Copious Notes

Who knew these UK Opera kids were so funny?

The last few years, they haven’t had much of a chance to show it. They’ve been dealing with subjects like slavery (River of Time), murder (Lucia di Lammermoor), pretty young things dying of loathsome diseases (La Boheme and River of Time) and childhood abandonment issues (Hansel and Gretel).

Oh, where’s an operetta with a ridiculous little plot when you need one?

That’s what the University of Kentucky Opera Theatre is offering up through Saturday with its production of Joahann Strauss II’s Die Fledermaus, a show as silly as its title sounds.

This may sound like an easy assignment, but ask anyone who’s tried to make an audience laugh and they’ll tell you, comedy is tough. Die Fledermaus needs the laughs, because without them, the show is nearly three-hours of memorable melodies strung together by the thinnest of plots.

Three residents of a house, Eisentein and Rosalinda and their maid, Adele, are invited to the same party, but they each think they are sneaking out on the others. It’s all part of an elaborate prank by Dr. Falke to get back at Eisenstein for a humiliation in the past. This is one of those plots popular in opera and Shakespeare that depends on intimate acquaintances suddenly not being able to recognize each other in close proximity.

You need to be laughing to maintain your suspension of disbelief.

Fortunately, we discovered Thursday night that the ranks of UK Opera include several gifted comic singer-actors.

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I was trying to break a wide-angle addiction when I took this shot of Luther Lewis III rehearsing for UK Opera Theatre's "It's a Grand Night for Singing." But here, the14mm lens caught the majesty of Luther's voice and the moment.

When producer Jeffrey Day (left) and director Jason Epperson (right) suggested we meet at the pool of a horse farm where they would be shooting their forthcoming feature, "Unrequited," it seemed like a cool opportunity for a portrait with a little "Hollywood in the Bluegrass" feel.

This was the second year I spent covering my beat with a camera in my hands a lot of the time. As I said, last year, covering stories as a writer and a photographer is an interesting approach, because you are instinctively trying to match these images to the story you are writing in your head. Or, in the case of slide shows I put together, you are trying to come up with images that tell the story.

Here are some of my favorite shots from 2009 and the stories behind them. Over the holiday weeks, I also encourage you to look out for year end packages from our amazing staff photographers. I know at least one great Lexington arts image is in that group too.

I have to confess, one of the reasons to get out the Lexington Children's Theatre's "Celebrity Celebration" show was the prospect of seeing State Sen. Kathy Stein and Lexington Legends founder Alan Stein as Becky Thatcher and Tom Sawyer.

Shooting shows has really enhanced my appreciation for set and lighting design, and I thought these next two shots of Jennifer Parr singing "Hello Young Lovers" in Paragon Music Theatre's "The King and I" (above) and Adam Luckey in SummerFest's "Dr. Jekyll and Mr. Hyde" (below) really showed exquisite work.

Shooting Lexington Philharmonic guest conductor Mei-Ann Chen in a March rehearsal, at one point I chose a spot next to the violins to capture some of Chen's big expressions as she was exhorting the orchestra. I think my positioning really annoyed one of the violinists, so I tried to make quick work of the shot, which Chen helped with by concentrating on the violins for a moment. When Weekender page designer Randy Medema chose this shot to run with the story, I was really happy he validated my choice of locations -- apologies to the violins.

I don't think any actor ended up in front of my lens this year as much as this UK kid, Jeremy Gillett -- this would also indicate he's a really good actor who keeps getting cast. This moment was from a rehearsal of UK Theatre's "The African Company presents Richard III" in which Jeremy played the passionate Papa Shakespeare.

A few weeks before Studio Players' production of "Always Patsy Cline" opened, I went out to see Patsy, aka Heather Parrish, perform with her band, June July at Lower 48, which is now closed. It gave us a chance to see some of that Patsy spirit in Parrish, and another dimension to her music. Manning the bass is Ethan Hayen.

One of the cool things about being on the set of "Unrequited" in July was seeing some local talent I've covered for years, like sound engineer Wes Kawaja here, working with Hollywood talent like "Twilight's" Michael Welch, who Wes is wiring up.

Shooting drama, you like to get a picture that tells the story, and I thought this one did it for SummerFest's "Once on This Island." The Gods -- Erzulie (Alicia Helm McCorvey), Papa Ge (Jason Thompson) and Asaka (Tamera Izlar) -- conspire to play havoc with the life of Ti Moune (Tai-Kristin Smedley).

A cool thing about this job is when someone calls you up and says something like, "Want to come hear one of the first readings of Silas House's new play." Here, House listens as Missy Johnston reads some of his words in "Long Time Travelling."

