Copious Notes

Switchfoot’s This is the Sound rocks the new Blackberry commercial.

During the past year, there have been public signs that Christian pop music is on the rise.

Last spring on American Idol, a pair of openly Christian ­contestants vied for the title and one of them, Kris Allen, won. Your TV doesn’t have to be on long to hear the rumblings of Switchfoot, one of Christian music’s top bands, on commercials for BlackBerry’s new Storm2 smartphone. Late in the summer, when Christian rockers Skillet released their latest, Awake, it perched itself atop iTunes’ rock album charts and at No. 3 overall.

Pretty good stuff for a niche genre, eh?

But beneath the surface, there have been rumblings for some time.

Late in the summer, Gospel Music Association president and CEO John Styll stepped down, saying he was sacrificing his salary in an effort to stabilize the ­organization, which has laid off a number of staffers. Then, in October, the GMA held an all-star fund-raiser - we’re talking Amy Grant and Michael W. Smith ­heading a lineup that included Casting Crowns and other chart toppers - billed as “Save the GMA.”

Even though that $1,000-a-head event apparently was a success, raising more than $350,000, there were rumors late last month that the GMA was closing its doors.

The association’s troubles come on the heels of other setbacks in Christian music, such as the shutdown of the print edition of the industry’s ­flagship ­publication, CCM Magazine, which was founded by Styll, and ­attendance drops at some festivals.

Christian music also has faced the double whammy of the ­economic downturn and the ­effects of a rapidly changing music ­marketplace less dependent on major labels for distribution and increasingly challenged by problems such as digital music piracy. (Yes, people are stealing Christian music. Go figure.)

These are problems affecting the music industry as a whole, and you know that if the top of the pops is getting battered, the foundations of a niche genre really must be getting shaken.

Read the rest of this entry »

Harlan County native Phil Stacey. Photo courtesy of Reunion Records.

Listening to Phil Stacey’s Into the Light, you think, if this guy wasn’t on American Idol, he should have been.

His debut on Reunion Records under the guidance of legendary Christian producer Brown Bannister sounds very Idol, with songs that showcase soaring choruses and emotional lyrics, and Stacey definitely has the chops to deliver them.

It also sounds very contemporary Christian — hence, Idol’s friendliness to Christian singers the last few years. That’s also what makes Into the Light a little disappointing.

His post-Idol debut on Lyric Street records was a refreshing sound for the Christian market, introducing some country songwriter cleverness in songs like It’s Who You Know, and bringing some genuine energy to the project. But Stacey says he was miscast as a country guy and pop was always where his heart was, hence the move to the Christian pop label and embrace by Christian pop royalty — Michael W. Smith is his labelmate.

The result is a solid album with catchy tunes like Inside Out and soaring worship ballads like One. He also pulls out a great Rich Mullins cover, Hard to Get, that could serve to show some younger listeners there’s more to the Christian pop legend than Awesome God.

What’s really missing here is any sense of Stacey’s own individuality, which seemed to be so present on that 2008 debut. With Into the Light, Stacey has been embraced by the Christian music establishment. On future efforts, he needs to avoid sounding like a generic contemporary Christian artist.

Is the GMA in trouble?: My fellow Christian music blogger Joanne Brokaw has an interesting post about recent cuts and layoffs at the Gospel Music Association and the just-annouced $1,000-a-plate Save the GMA fundraiser. Is Christian music’s umbrella organization in danger of going under?

Close, but not quite here: Yes, we do have Jeremy Camp coming Thursday night and Casting Crowns in a few weeks. But there are two Christian tours of interest not quite getting here, but they will be close if you’re the road tripping type.

~ If you’ve wanted to see Newsboys with Michael Tait out front, they get as close as Wilmington, Ohio, just north of Cincinnati, Nov. 15. Click here for Newsboys tour itinerary and ticket links.

~ You may also have heard plenty of TobyMac and Relient K live, but still find the concept of their Winter Wonder Slam tour together irresistible. It hits Louisville Nov. 29.

When Phil Stacey was a ­contestant on American Idol, he was pegged as a little bit country.

