Copious Notes

Kayoko Dan takes a bow with the Central Kentucky Youth Orchestra Concert Orchestra Sunday night at the Lexington Opera House. Photos by Rich Copley.

Since I am a Central Kentucky Youth Orchestra parent, I stay away from writing about CKYO for the paper — sort of an obvious conflict of interest there.

Dan addresses the audience.

But it is certainly worth noting that the Kayoko Dan era officially got underway Sunday night with the Youth Orchestra’s season-opening concert at the Lexington Opera House. The group’s Symphony Orchestra and Concert Orchestra played a tidy program of just over 90 minutes that included music from Peter Ilyich Tchaikovsky’s “Swan Lake” for the Concert players and the third movement Gustav Mahler’s “Symphony No. 1 in D Major ‘Titan’” for the Symphony. That was some challenging stuff, to say the least.

Also debuting was CKYO assistant conductor Daniel Chetel, who was actually a candidate for the top spot and ended up coming to Lexington to pursue a doctorate in musical arts and conducting at the University of Kentucky, where he also serves as assistant conductor of the UK Symphony. Chetel, who holds a bachelors from Harvard and a masters from the University of Maryland, was offered the Kentucky post by UK Symphony director John Nardolillo after he interviewed for the CKYO job. Sunday night, Chetel conducted the Concert Orchestra in an arrangement of Modest Mussorgsky’s “The Great Gate of Kiev” and the Symphony in the second movement of Ludwig van Beethoven’s “Symphony No. 7 in A Major.”

Assistant conductor Dan Chetel greets Concert Orchestra concertmaster Laura Saikawa after conducting Mussorgsky

The Symphony’s program was a bit of an introduction to Dan as she said from the stage it was her favorite movements from symphonies. Bookending the Beethoven and the Mahler on that program called “Symphonic Progression” were the first movement of Franz Joseph Haydn’s “Symphony No. 104 in D Major ‘London’” and the fourth movement of Tchaikovsky’s “Symphony No. 4 in f minor.”

When Dan auditioned for the Lexington Philharmonic’s music director post, Tchaikovsky was also a centerpiece of her LPO concert with music from “Swan Lake.” So, judging by her programming — Tchaikovsky’s “Russian Choral and Overture” opened the concert — and comments from the stage Sunday, it looks like CKYO kids will be getting used to Peter I.

Chetel’s presence also drove home the fact the Philharmonic and Youth Orchestra’s recent music director searches yielded two new conductors each: new Philharmonic music director Scott Terrell and Dan, who first came here as an LPO candidate, and Dan and Chetel at the CKYO. So Lexington’s conductor pool is enhanced with a trio of new talent, which is certainly worth noting.

Lexington Philharmonic music director Scott Terrell conducts a combined rehearsal of the Central Kentucky Youth Orchestras' symphony orchestra and the Philharmonic Oct. 19. CKYO director Kayoko Dan stands at the back of the orchestra, in a black blouse. Photos by Matt Goins.

When I moved to Lexington in 1998, one thing that immediately struck me about the ­local arts scene was the prominence of children and organizations geared toward children.

The Lexington Children’s Theatre’s shows rated the same sort of attention as productions at Actors Guild of Lexington and other area stages.

The Central Kentucky Youth Orchestras’ events and personnel moves were prominent news. There were two institutions - the Explorium (then, the Lexington Children’s Museum) and the Living Arts and Science Center - geared toward children’s arts, particularly visual arts.

The School for Creative and Performing Arts had a prominent place in town, but there were stage, art and music programs at other schools also producing talented graduates who went on to arts careers.

Children’s Health magazine recently ranked Lexington No. 6 on its list of the 100 best places to raise a family. The criteria included crime and safety, education, economics, housing, cultural attractions and health.

I’d be willing to bet that if someone wanted to rank best places to be an artsy kid, Lexington would rate high on that list, too. By virtue of what is offered, we tell our children that the arts are something to do and be respected for doing.

Students Madelyn Nelson, left, Sara Arthur-Paratley, and Mary Rollins-Mathews rehearsed with the Lexington Ballet on Monday in preparation for Youth Arts Day.

The Lexington Philharmonic, the Horse Capitol of the World’s flagship arts organization, will celebrate young artists with its Youth Arts Day family concert at 3 p.m. Sunday at the Singletary Center for the Arts. It will include young singers from SCAPA, Fayette County Public Schools and the School of the Lexington Ballet.

The prominence of youth-oriented groups here is quite a bit more than other communities that I have lived in or observed. Over the nearly 12 years since I arrived, it has become clear that a big reason for that is quality.

Take the Children’s Theatre: In a town that has struggled with the concept of professional theater for adults, the Lexington Children’s Theatre has established itself with its own building on Short Street and a professional staff, including actors. What’s more, Larry and Vivian Snipes have developed a national reputation for the theater by being a venue that presents and creates new work. And the primary beneficiaries are kids.