And then, a few weeks later, you see the show on stage. In the world premier production of House's play at Actors Guild, Josiah Correll and Hayley Williams were Adam and Lora, childhood sweethearts who've grown apart in marriage.

Sad story behind this image. After an interview with Actors Guild artistic director Richard St. Peter and managing director Kimberly Shaw to talk about the theater's plans for the future, we went down to the Distillery District to see their new Manchester Street office, which was formerly Theo Edmonds' gallery. A month later, the theater lost its funding from LexArts and both St. Peter and Shaw left to pursue other opportunities.

I went out to shoot The City, a new band formerd to play fundraising gigs for not-for-profit groups, the day after Derby. Usually, the day after Derby, you want to just sit and stare out into space. But the music and moments like this one with drummer Arthur Rouse made the shoot a lot of fun.

Another cool thing about this gig is getting to go hear the new voice professor, soprano Cynthia Lawrence, rehearse with the UK Symphony.

In the UK Opera Theatre's world premier production of composer Joe Baber and librettist James W. Rodgers "River of Time," Billy the Barber (Reginald Smith Jr.) reminded Abraham Lincoln (Nick Provenzale) of his promise to end slavery.

I love getting great looks, great expressions, and Brittny Congleton delivered here, singing "A Little Priest" from "Sweeney Todd" with Alex Parker in a rehearsal for the UK Musical and Operetta Organization "A Night with Stephen Sondheim."

So, I'm heading out to interview iconic Kentucky photographer James Archambeault at his Scott County home, and my editor Scott Shive asks me to get a new shot of him. The one we had on file was more than a decade old. Photographing James Archambeault -- as one person said, that's sort of like cooking for Bobby Flay. But Archambeault was a prince about it, and meeting him was one of the highlights of the year for me.

Jefferson Johnson, director of choral activities at the University of Kentucky, leads the choirs and the audience in singing "Hark! The Herald Angels Sing" at Saturday night's "Collage" performance. Photo by Rich Copley | LexGo.Com.

The University of Kentucky choirs’ holiday “Collage” concert has always been a little hard to get a handle on. No specific group is highlighted beyond a few minutes and there is no defined style, except really good music.

It’s just something you have to see, and this year’s edition is something to see.

More than 330 musicians are involved in the show that was presented Saturday night at UK’s Singletary Center for the Arts and will be presented again at 3 p.m. Sunday.

It’s a wide range of musicians. The UK Choirs are ostensibly the stars of the show, but they constantly cede the stage to other acts such as the UK Steel Band, the Lexington Singers Children’s Choir, the Alluring hand bell ensemble and some of UK’s newest faculty.

The show started in grand fashion with the combined choirs and organist Schuyler Robinson’s rendition of “Adeste fideles” (”O Come All Ye Faithful”). Then the show quickly minimalized to new UK guitar instructor Dieter Hennings with a classicaly intricate rendition of “O Little Town of Bethlehem” that had a bluesy warmth. Then the show built up again to the Steel Band, the Children’s Choir and a performance of “Santa Baby” by Paws & Listen — one of several numbers with that distinct mid-20th Century pop Christmas vibe we remember from things like celebrity holiday TV specials.

And that’s how the evening went, shifting styles and ensembles to create a show that truly lived up to its picturesque title.

The highlights included a sumptuous “Ave Maria” by the UK Men’s Chorus which highlighted their precision and sensitivity; the UK Chorale’s “Estampie natalis” with the UK Chorale and viola faculty Deborah Lander  leading an intriguing ensemble of cello, piccolo and percussion; and new voice faculty Cynthia Lawrence making you forget all those other “O Holy Nights” you’ve heard.

A few years ago, UK President Lee Todd said the UK School of Music was “on fire,” and “Collage” served as an apt illustration of that. Since then, UK has hired some stunning faculty like Lander and Lawrence, and “Collage” served as sort of this mirror showcase where the audience could see the quality of the program and how it must be attracting high quality new faculty members.

Several UK students also got to cap off very good performance years, including violinist Jessica Miskelly in a rich “Carol of the Bells” that altered my perception of it as strictly a vocal piece, SummerFest’s “Once on This Island” star Tai-Kristin Smedley singing “Somewhere in my Memory” and Reginald Smith Jr. as a featured soloist in the concert closer “Betelehemu.”

A lot of directors might have flipped the Act I finale of Handel’s “Hallelujah” chorus with the African number performed by the combined choirs and the UK African Percussion Ensemble. But with that lineup, UK director of choral activities Jefferson Johnson ended the evening showing off the great skill and diversity of the School of Music.