So that’s where the Harlan County native ended up after the show, on the country label Lyric Street Records. In 2008, he released a self-titled debut.

But anyone who was paying attention and knew a little bit about Stacey could hear something in the twang: a message.

Phil Stacey. Photo courtesy of Reunion Records.

“Even on my country record, every song was based on a Bible verse, to me,” Stacey says. “People who knew Christian music would say, ‘How could you put a John Waller song on a country CD?’” Stacey adds, referring to a modern rock worship leader and songwriter, “but we managed to pull it off.”

Since then, Stacey has made what he calls “a lateral move from Disney’s country label to Sony’s Christian label.”

And what a Christian label.

On Aug. 25, Stacey’s Into the Light will be released on Reunion Records. That would be the same label as Michael W. Smith, with whom Stacey also shares a manager. And he recorded the album with legendary Christian music maestro Brown Bannister, who was behind many of Smith’s and Amy Grant’s big successes.

“It was intimidating going into the studio with someone who’s worked with such gifted people,” Stacey says, noting other Bannister collaborators such as Russ Taff and Michael English. “But at the end of the day, he started out as a youth pastor, and he has a minister’s heart, which set my nerves at ease.

“We talked about the Bible and verses behind songs, and prayed before tracking. I admire Brown more as a person than for his musical background.”

This fall, Stacey hits the road with Smith.

“He’s been so encouraging,” Stacey says. “He’d send me texts like, ‘Phil, I really like this record,’ which meant the world to me.”

So far, the Smith/Stacey tour itinerary does not include Kentucky, though Stacey says he does get back home frequently.

Read the rest of this entry »

Ichthus Farm looked peacful Friday afternoon. It won't look that way next Friday. Photo by Rich Copley | LexGo.com.

Ichthus, has it really been 10 years?

The first year I covered the Ichthus Festival was 1999. The festival, which returns next week with its 40th edition, had just made the move out from the campground in Wilmore to the Ichthus Farm on U.S. 68, just outside town. It was still primarily run by student volunteers from Asbury College and seminary, and Christian pop was in the midst of tasting a steady stream of mainstream success.

In the ensuing 10 years, a lot of bands have crossed the stage: That’s about 30 headliners over the past decade, and lots of acts on the under-cards that certainly made a mark. So, with this personal anniversary and 10 years at the farm in mind, here’s my list of best-and-or most memorable performances at Ichthus over the past decade.

1. P.O.D., 2000: Before Satellite put P.O.D. atop the rock charts in 2001, the San Diego band came to Ichthus to play a late Friday afternoon set. Many people knew who they were before the set, but everyone was aware by the time it was over.

We said the Boys from the South played “the kind of show that makes you wonder whether the performers dropped dead when they walked off the stage.”

The band, which usually tours with hard-core mainstream metal bands, played an impassioned set, primarily from the album The Fundamental Elements of Southtown, seemingly fueled by the embrace of a Christian crowd.

Michael W. Smith on stage, in the snow, at Ichthus 2005. Photo courtesy of Ichthus.

2. Michael W. Smith, 2005: This was the final set on the day that changed Ichthus forever. Friday of the 2005 fest was warm and sunny until the evening, when severe thunderstorms ripped through, shredding the campsite and scuttling an evening lineup of TobyMac and Audio Adrenaline. The next day, temperatures plunged into the low 40s.

By the time Smith took the stage, snow was falling over Ichthus.

He was playing piano wearing gloves with the fingertips clipped off and a winter cap from his merchandise table. The worship set with Watermark was seen by few, but will never be forgotten by those who stuck it out.

The next year, Ichthus moved to June.

3. Audio Adrenaline, 2006: After this show, Audio A made one more Central Kentucky stop, at Rupp Arena, before breaking up for good in 2007. But this was the last time we saw together the core of the group, which formed at Kentucky Christian College.

Ichthus was Audio Adrenline’s first festival when the band was starting out, looking to be heard. Many, many hit songs later, playing the festival-closing main-stage gig, it was clear that the band remembered where it came from and appreciated that playing Ichthus for the last time was closing a major chapter in its career.

