Copious Notes

Tobymac (right) and the Diverse City band formed a drumline at Rupp Arena during the Winter Jam performance. (c) Herald-Leader staff photos by Rich Copley.

See more: Winter Jam 2013 photo gallery

Tobymac is one of the unlikeliest No. 1 artists to headline a Rupp Arena concert.

The former dc talk member operates firmly inside the contemporary Christian music world, but charted a No. 1 album overall on the Billboard Top 200 list last August with the debut of his latest effort, Eye on It.

Topping the bill at Saturday night’s Winter Jam concert, Tobymac (the stage name for Kevin Michael McKeehan) showed off the secret weapon in his success: his long serving Diverse City Band.

Red’s Michael Barnes checks to see what kind of lens I’m shooting with.

With him pretty much since he departed dc talk in 2001 for a break that turned into a solo career, Diverse City has formed into Christian music’s tightest ensemble capable of serving its frontman’s many moods: now we’re a hip-hop act, now we’re a rock band, now we’re worship, now we’re a drumline. One of the most illustrative moments was the pairing of the meditative Steal My Show and Boomin’, which sounds like its title. Falling back, a few members of the ensemble supported T-mac’s moment, and then we’re tight around him for the big number.

Steal My Show is Tobymac’s prayer to God to work through his music.

It is also something the other artists on the lineup, seen by an audience that packed 23,000-seat Rupp Arena to the rafters Saturday night, threatened to do.

Winter Jam has now made Rupp a regular stop, and this was one of its strongest, tightest presentations with even early evening artists like Royal Tailor giving arena-worthy sets and Red looking like a headliner itself with its blazing performance. When Red came to Winter Jam two years ago, it was stuck near the beginning of the lineup and missed by many who didn’t get into the arena until after the quartet played.

Saturday, they were highlighted after Nick Hall’s message and delivered a quick cathartic lineup with hits from their last two albums, Until We Have Faces (2011) and this year’s Release the Panic.

Sharing a lineup with Red and Toby, mellower acts Matthew West and Newsong, Winter Jam’s host band, also delivered surprisingly engaging sets. West, in particular, was electrified and funny, at one point joking everyone would leave with a copy of his new CD, Into the Light … if everyone went to his merchandise table and bought it. “This isn’t Oprah,” he joked. “I have to feed my kids.”

Matthew West, not Oprah, on stage at Rupp Arena for Winter Jam.

I did not get to see every act Saturday, as I had to leave the arena for a while to report and write an item for the Herald-Leader about the resurrection of the Ichthus Festival.

Newsong’s Russ Lee announced from the stage that the 43-year-old festival, which closed late last year due to financial troubles, is being brought back by the people who bought the intellectual property of the festival, including its name and website. Ichthus had a table at Winter Jam, and former director Mark Vermilion said more detailed announcements should be coming later this week about when and where an abbreviated Ichthus will be presented this year. He said the new owners, whose identities were not disclosed Saturday, want to bring back a full-fledged Ichthus, which ended as a four day-three night event, in 2014 and after.

So, Winter Jam will not have to fill the roll of Central Kentucky’s biggest annual Christian music event. But as it has proven before, it’s great in its own right.

Worship artist Matthew West talked to the crowd at the main stage at Ichthus on June 18, 2011. (c) Lexington Herald-Leader photos by Rich Copley.

Saturday night at the Ichthus Festival, I arrived in the photo pit at the Deep End stage and saw a familiar face on the front row: Jenny Green, a teen from Crawfordsville, Ind., who I had met the day before hanging out at the front row fence at the main stage.

Friday, she had arrived at the big stage at 10:30 a.m. to stake out a spot for Skillet and Family Force Five. But Saturday night, with a lineup including Disciple and The Almost, Jenny assured me that the Deep End was the place to be.

Jenny Green (glasses and raised arm) of Crawfordsville, Ind., and others cheer a performance by Disciple on the Deep End Stage at the Ichthus Festival on June 18, 2011.

For her, at least.

The main stage had not closed Saturday. There were in fact thousands of people gathered for festival closers Matthew West and Chris Tomlin. But the worship artists were not going to make your ears bleed and pop your eyes out with pyrotechnics, as cool as How Great is Our God might be punctuated with some fireworks.

But the shifting stages and fan bases were part of why this year’s Ichthus demonstrated something serious Christian music fans have known for a long time: You cannot neatly categorize Christian music under one heading, though that is what the music industry has long tried to do.

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Newsboys' frontman Michael Tait spent a lot of time on the catwalk, close to the audience, when Winter Jam visited Rupp Arena March 12, 2011. LexGo.com photos by Rich Copley.

Newsboys may be the comeback story of Christian rock.

I purposely did not qualify that statement with “of the year” or “of the decade.” Christian pop has never been a genre that completely let faded heroes of the past back into the limelight, and just three years ago, Newsboys looked like it was essentially done.

Francesca Battistelli performs "This is the Stuff" on ukulele with two members of her band.