And it really wasn’t terribly surprising that when the Central Kentucky Youth Orchestras went looking for a new music director at the same time that the Lexington Philharmonic was trying to fill a similar job, it ended up attracting and hiring Kayoko Dan, also a candidate for the Philharmonic post.

CKYO has graduated numerous professional musicians, including Chicago Symphony Orchestra violinist Nathan Cole and hard-to-categorize cello soloist Ben Sollee.

Outside of groups directly geared toward kids, Lexington arts groups have been generous to kids.
Look at Paragon Music Theatre, which routinely loads the stage with kids, including Hello Dolly! this weekend, and even makes a place for them in its cabaret shows.

During years without a professional company, the Lexington Ballet featured its students in productions, and it and Kentucky Ballet Theatre, which has always had a pro troupe, always find ways to present students. Former Ballet Theatre dancer Adalhi Aranda Corn saw such value in Central Kentucky’s young artists she left and formed Bluegrass Youth Ballet and eventually built CulturArte, an arts facility that acommodates a variety of disciplines.

Possibly one of the biggest statements about valuing student artists was when the Lexington Singers’ ­Children’s Chorus was invited to perform in the Our Lincoln performance at the Kennedy Center in Washington in February.

And now LexArts has formed a Youth Arts Council to help focus young artists in the area.

Clarinetists Andrew Burton, 14, left, of the Central Kentucky Youth Orchestras and Mike Acord of the Philharmonic rehearsed together Monday.

Full disclosure: My children have participated in some of these groups, and one is in the Central Kentucky Youth Orchestras, although not the ensemble performing Sunday with the Lexington Philharmonic.

In addition, I’ve gotten to know many other kids who participate in groups. Maybe the most important thing these groups engender is enthusiasm for the arts they are participating in. I hear spirited discussions about play rehearsal and genuine interest in Bach sonatas.

Like anything, Lexington’s youth arts scene isn’t perfect. I remain baffled, for instance, why SCAPA does not have a theater of its own. Then again, SCAPA regularly solves that problem by putting its kids on stages usually graced by adults and pros.

It occurred to me as I left a CKYO rehearsal last week with my daughter that by virtue of her participation in the orchestra, she’s on the University of Kentucky campus every week. Most of us didn’t get used to being on a college campus until we had enrolled.

That’s just one of many ways that through our youth arts, regardless of whether the students pursue arts careers, by supporting such substantial programs, we’re preparing our kids for the rest of their lives.

Cellist Joshua Roman rehearses with the Lexington Philharmonic Orchestra and Maestro Scott Terrell on Tuesday, Oct. 13, 2009. Photos by Rich Copley | LexGo.com.

Click the play button to hear a podcast of our interview with Joshua Roman:

Copious Notes podcasts are available on iTunes.

The Lexington Philharmonic Orchestra may have bigger named soloists its schedule this season, but that may only be temporary.

At 25, cellist Joshua Roman already has some big credits on his resume, including being the only soloist during the YouTube Symphony Orchestra presentation, becoming the Seattle Symphony’s principal cellist at age 22, and being named artist of the month by Musical America magazine in August.

We caught up with Roman back stage after a rehearsal to talk about things like being called a “classical rock star” for our story in today’s Weekender and the podcast, above.

Scott and guest soloist Evelyn Glennie head for the pre-concert chat in the President's Room in the Singletary Center for the Arts.

Photographer Matt Goins shot a lot more pictures of Scott Terrell preparing for his first masterclassics concert as the Lexington Philharmonic Orchestra’s music director than we could get in Saturday’s paper. But here at le blog, where we have unlimited space (the webmaster may beg to differ), Matt is letting us share a few more photos from last week’s exhilirating season opener.

A phew more Phil photos also pheels like a phun way to celebrate Copious Notes’ 1,500th post. (I just toasted the occasion with a Carmilla at Coffea. Woo-hoo.)

Terrell leads the pre-show chat.

Terrell and Glennie take some questions.

Terrell straightens his tie.

Terrell goes over the score in his dressing room before taking the stage.

On the podium, in command of the orchestra.

More coverage:

• Loren Tice’s concert review.
• Coverage of opening night.
• Evelyn Glennie travels light.
• Terrell ready to go.

Charles Compton and I had our second on air chat during Morning Edition today on WEKU-FM 88.9. It was paired with Stu Johnson’s sonically rich report on new Lexington Philharmonic music director Scott Terrell and his debut concert tonight.

Here’s the link to both segments.