TobyMac in his 2002 Ichthus performance. Photo by Janet Worne.

4. TobyMac, 2002: Up until this year, Toby has played every Ichthus since releasing his first solo album — well, he’s been scheduled to play, as he’s been rained out twice. Those have included some great sets such as a Saturday night throwdown in 2007.

But his first solo gig at Ichthus, under chilly rainy skies with fans standing ankle deep in mud, was noteworthy in its scrappiness.

Not too far removed from his headlining days with dc talk, this slot and these circumstances could have seemed like a comedown to Toby. But he and his band attacked their set with an energy that warmed the soggy amphitheater. Giving it up for crowds like this is probably a big reason why Toby has returned to headliner status.

5. The Ascenxion Band, 2006: Contemporary Christian music fans known so much about everyone on stage at Ichthus, it is rare to find an act that can totally catch you by surprise. But that’s what Ascenxion did when they took the stage at Ichthus 2006.

The “all-star” act of Nashville session players was basically a set of unknowns to festivalgoers. But they quickly had everybody’s attention with stellar musicianship.

Ascenxion has returned to the fest each year since and delivered fabulous performances. But the surprise of that first outing made that set unforgettable.

Jon Foreman of Switchfoot at Ichthus 2007. Photo by Rich Copley | LexGo.com.

6. Switchfoot and Relient K, 2007: A dream lineup of crossover acts topped the ’07 fest with sets that showed why the bands have such broad appeal. Striking in the showcases were often goofy Relient K’s virtuosity and how clearly Switchfoot’s social justice and personal responsibility messages rang through the rock ’n’ roll.

7. Jennifer Knapp, 2001: The bluesy rocker’s amazing Ichthus set is one of the main reasons I keep wondering whatever happened to her.

8. David Crowder Band, 2008: Is there a group better tailored to bring worship music to a crowd of 18,000?

David Crowder performs at Ichthus 2008. Photo by Rich Copley | LexGo.com.

What’s amazing is how Crowder can have you laughing at a keytar (one of those guitar-looking contraptions with a keyboard) one minute and lost in a song like O Praise Him the next.

9. OC Supertones, 2001: The ’Tones were a big act in ’01, big enough that they were invited to play the Dove Awards that year. Problem was, the Supertones were also booked to headline Ichthus the same night.

They played the Doves, but the next night, they came to play Ichthus. There was no room on the main stage, so they played the second stage (there was only one, back then) giving fans as intimate a Supertones show as they could ask for, back then.

John Varnadeau (Xanadu) of Atlanta, Georgia, dances with Family Force 5 on the Main Stage at ichthus in Wilmore, Ky., on Saturday, June 14, 2008. Photo by Emily Spence | Staff.

10. Family Force 5, 2008: What better band for a Saturday afternoon party than the boys from Marietta, Ga. The band that has quickly become a fan favorite put an any early punctuation mark on Ichthus ’08 with its late afternoon set featuring bright renditions of well-worn tracks from its album Business Up Front, Party in the Back and some new stuff.

This year, FF5 closes out the proceedings Thursday night. Will it be another set for the decades?

Danny Gokey visited Faith Builders International in Milwaukee May 8. Photo by Carrie Antlfinger | AP.

This year’s American Idol finals ­offered the nation 13 singers from across the country with ­different strengths, looks, backgrounds and styles. But six of them had ­something in common, aside from wanting to be the next American Idol: They all had experience as church worship leaders.

That included two of the final three competitors in the eighth season of Idol, which wraps up Wednesday with a two-hour season finale.

Danny Gokey, 28, was praise and worship leader at two Faith Builders International locations in Wisconsin.

Kris Allen performs Kanye West's "Heartless" on "American Idol" May 12. Photo by Frank Micelotta | PictureGroup for FOX.

And Kris Allen, 23, has worked with praise and worship teams at two New Life churches in Arkansas.

Gokey was booted Wednesday night, so Allen is the one who is going on to compete in next week’s final against Adam Lambert, long considered the front runner in this year’s race. And that was fine by several Christian music observers.

