth Orchestras went looking for a new music director at the same time that the Lexington Philharmonic was trying to fill a similar job, it ended up attracting and hiring Kayoko Dan, also a candidate for the Philharmonic post.

CKYO has graduated numerous professional musicians, including Chicago Symphony Orchestra violinist Nathan Cole and hard-to-categorize cello soloist Ben Sollee.

Outside of groups directly geared toward kids, Lexington arts groups have been generous to kids.
Look at Paragon Music Theatre, which routinely loads the stage with kids, including Hello Dolly! this weekend, and even makes a place for them in its cabaret shows.

During years without a professional company, the Lexington Ballet featured its students in productions, and it and Kentucky Ballet Theatre, which has always had a pro troupe, always find ways to present students. Former Ballet Theatre dancer Adalhi Aranda Corn saw such value in Central Kentucky’s young artists she left and formed Bluegrass Youth Ballet and eventually built CulturArte, an arts facility that acommodates a variety of disciplines.

Possibly one of the biggest statements about valuing student artists was when the Lexington Singers’ ­Children’s Chorus was invited to perform in the Our Lincoln performance at the Kennedy Center in Washington in February.

And now LexArts has formed a Youth Arts Council to help focus young artists in the area.

Clarinetists Andrew Burton, 14, left, of the Central Kentucky Youth Orchestras and Mike Acord of the Philharmonic rehearsed together Monday.

Full disclosure: My children have participated in some of these groups, and one is in the Central Kentucky Youth Orchestras, although not the ensemble performing Sunday with the Lexington Philharmonic.

In addition, I’ve gotten to know many other kids who participate in groups. Maybe the most important thing these groups engender is enthusiasm for the arts they are participating in. I hear spirited discussions about play rehearsal and genuine interest in Bach sonatas.

Like anything, Lexington’s youth arts scene isn’t perfect. I remain baffled, for instance, why SCAPA does not have a theater of its own. Then again, SCAPA regularly solves that problem by putting its kids on stages usually graced by adults and pros.

It occurred to me as I left a CKYO rehearsal last week with my daughter that by virtue of her participation in the orchestra, she’s on the University of Kentucky campus every week. Most of us didn’t get used to being on a college campus until we had enrolled.

That’s just one of many ways that through our youth arts, regardless of whether the students pursue arts careers, by supporting such substantial programs, we’re preparing our kids for the rest of their lives.

When it rains, it pours in Lexington’s classical music world.

Friday, we heard Scott Terrell was taking the baton for the Lexington Philharmonic. Monday, we learned Kayoko Dan will ascend the podium for the Central Kentucky Youth Orchestras. Today, we can report on a new guy will be conducting the University of Kentucky Symphony Orchestra, and he already has a job at UK.

Rich Brooks signs his commemorative bottles for fans at Keeneland on April 10. Photo by Charles Bertram | LexGo.

Head football coach Rich Brooks will borrow the baton from orchestra director John Narolillo to conduct the UK Symphony for a performance of John Philip Sousa’s Stars and Stripes Forever at the beginning of Friday night’s otherwise all-Beethoven concert.

The guest conductor gig is part of the University of Kentucky Symphony’s status as the beneficiary of  this year’s Maker’s Mark commemorative bottle for UK athletics. The bottle features Brooks likeness, in recognition of his UK Symphony-like success the last three seasons, and proceeds are going to the orchestra’s educational efforts.

The idea came up, Nadolillo said, when he and Brooks were dipping the bottles in blue and white wax.

“I said, ‘Why don’t you come conduct the orchestra,’” Nardolillo recalled. “He said, ‘OK, what do you want me to conduct?’ I said, ‘How about Beethoven’s Ninth?’ He said, ‘Fine. And you can coach the LSU game.’”

For those unfamiliar with both professions, those would be comparable tasks.

Nardolillo, by the way, will conduct the rest of Friday’s concert, which will include Beethoven’s Symphony No. 9 “Choral,” featuring the UK choirs directed by Jefferson Johnson and Lori Hetzel, and Symphony No. 1.

Nardolillo says the orchestra stands to receive $1.2 million from the project, sponsored by Maker’s Mark and the Keeneland Foundation, which will go into an endowment fund for educational outreach programs.

Here’s a fun fact about Scott Terrell, who was announced Friday as the new music director of the Lexington Philharmonic Orchestra, and Kayoko Dan, who is being announced today as the new music director for the Central Kentucky Youth Orchestras.

As most Phil Phans know, Dan also auditioned for the Philharmonic job, and she and Terrell were the October auditioners: Dan in 2007 and Terrell in ‘08. So, aspiring music directors out there, it seems that if you want to get a job conducting in Lexington, October might be a good month to have your audition.

BTW, I will be very impressed with anyone who can tell me where the title of this post comes from.

The Lexington Philharmonic Orchestra will announce its choice for its new music director at Friday night’s concert, bringing to a close a two-year search for the successor to George Zack.

George Zack, whose successor will be named Friday. Photo by Matt Goins.

“This is the way we always wanted to make the announcement, and it looks like we’re on track to do it,” said Larry C. Deener, President of the Lexington Philharmonic Society, Inc.

