Copious Notes

Mark O'Connor rehearses with University of Kentucky graduate student Jessica Miskelly and the UK Symphpny Orchestra on Oct. 28, 2009. Photos by Rich Copley | LexGo.com.

It’s a typical rehearsal two days before a concert.

The University of Kentucky Symphony Orchestra is on the stage in the Singletary Center for the Arts Concert Hall with conductor John Nardolillo stopping occasionally to tweak parts, but mostly letting the music flow.

Centerstage two violinists trade increasingly virtuosic, knee bending phrases, somewhat reminiscent of a  little Peach State fiddle duel Charlie Daniels once sang about.

This is where things become less typical.

O'Connor and cellist Geoffrey Hershberger rehearse O'Connor's "Double Concerto for Violin and Cello."

One of the violinists is UK graduate student Jessica Miskelly. The other is Mark O’Connor, a classical music star who has distinguished himself by successfully bridging traditional classical music and American folk. He’s currently in the midst of a short residency at UK which will culminate in a Friday night concert featuring O’Connor, several of his compositions, the UK Choirs and several students sharing his spotlight.

“I’ve been doing more residencies the last couple of years at institutions,” O’Connor said in his dressing room, a few minutes before Wednesday’s rehearsal began. “Every time I show up at performances around the country, there’s all kinds of questions about, ‘Where’s this music going?’ and what your background is. There’s always some kind of educational component to it, so I just decided to expand that.”

In addition to UK, O’Connor works with students at the School for Creative and Performing Arts and the UK String Project, a primary school program, this week.

O’Connor has done his mini-residencies at prestigious schools such as the Curtis Institute of Music in Philadelphia and the University of California, Los Angeles.

But he wanted to come to Kentucky.

In part, it was because of a growing relationship between O’Connor and the orchestra, which included another visit several years ago and a performance in February with the UK Symphony at the John F. Kennedy Center for the Performing Arts as part of the Our Lincoln production.

“John Nardolillo has put a great emphasis on performance and getting the material ready,” O’Connor said, referring the UK Symphony’s director. “It’s just fantastic to see and hear . . . It’s going to be a darned good show for the audience.”

This visit also brings O’Connor close to Appalachia, a region he is strongly identified with thanks to his own music and several celebrated albums of Appalachian music with cellist Yo-Yo Ma and bassist Edgar Meyer.

Read the rest of this entry »

Musicians in the University of Kentucky Symphony Orchestra, Lexington Singers and UK Chorale settle onto the stage of the John F. Kennedy Center for the Performing Arts for the Our Lincoln performance Feb. 2, 2009. Photo by Jonathan Palmer.

The presentation of Our Lincoln at the John F. Kennedy Center for the Performing Arts in Washington, D.C., in February was undeniably a big deal for Kentucky arts and humanities.

Artists who live and work here were presented on one of the nation’s most ­prestigious stages along with hometown kids who have made good and a few international stars, such as violinist Mark O’Connor. A production conceived and produced in Central Kentucky went to an international arts showplace and acquitted itself admirably.

I sat with a Washington cameraman who went on at length about how great the University of Kentucky Symphony Orchestra is. It was one of numerous anecdotes about seasoned Washington arts observers who were impressed with Our Lincoln.

Abraham Lincoln played by Jim Sayre of Lawrenceburg, left, and Henry Clay played by George MGee of Georgetown put the finishing touches on their costumes outside the entrance to the Kennedy Center.

But it is understandable that this might be lost on people who weren’t among the 1,463 people who saw the ­performance, given while the state was in the throes of an ice storm. ­Overseeing recovery ­efforts forced Gov. Steve Beshear to cancel his plans to attend.

But now Beshear and anyone else who would like to see the show can catch it in Michael Breeding’s PBS-quality DVD, which has just been released.

After raising the money to get the program to ­Washington, the Kentucky Humanities Council had to go back to the well for an ­additional $6,500 to produce the DVD, with the total costs to be recouped through sales.

What we can now see is that Breeding and his crew captured the proceedings in stunning detail, with shots that take the viewer onto the stage with the performers and also relay the grandeur of the occasion.

Read the rest of this entry »