Copious Notes

The journal of a Kentucky culture vulture

  • Sep
    23


    Six veteran Lexington musical theater performers team up with director Stephen Currens for Beguiled Again, a musical revue of the songs of Richard Rodgers and Lorenz Hart. It plays Sept. 24-Oct. 4 at the Downtown Arts Center. We caught up with the cast at a rehearsal Sept. 22. The lights and set weren’t quite together, but we got a good idea what it’s going to look like.

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  • May
    9

    VERSAILLES — Complete outsiders might drive into this town of 7,818 thinking it’s a really cute place, and it’s awfully sweet they’re putting up a production of Oklahoma at the local theater.

    Evan Sullivan as Curly and Jessie Rose Pennington as Laurey in 'Oklahoma.' Photo courtesy of The Woodford Theatre.

    Evan Sullivan as Curly and Jessie Rose Pennington as Laurey in 'Oklahoma.' Photo courtesy of The Woodford Theatre.

    Then they would settle into their seats and soon have to sweep their jaws off the floor when the lights come up on a morning sky so perfectly pink you’d think there wasn’t a back wall on the stage, and the actors are not only singing with these gorgeous voices but catching every nuance in Richard Rodgers and Oscar Hammerstein III’s show.

    Now, if you’ve been following the steady evolution of The Woodford Theatre (until recently the Woodford County Theatrical Arts Association) under Beth Kirchner’s direction, you come expecting a much higher quality production than most people would presume a small town theater would put up. But that doesn’t mean Oklahoma isn’t a pleasant surprise, even to the initiated.

    Like Lexington’s Paragon Music Theatre a few weeks ago with The King and I, Woodford Theatre has really outdone itself with this R&H production and taken its game to a new level. You have to wonder how Central Kentucky went nearly half a decade with no one regularly presenting musical theater, and now these triumphant productions are busting out all over.

    It certainly helps to have Evan Sullivan and Jessie Rose Pennington, quickly becoming the leading man and woman of Lexington-area musical theater, in the leads.

    Sullivan, a Woodford Theatre veteran, looks as comfortable in his chaps and cowboy hat playing Curly as he did in a suit and tie as Harold Hill last spring in Paragon’s Music Man. He’s a consummate actor with the right dose of charm for a musical theater leading man. And Pennington is a perfect foil for Sullivan playing Laurey, just as she was playing Marian in Music Man. Their first few scenes have a contentious chemistry that we can all see through, and it quickly thaws.

    But they are just part of the show, and Kirchner has assembled a deep cast with some reliable standbys such as Melissa Rae Wilkeson as Aunt Eller. She shows empathetic grit and takes over several numbers such as The Farmer and the Cowman, which at one point she conducts with a pistol in her hand. Kirchner also has winners in the supporting couple of Adam Richard Fister as Will Parker and Sydney Steele, already a stage veteran in her junior year of high school, as Ado Annie. We must also give a shout out to Wes Nelson in the scene-stealing-special role of Ali Hakim, the traveling salesman who is Will’s rival for Annie’s affections, at least in Annie’s mind.

    But the casting choice that really demonstrates this show’s depth is Brian Douglas Barker as Jud.

    You can see a lot of community theater R&H productions that play the shows as puttin’ on the hits. But there is a real strong sense of pathos and melancholy in Barker’s performance that puts the theater in this musical theater production. Pennington’s reaction to him is also a key to this, as there is palpable fear in her voice and body the first time she talks about Jud.

    Choreographer Jenny Fitzpatrick gets amazing dance work out of the cast, particularly in the ballet that closes Act I and that Farmer and the Cowman number. And Russell Mendez’s set and Todd Pickett’s lighting design finish this show’s professional sheen.

    This is a production that could play towns many, many times Versailles’ size. And if you aren’t familiar with this troupe, maybe it’s time to get acquainted. It’s worth the drive.

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  • Mar
    13
    Adam Luckey will star in This Wonderful Life, a one-man version of "This Wonderful Life." Photo by Mark Cornelison | LexGo.

    Adam Luckey will star in "This Wonderful Life," a one-man version of "This Wonderful Life." Photo by Mark Cornelison | LexGo.

    Actors Guild of Lexington has announced a five-show schedule for the 2009-10 season. It’s a lineup that will import a couple of familiar directors and give one of Lexington’s leading actors the stage all to himself at Christmastime.

    • Beguiled Again: The Songs of Rodgers and Hart, music by Richard Rodgers and lyrics by Lorenz Hart; music arrangements by Craig D. Ames; conceived by J. Barry Lewis, Lynnette Barkley, and Craig D. Ames — Peggy Taphorn of Temple Theatre in Sanford, N.C., who directed Quilters and My Way for AGL, returns for a program of tunes by the Broadway duo including Blue Moon and My Funny Valentine. Sept. 10-27.
    • The Vertical Hour by David Hare — Actors Guild artistic director Richard St. Peter directs this play about the meeting of two people with divergent views of the 2003 invasion of Iraq. The Broadway production was directed by Sam Mendes and starred Julianne Moore and Bill Nighy. Oct. 15-Nov. 1.
    • This Wonderful Life, by Steve Murray, conceived by Mark Setlock — Adam Luckey will star in this one-man show in which he plays all the characters from the Frank Capra classic It’s a Wonderful Life. Bob Singleton directs. Dec. 3-20.
    • The New Century by Paul Rudnick — Bo List returns from Memphis to direct this fast-paced comedy from the writer of I Hate Hamlet. The characters include a wealthy Jewish matron, a flamboyant public access TV host and a Midwestern scrapbooker/competitive cake decorator. Feb. 11-28.
    • What the Butler Saw by Joe Orton — AGL associate artistic director Eric Ryan Seale directs this risque, door-slamming comedy about a psychiatrist who tries to seduce his secretary. Somehow, Winston Churchill gets involved.  March 25-April 11.

    For the coming season, the shows will run for three weekends on a Thursday through Sunday schedule at the Downtown Arts Center. The past several years, the theatre had been going on four-week runs Friday through Sundays.

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About Rich Copley & Copious Notes

Raised by opera-loving parents in a rock ’n’ roll world, Rich Copley has parlayed his broad interests into his career writing about arts and entertainment. Since 1998, he has covered performing arts, film and faith-based popular culture for the Lexington Herald-Leader, the daily newspaper in Lexington, Ky. MORE | E-mail Rich


 

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