Zack announced his retirement in December 2006, setting in motion a two-season search that saw 10 candidates conduct the Philharmonic between October 2007 and last month. Two candidates withdrew from the race after visiting — February auditioner Alastair Willis and March candidate Mei-Ann Chen.

That leaves eight candidates in contention for the spot:

• Kayoko Dan, assistant conductor of the Phoenix Symphony
• Alexander Platt, music director of the Waukesha Symphony in Wisconsin, resident conductor of the Chicago Opera Theatre and several other posts
• Darryl One, music director of the Victoria Symphony Orchestra in Texas
• Daniel Meyer, music director of the Asheville Symphony Orchestra in North Carolina, resident conductor of the Pittsburgh Symphony Orchestra and several other posts
• Alfred Savia, music director of the Evansville Symphony Orchestra in Indiana
• Scott Terrell, resident conductor of the Charleston Symphony Orchestra in South Carolina
• Jeffrey Pollock, last post was assistant conductor of the Fort Worth Symphony Orchestra in Texas
• Morihiko Nakahara, music director of the South Carolina Philharmonic

Deener said the announcement will come just before intermission of Friday’s concert, which will feature the Lexington Singers and Lexington Philharmonic performing works by Gabriel Faure and Ludwig Van Beethoven. Lexington Singers music director Jefferson Johnson and University of Kentucky Symphony Orchestra director John Nardolillo will co-conduct the concert.

At the concert, Deener said plans are to have brochures available with the programs for next season’s Masterclassics series, which will be the new conductor’s first season with the Philharmonic.

There are nine contenders to become the next music director of the Lexington Philharmonic Orchestra.  But in a completely unscientific, inconsequential-except-for-fun Copious Notes poll, just over half the readers voted for Mei-Ann Chen, the last candidate to audition with the orchestra.

Mei-Ann Chen conducts the Lexington Philharmonic in a rehearsal March 24. Photo by Rich Copley | LexGo.

Chen, currently assistant conductor of the Atlanta Symphony Orchestra, received 51.6 percent of the vote.

All of the contenders received at least a few of the 64 votes. Chen’s closest competitor in the poll was October 2008 auditioner Scott Terrell, who received 20.3 percent of the votes.

Here’s how the vote broke down:

• Mei-Ann Chen, auditioned March 2009 — 51.6%
• Scott Terrell, October 2008 — 20.3%
• Darryl One, January 2008 — 9.4%
• Daniel Meyer, February 2008 — 6.3%
• Alexander Platt, November 2007 — 4.7%
• Kayoko Dan, October 2007 — 3.1%
• Morihiko Nakahara, January 2009 — 1.6%
• Jeffrey Pollock, November 2008 — 1.6%
• Alfred Savia, March 2008 — 1.6%

Two notes: The poll ran from March 28 through April 5, with only one vote allowed per computer. There is no way of knowing whether voters actually saw any or all of the auditioners. Like I said, this was for fun.

Also, if you had not heard before, February 2009 auditioner Alastair Willis withdrew from consideration.

As for the vote that matters, Philharmonic search committee chair John Carpenter says the committee — which had several members out of town for spring break, last week — will meet Tuesday night to begin the selection process.

Here’s our slide show of the candidates in the Lexington Philharmonic’s music director search. Mouse over the bottom to get controls. Click on the little comment cloud to the left to activate captions. If you click on a photo, it will take you to a larger version of it at Picasa, and you can click the link at the bottom left for a larger version of the whole show.

When we started the Lexington Philharmonic’s search for a new conductor, Barack Obama was still best known as a Senator from Illinois, AIG was pretty much known only to financial folk and golf fans, and CentrePointe sounded like a term out of Rand McNally.

OK, the length of the search for the Phil’s new music director has not been as dramatic as those comparisons that tell you the last time something happened dinosaurs were roaming the Earth. But, it has been a long journey for the orchestra, its search committee and the Philharmonic’s audience.

Now, with Mei-Ann Chen’s concert complete, all of the candidates have crossed the Singletary Center for the Arts concert hall stage, and it is up to the committee to choose from the nine hopefuls — 10 came to town, but February candidate Alastair Wills took his name out of the running after his appearance.

It’s been a dramatic couple of years for an orchestra that had the same person, George Zack, on the podium for well over three decades.

In the last two seasons, I know I have learned things about conducting and so has the audience.

Conducting is an entrepreneurial pursuit: Starting with Kayoko Dan, back in October 2007, I began hearing story after story about how aspiring conductors had to pull together pick-up orchestras to help them sharpen their skills. Alexander Platt, Mr. November 2007, organized performances of Benjamin Britten operas at Cambridge. Chen made friends with composition students at the New England Conservatory and organized performances of their works. If you play an instrument, you usually have that instrument to practice with. If you play large groups of people, that’s another thing altogether.

Mentors mean a lot: Scott Terrell, who we saw last October, went on about how influential David Zinman has been in his career. Chen did not have enough words for Robert Spano of the Atlanta Symphony, where she is assistant conductor. Almost every candidate we talked to had some sort of mentor who helped him or her develop and helped them get their feet in the first few doors.

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