“I see the worship leader in Danny, but Kris has more of the ability to be artistic,” said Joanne Brokaw, a Christian music writer who brought the preponderance of worship ­leaders in this year’s Idol field to light with a Feb. 27 post on her Beliefnet.com blog that asked, “Is this the season of the worship leader?”

Other artists in this year’s final group who have Christian music backgrounds were dueling pianist Matt Giraud, blind musician Scott MacIntyre, oil rigger Michael Sarver and Memphis mother Lil Rounds.

“The thing that really struck me was not just that they were Christians, but they were church worship leaders,” said Brokaw, who has since ­predicted Allen will win the finale, already ­being ­characterized by some as David vs. Goliath. “These are people who have actively been ­working within their churches as musicians.”

And that work can give a singer a leg up on the ­competition. Read the rest of this entry »

Michael W. Smith and Steven Curtis Chapman on stage at Rupp Arena Sunday, April 26, 2009. Photo by Rich Copley | LexGo.

When you get a ticket to a concert featuring Michael W. Smith and Steven Curtis Chapman, there are moments you hope for.

Like, the pair riffing on each other’s gargantuan catalogues. After Chapman finished his first-half solo set at Rupp Arena Sunday night, Smith came out and said, “You know, you didn’t sing one of my favorite songs. May I?” and launched into the Chapman classic, The Great Adventure.

Smith in the opening number, Blessed be the Name of the Lord.

Chapman complimented Smith saying, “You should do an album of Steven Curtis Chapman songs,” and then returned the favor singing Smith’s Place in this World.

They were moments that remind you iconic artists are fully capable of appreciating other iconic artists’ work. They can also razz each other like guys standing around the grill on Saturday afternoon.

In one of several age-related jokes, 46-year-old Chapman lauded 51-year-old Smith for “blazing a trail,” for him. “So I blazed a trail?” Smith replied. “At least I wasn’t clogging in Opryland,” he said, referring to one of Chapman’s pre-contemporary-Christian-music superstar gigs.

It was an evening of good humor and deep appreciation for the singers, and basically a two-fer for the audience that was nowhere near as big as the dual-headliner bill deserved. Rupp, in it’s 5,000-ish seat Heart of Rupp Arena configuration, looked to be about half full. Maybe Christian stars shouldn’t compete with regularly-scheduled church activities, because the Lexington crowd is usually much more supportive of Christian pop.

The crowd that did turn out got to see Smith and Chapman together and in individual sets, which were strikingly different.

Smith had the most cohesive musical presentation of the pair. Taking the stage on his own in the second half, he offered a few blasts from the past, including Secret Ambition from the 1988 release i2Eye and Go West Young Man from the album of the same name. He also played The Giving from his 2000 instrumental album, Freedom, which sounded surprisingly good without an acoustic piano or orchestra.

But Smith’s recent focus has been worship music, and once he launched into a set from his current A New Hallelujah album and his Worship efforts, Smith was deep into his own element. And while some of us may lament a dearth of his greatest hits in Smith’s recent shows, he is a compelling worship leader.

Chapman sings Yours, a song he said had taken on new meaning since the death of his daughter.

Chapman’s set was an all-too-modest greatest hits set. What was striking was, it is difficult to remember a Christian artist with as focused a testimony as Chapman currently has. Most everyone in the house knew that last May 21, Chapman’s 5-year-old adoptive daughter Maria Sue Chunxi Chapman was killed in a tragic accident at the family’s home.

Any question as to whether Chapman would address his loss was quickly answered when he introduced his 2007 hit, Yours. He said the tragedy forced him to reconsider the implications of the lyrics about turning everything over to God, and later in the set said he had a new perspective on a lot of his music. He also said he thought he would never be able to sing Cinderella, a song he wrote for his daughters, again. But he did at his first concert back on stage last July, and performed it last night, beautifully isolating the final line in the song about a dad having to let go of his little girls as they grow up: “I know the truth is the dance will go on.”

Chapman actually shared his testimony about Maria, the third child he and his wife adopted from China, in a great little song arc, concluding with God is God, a song about trusting the almighty from his 2001 album Declaration.