Back then, it would have been hard to belive Newsboys would be headlining the most successful Winter Jam tour ever, as of last night in Rupp Arena, and they’d be putting on a killer show. But Saturday night, before a crowd of 16,431 paying customers, the resurgent quartet showed off the perfect formula for rebirth.

The key ingredient is new frontman Michael Tait. Here in Central Kentucky, we’ve been able to watch him grow into this role a bit as Newsboys played the Lexington area three times in the last year. But last night, he was perfectly at ease exhorting the crowd, playing every part of the stage and drawing from two iconic bands’ catalogs of hits.

That’s part two of the formula: With Tait, Newsboys credibly performs its own catalog and that of his former band, dc talk. That would make this a greatest hits act if not for the third ingredient, some terrific new material like the title track from the new chart-topper, Born Again. It gives Newsboys a cross-generational appeal they might not have otherwise had.

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Red's Michael Barnes plays to a cheering crowd at the 2010 Ichthus Festival.

More: Click here to listen to our chat with Red’s Anthony Armstrong.

In 2006, the band Red released its debut album, hoping someone would listen.

The group wasn’t even on a label at the time, but slowly people tuned in to the hard-rock sounds of the disc, which spawned the hits Breathe Into Me, Break Me Down and a couple of other chart-toppers. The album ended up nominated for the Grammy Award for best rock or rap gospel record.

Five years later, Red doesn’t release albums quietly.

Quickly after the Feb. 1 release of Until We Have Faces, Red was hovering near No. 1 on iTunes’ sales charts, and the band was booked on TBS’s Conan and NBC’s Tonight Show With Jay Leno, national television debuts for the band.

Red guitarist Anthony Armstrong.

“We can’t even believe the numbers that are coming in,” guitarist Anthony Armstrong said a few days after the album’s release. “Some amazing things are happening.”

For Central Kentucky fans of Red, one of those things is a slot on the Winter Jam tour, which comes to Rupp Arena on March 12. The bill is topped by the resurgent Newsboys, the David Crowder Band, Kutless, Francesca Battistelli, Jason Castro, Chris August, Sidewalk Prophets, KJ-52 and tour hosts NewSong.

But Red is easily the hottest band at the moment on the show, like many other bands successfully crossing the line between mainstream and Christian venues.

“We try to play the same way whether we are playing in a church or a bar,” Armstrong said at last summer’s Ichthus Festival. “We want people who see us to say, ‘Those guys are the same no matter where they play. They’re not putting on an act or trying to hide anything.’”

One thing Red showed very well at Ichthus, where it was the Friday evening main stage opener for Skillet, was that it could play to a huge crowd — sort of like the one it will see in Rupp Arena, where last year’s Winter Jam drew 14,756 fans.

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Guitarist Anthony Armstrong performs with Red on the Main Stage at the 41st annual Ichthus Festival in Wilmore, Ky. on June 18, 2010. Photo by Rich Copley | staff.

As street weeks go, this one is off -the-charts for Nashville rockers Red.

Unit We Have Faces sat perched upon the iTunes chart as we started our conversation with guitarist Anthony Armstrong, and the quartet had just booked its national television debut, an appearance on Conan O’Brien’s show Feb. 8 (11 p.m., TBS). They’ll be on The Tonight Show with Jay Leno the following week.

“This album has some of the hardest songs we’ve ever written and some of the most commercial stuff we’ve ever written,” Armstrong said.

We were chatting for a story that will appear early next month to preview Red’s appearance on the Winter Jam tour, which hits Rupp Arena March 12. But with Until We Have Faces such a hot topic now, this seems like a good time to let you listen to our interview.

Hit play to hear our conversation about the new album, lead singer Michael Barnes’ voice and Red’s talent for playing really big venues such as the Ichthus Festival and Rupp.

[podcast]http://copiousnotes.bloginky.com/files/2011/02/110204red-podcast2.mp3[/podcast]

Newsboys frontman Michael Tait played to the Rupp Arena crowd at Winter Jam 2010 in March, his first Central Kentucky appearance as frontman for the iconic band. Copyrighted photos by Rich Copley | LexGo.

The new year hasn’t started, but we already can tell Christian music fans about a few things to look forward to in Central Kentucky in 2011.

Chief among them is, of course, the Ichthus Festival, which already has started releasing the lineup for the event, which will be June 15 to 18 in Wilmore.

Some of the new names coming to the main stage include longtime fan favorites Anberlin and newcomers The Letter Black, along with mainstage returns by Family Force 5 and Disciple, who weren’t there last year. There are a number of returns from last year, including Skillet, Superchick, Red and LeCrae, who brought some highly credible hip-hop to the main stage last year.

Christian music has had trouble embracing hip-hop over the years, but this year’s festival will be further evidence that hard rock is having no trouble finding its way in the genre, with heavier acts on the main stage and the growing prominence of the Deep End stage, which will feature acts including Project 86 and The Almost, Aaron Gillespie’s ­Underoath side project, which has grown into a substantial act in its own right.