All that, and it was a great Christmas concert too. That’s really all we need to know.

Amanda Balltrip, shown as Ann Rutledge in October's "River of Time," has never left the Kentucky District Round of the Met Auditions empty handed. She'll compete again Saturday. Photo by Rich Copley.

Usually singers in the Kentucky District round of the Metropolitan Opera National Council Auditions have a 1-in-5, maybe 1-in-4 chance of advancing to the next round. This year, it’s more like 1-in-9.

Maybe it’s some sort of anniversary karma because this will be the 10th year the Kentucky District auditions have been contested in Memorial Hall, but regardless of the cosmic reasons, the fact is 28 singers are going to give it a shot Saturday.

Reginald Smith Jr., 21, will compete in the Met Auditions for the first time, Saturday. Nick Provenzale, foreground, is also in the field of 28. Photo by Rich Copley.

We don’t know a lot of these singers, as they hail from Indiana, Cincinnati and even as far off as New York and Chicago. But in the midst of them is a veritible all-star team of University of Kentucky singers we know very well, including virtually all the leads in October’s world premier production of Joseph Baber’s “River of Time.”

And over 10 years, UK has developed a strong record of sending people who come into town looking for an easy win home empty handed. Certainly any of the voices judges will hear could break through to the regional round in Indianapolis, but here are a couple of locals and one well-known visitor worth watching:

Amanda Balltrip — She has never left a Met Auditions empty handed. Her first two years she won the encouragement award and last year she broke through to the regionals. Clearly a variety of judges have liked what this 24-year-old soprano does, so it wouldn’t be at all surprising to see her finish in the money again.

Former UK student Afton Battle, the last UK student to advance to the national rounds of the Met Auditions, will be competing Saturday. Photo by Tim Collins.

Reginald Smith Jr. — Since 2000, when 21-year old Asbury College tenor Norman Reinhardt won the first Met Auditions at Memorial Hall, Lexington fans have understood the Met likes to get singers young. Since he appeared as the baritone soloist in George Zack’s final “Messiah” in 2007, 21-year-old Smith has been knocking local music fans out with his massive voice. Given his age, if he has a similar effect on the judges, it’s easy to imagine him advancing to Indy.

Afton Battle — Speaking of massive voices, Battle was the last UK singer to advance from the Kentucky Districts to New York, where she competed in the national semifinals. A former student of late UK voice professor Gail Robinson, Battle has moved on to Westminster Choir College in Princeton, N.J. But she’s returned to Kentucky to take another shot at the Met, and Lexington could easily be the first of several steps for her, again.

Of course, there are 25 other singers in the field, and one thing that was striking last year was the vastly improved quality of the Kentucky District field over the years. So, regardless of who wins, it should be a great day for the audience.

Billy the Barber (Reginald Smith Jr.) is a key character in reminding Abraham Lincoln (Nick Provenzale) of his commitment to fight slavery. Photo from Sept. 29 rehearsal by Rich Copley, LexGo.com.

I’ve talked before at le blog about the challenge of reviewing University of Kentucky Opera Theatre productions because the collegiate company always double-casts shows due to singers’ needs for vocal rest — professional companies rarely put a show up on consecutive days for that reason — and to spread experience around.

It has its up sides, of course, but one downside is that only one cast gets reviewed by the paper. We simply do not have the time or space to review a show twice, and waiting for both casts to perform would hamper our efforts to deliver a timely review.

The same is true for UKOT’s world premier production of River of Time, which opened Thursday night at the Lexington Opera House. Nick Provenzale sings the lead role of Abraham Lincoln all three nights, but most of the primary singing roles are double cast. We reviewed Cast A (UKOT’s termionology) last night, which acquitted itself quite well in a new opera that had some big issues in story and pace.

Abraham Lincoln (Nick Provenzale) tries to comfort Ann Rutledge (Julie La Douceur) in her final hours in "River of Time."

That said, I did get to catch Cast 1, which performs tonight (Oct. 9), in a rehearsal last week, and if you are holding tickets for tonight’s performance or are thinking of going, I don’t think you’ll be shortchanged.

Among the standouts set to go on tonight are Reginald Smith Jr. as Billy the Barber and Julie LaDouceur as Ann Rutledge.

Based on what I caught that evening, some of the different performers will likely bring different vibes to their work. LaDouceur’s Ann seemed sweeter and more whistful than Amanda Balltrip’s more feisty, jocular take. And Smith, whose voice will always get your attention, put a lot of comand behind his version of Billy, performed with tremendous empathy by Mark Elliott Golson II last night and Saturday.

So the takes may be somewhat different, but either way, you should expect some terrific performances.