Chapman and Smith combined for a tidy three hour show, including an intermission and pitch for Chapman’s Show Hope charity which supports orphan children. They both addressed their Kentucky connections, Chapman talking about his Paducah home and brief stint as a pre-med student at Georgetown College and native West Virginian Smith talking about his Rupp Arena memories, including concerts there when he was Amy Grant’s keyboard player.

The sweetest moments between the two though were not so much when they bantered or played each other’s tunes, but when they were simply there for each other. Smith told the crowd the original set list did not include Chapman’s I Will be Here, and he would have refused to tour without Chapman including it, before he played keyboard’s for Chapman’s rendition of the classic.

And half way through Smith’s Friends, Chapman strode out to sing the chorus, and Smith deferred to him for the final line, “A lifetime’s not too long to live as friends.”

With the United Tour, Rupp Arena will host two of the icons of Christian rock.

Michael W. Smith

Steven Curtis Chapman and Michael W. Smith are global superstars of the genre. But you could also see a Central Kentucky gig for them as a homecoming, or close-to-homecoming.

Chapman grew up in Paducah and started his college career at Georgetown College before moving to Nashville. Smith grew up in Kenova, W.Va., outside Huntington, and one of his earliest Christian rock experiences was attending the Ichthus Festival in Wilmore, back when it was at the campground in town.

In 2005, Smith told the Herald-Leader that he was already writing songs and dreaming of being the next Elton John when he came to Wilmore to see artists such as Andrae Crouch. He left thinking, “I want to do that.”

Chapman came to Georgetown in 1981 because it was the thing to do.

Steven Curtis Chapman.

“Every good Baptist kid in Paducah wants to go to Georgetown College,” Chapman, who was a pre-med student, told the Herald-Leader in 1998. “There are professors there that probably still shake their heads at the idea of me being pre-med.”

Clearly, there were other plans for Chapman, ones that looked a lot like Smith’s.

Between them, Smith and Chapman have eight Grammy Awards, 99 Dove Awards (including three more Thursday, Chapman winning artist of the year) and 80 No. 1 songs. They are responsible for some of the biggest hits in Christian and even mainstream music. How many graduates have shared their last moments together to the tune of Smith’s Friends? How many weddings have included Chapman’s I Will Be Here?

Read the rest of this entry »

Delirious frontman Martin Smith in India in January. A visit to India inspired the CompassionArt project.

Click play to hear our interview with Martin Smith, in which he talks about CompassionArt, India and the end of Delirious.

Copious Notes podcasts are available on iTunes.

Over its last couple of albums, Delirious has become increasingly vocal about poverty and disease around the world.

One of the British band’s most recent worship anthems, Our God Reigns, pricked listeners and singers consciousnesses with the idea that the cost of an order of Chinese take-out food could cover the cost of medicine for an impoverished victim of AIDS.

“I remember going to India for the first time and being completely shocked, like being hit over the head with a baseball bat,” says Martin Smith, the group’s leader singer and songwriter. “I realized that people lived on the same planet as me with completely nothing. That set a massive thing off in me, feeling like I couldn’t just get on a plane and do nothing. I had to make a personal response.

“That was the beginning of Delirious trying to find new things to say, and react to what was going on inside of us.”

That reaction has come to fruition on a much larger scale, in a new multi-artist project called CompassionArt.

The new album, released Jan. 27, features 14 songs by 19 of the biggest names in contemporary Christian music, including Michael W. Smith, Amy Grant, Stephen Curtis Chapman, Israel Houghton and Tobymac.

All of the artists involved waived all of their fees, including songwriting and royalties, so the proceeds from the album and its companion book will all go to CompassionArt and the 16 international charities it has selected.

“All of the people involved in the project had been talking for the past few years about how it is not enough for us to just do our thing and write songs and that sort of stuff,” Smith says. “We started to see it as our responsibility to be a voice.

“We thought, what would happen if all of us got into a room and started writing songs together, and that’s what happened in January ‘07 in Scotland.”

Smith says getting all the songwriters together was far easier than he expected.

“Now the challenge is sustaining it,” Smith says.