Ichthus 2011 will again open on Wednesday night, with a community concert like last year’s Tobymac, Newsboys lineup, and it will include the acoustic Galleria stage. In years past, Ichthus had a grand lineup announcement, but now organizers trickle it out primarily on their Facebook page (Facebook.com/ichthus).

In addition to the acts mentioned above, the lineup thus far includes Jason Castro, Fireflight, Remedy Drive, Mikeschair, Chris August, Sleeping Giant, For Today, Josh Wilson, Josh Garrels, Living Sacrifice, Trip Lee and Britt Nicole.

Tickets for Ichthus 2011 are on sale at Ichthusfestival.org. (If you are reading this Dec. 31, you can still get in on bargain basement rates if you buy before the new year.)

Long before that, when the weather will be more like it is now, Winter Jam will hit Rupp Arena for the fourth straight year. And for the third straight year, it will be a Saturday night. On March 12, the set will feature Newsboys, the David Crowder Band, Red, Kutless, Francesca Battistelli, NewSong, KJ-52, Sidewalk Prophets and Chris August. Newsboys were here last year in their reconstituted lineup featuring Michael Tait, and event hosts NewSong and Francesca Battistelli have been at the Rupp event before. But the rest of the lineup is new to the event, including the Crowder Band, a onetime Ichthus staple whose last big local date was a fall 2009 show at Southland Christian Church.

As in previous years, admission for Winter Jam is $10 and only at the door. For more information, go to Hearitfirst.com/winterjam.

Lauren Barlow of BarlowGirl performs on the Main Stage at the Ichthus Festival. Copyrighted photo by Rich Copley | LexGo.com.

Ichthus stayed true to the form of recent years, ending the festival on a worshipful note Saturday with the Main Stage pairing of Casting Crowns and BarlowGirl.

One of the things many people were commenting on over the weekend was the strong pairings of evening headliners – the rock night of Skillet and Red, modern rock of Switchfoot and Relient K -and the Saturday night duo had sort of a worship/traditional contemporary Christian music vibe.

Saturday’s headliners had tough acts to follow.

TobyMac and Switchfoot fielded big, lively bands Wednesday and Thursday respectively, and then Skillet came with that and Fourth of July-worthy pyrotechnic show.

Mark Hall on stage at Ichthus.

Crowns, by comparison, put most of the responsibility for filling the amphitheater on the shoulders of lead singer Mark Hall. Barlow Girl, which in previous daytime Main Stage outings (they were one of the bands that braved the snow day in 2005)  was packed to the center of the stage by the equipment of later acts, seemed a little lost spread out across the entire main stage, Saturday night.

Sanctus Real, playing earlier in the afternoon, delivered the most lively set I got to sample on the Main Stage Saturday.

For those who wanted to rock a little more before going home, there were offerings on other stages such as Disciple and Pillar on the Deep End, and many took in those shows. This year, the Deep End really did claim the title of Main Stage Jr. as much as it ever has.

And this was as complete a festival as Ichthus has put together. From this perspective, it was a little like going to New York: Not enough time to do everything you want to do, even with the extra day. It hardly feels like a weekend in rural Kentucky, until you look around at the hills and cows – and we don’t mean the Chik-fil-a cow.

Photos by Rich Copley

Red guitar player Anthony Armstrong. Copyrighted photos by Rich Copley | LexGo.com.

If you think the rise of Red‘s career, playing the main stage at Ichthus on only its second album, was pretty fast, you are not alone.

“It feels pretty fast to us,” guitar player Anthony Armstrong said backstage at Ichthus on Friday. “The past four years have been a whirlwind.”

Ichthus alone has been an example. They first came in 2007 playing the Deep End Stage with their first album, The End of Silence. That album ballooned, and Red returned to the Main Stage the next year, closing out an afternoon. This year, with hit album No. 2, Innocence and Instinct, Red was back opening the evening card for Skillet.

Bassist Randy Armstrong

And fans crammed around the stage like the were Skillet – 15-year veterans with a catalog of hit albums – or something.

“We know there are bands out there who have been around longer than us with more ablums who haven’t made it to this level,” Armstrong said.

Drummer Joe Rickard knows one of those bands well, The Wedding, which he used to be part of and says he still has tremendous respect for.

“It’s a blessing,” he said. “This is somehow part of God’s scheme … to spread the word.”

Bassist Randy Armstrong wants to be something else: an inspiration to young music fans like all the guys in the band were a few years ago. It’s tattooed on his arm: Inspired.

The main stage at the Ichthus Festival is about as loaded as it has been in several years, with a good variety of artists from the contemporary worship sounds of Casting Crowns to the pyrotechnic rock of Skillet. So, we’re curious who the masses are dying to see here.

Please take the poll below or, if your favorite is not listed – Vizu allows a maximum of 10 answers, so I just listed the evening acts – please reply below or direct message @copiousnotes on Twitter.