The singer says the measure of success for this project will be a bit different than, “selling loads of records. It would be when we see lives changed on the ground. When we see people that haven’t got water, suddenly have clean water, when we see people that enough food and become part of a sustainable community and have anti-retroviral drugs and malaria meds. That would be an incredible thing to happen from this project. That would be extraordinary.”

Smith will be making CompassionArt the focus of his attention, as Delirious is splitting up after final shows this year, ending in November.

“It’s a sad time, but also happy in looking forward to new opportunities,” Smith says. And CompassionArt is, “The thing we wake up thinking about every morning.”

Our Idol lands a deal: American Idol season six artist Phil Stacey, who has been writing the American Idol blog for LexGo.com, has landed a recording deal with Provident/Reunion Records. Stacey was born in Richmond and was raised in Fairfield, Ohio. He released his first album on Lyric Street Records in 2008. He is now working with producer Brown Bannister on his Provident debut, which is slated for late Summer 2009 release.

Julian Drive are keyboardist Shaun Bennett, Guitarist Jesse Triplett, guitarist and vocalist Shane Bowers and bassist James Nitz. Photo courtesy of Inpop Records.

Review: Julian Drive, My Coming Day

Athens, Ga. It’s a town that has an almost mythic reputation in rock ‘n’ roll as the birthplace of Hall of Famers R.E.M. and The B-52’s and current acts such as Of Montreal and Widespread Panic. So when Julian Drive’s CD rolled in with a press kit mentioning Athens was home for the band, it was attention grabbing. Is this group going to carry the Athenian spirit into Christian rock?

Well, here’s the good news about Julian Drive’s debut, My Coming Day: the youth group band had longtime Christian music producer Lynn Nichols, who’s guided Phil Keaggy and Switchfoot, to name a few, on board for this project, and he brings out a sleek, professional sound in Julian Drive. No doubt, these guys are ready for radio.

Maybe too ready.

The problem is Julian Drive sounds too much like what you hear on radio already. As the opening track, From Your Hands, plays, its way to easy to recall Tenth Avenue North’s Love is Here, in both the tune’s mood and use of crucifixion imagery. And that continues through most of the album, with songs easily recalling themes and moods we’ve heard before. It isn’t until track seven, Unplug, that we seem to get something individual out of the group, and there’s an inspired cover in Hoobastank’s The Reason.

What Julian Drive needs next time around is something of its own to say. Part of the magic of those Athens bands was they truly broke molds and offered music unlike anything music fans were hearing at the times they debuted. Julian Drive probably does not have that in them. After all, these guys were born out of a rural Clarke County church, not the eclectic downtown clubs near the University of Georgia. But any substantial act needs its own voice, and that is something Julian Drive still seems to be looking for.

Coming our way: The big Michael W. Smith-Steven Curtis Chapman United Tour is back on the road and will hit Lexington at 7 p.m. April 26. Tickets go on sale at 10 a.m. Saturday for the show.

More Aussies: Newboys and Rebecca St. James have already demonstrated the power of Australian artists to become big stars in American Christian rock. The editors at Billboard magazine have looked into the crystal ball and seen Revive may be the next band from down under to top our charts. The band’s first album, Chorus of the Saints, drops March 10, and they’ll be hitting the road with Third Day and Brandon Heath. Revive is signed to Third Day’s Consuming Fire Productions. If you’d like a preview of what the new disc may hold, Revive’s 2007 release, Trafalgar Street, is available on CD and at Napster and iTunes.

Home movies: Fireproof, the latest hit from Alex and Stephen Kendrick and Albany, Ga.’s — we have a little Georgia theme today, don’t we — Sherwood Baptist Church is out on DVD today. In the film, Kirk Cameron plays a firefighter whose marriage is crumbling and he is challenged to try “The Love Dare,” which you may also recognize as the title of a best-selling book from last fall.

New music: One of the big new releases today is CompassionArt, a set of 15 new songs by Christian music stars including Michael W. Smith, Amy Grant, Steven Curtis Chapman and others. All the proceeds from the disc, organized by Delirious frontman Martin Smith, go to fighting poverty around the world. We had a chance to talk to Smith last week and will post that interview sometime in the next week.