Lauren Tenney (left, front), Meredith Dunlevy (back, left), Megan Jacobs (right, front) and Ashley Wilcock (back, right) dance while cellist Peter Kucirko plays a sonata by J.S. Bach in a rehearsal of a new piece which will be performed as part of the company's season-opening concert, Sept. 18. Photo by Rich Copley | LexGo.com.

The Lexington Philharmonic and Lexington Ballet are teaming up to sell tickets to their season premieres for one price.

Scott Terrell. Photo by David Stephenson | LexGo.com.

Both the Ballet’s Sept. 17 and 18 Fabric of Dance performance and the Phil’s Sept. 25 MasterClassics concert are big debuts: the ballet unveiling its new professional performing company and the Phil’s new music director Scott Terrell opening his inaugural season with guest Evelyn Glennie, the most famous percussion soloist in the world.

The organizations are selling a combined ticket for $60. Individual tickets are $20-$35 for the ballet and $40-$100 for the Philharmonic. Call (859) 233-4226.

Some people may have looked at today’s Opinions | Ideas section of the Herald-Leader and thought it was a bad morning for the arts, and the Lexington Philharmonic in particular. The Sunday letters to the editor devoted a section to six letters about Fourth of July activities, three complaining that the Lexington Philharmonic’s patriotic concert on July 3rd was not patriotic enough.

Scott Terrell's Philharmonic debut got mixed reviews, but it was good to see passionate debate about the arts. Photo by Mark Cornelision | Herald-Leader.

The concert also happened to be Scott Terrell’s debut conducting the orchestra since being named its music director in April.

“Abandoning old favorites like Battle Hymn of the Republic, 1812 Overture and God Bless America, Terrell chose to include selections like Mission Impossible,” Lindy Karns of Lexington wrote. “There are an insufficient number of opportunities to listen to the performance of songs that make us proud to be Americans.”

Listening to the concert, I wondered if there would be people that found it lacking in patriotic anthems that we so commonly associate with the Fourth of July, and even thought some Broadway tunes such as, say, America from West Side Story — which I saw performed by the Broadway revival cast on NBC’s Fourth celebration — or selections from The Music Man might have gone over better than My Fair Lady and Chicago.

But I also saw the point that we as Americans should be proud that our country has produced original art forms such as musical theater and movie music and given the world classic composers such as Lerner and Loewe and Henry Mancini.

We often cede classical music to Europeans, ignoring great American composers such as Aaron Copland, Leonard Bernstein and others. I liked that Terrell included John Williams’ Olympic music, highlighting another great American talent too often written off as just a film composer, and his inclusion of Leroy Anderson, an American composer championed by Terrell’s predecessor, George Zack.

But the broader point is that I loved seeing four letters to the editor — one from Kevin C. Brown of Lexington praised the program saying Terrell, “managed to breathe new life into the traditional program”  — about a concert, from relatively informed people debating the merits of the program with obvious passion.

It’s also something we’ve seen lately in comments and some letters to the editor about LexArts’ decision not to fund Actors Guild of Lexington for the next fiscal year.

I think I sometimes surprise people who call or write to complain about a story I’ve written when I invite them to write a letter to the editor. No, it is never fun to read someone complaining about you. But I love it when people take time to sit down and write about the arts. It says this is important stuff, and it is worth the time to express an opinion, even if it happens to be critical. Hey, by taking the time to criticize, you are saying, I think this can be better, and it is important to me to weigh in on it.

It can’t all be politics and UK sports, people.

And really, in this increasingly interactive world, it is more important than ever that people pipe up and show the arts are something we consider worthy of debate and comment.

So, keep those cards and letters and emails and comments coming. It’s all good.

Scott Terrell conducts the Lexington Philharmonic in the orchestra's annual Patriotic Concert at Transylvania University. The concert was also his debut as music director of the orchestra. Photo by Mark Cornelison | Herald-Leader.

Click here to see more photos from Friday’s Patriotic Concert.

Scott Terrell said he liked the view from the stage in front of the Old Morrison Building at Transylvania University. When he looked one way, he saw his new orchestra, the Lexington Philharmonic. When he turned around, he saw his new town, or what must have looked like the whole town, from that perch.

The crowd for the Patriotic Concert the Philharmonic presents ever July 3 stretched from the steps of Old Morrison back across the lawn and over Third Street through Gratz Park almost to the back steps of the Carnegie Center for Literacy and Learning. Our own Tom Eblen, a veteran Patriotic Concert fan, guessed the audience was almost twice as large as the typical crowd for this event.

That makes sense, as it wasn’t a typical Patriotic Concert.

It was the debut of Scott Terrell as the Phil’s music director — his first concert conducting the orchestra since he was named to that post in April.

Whether it was that or the perfect night that drew people out, it was a truly big debut that showed Terrell had some good instincts.

Conventional wisdom would have had him waiting for his first bow in September when the Philharmonic opens its Masterclassics season at the Singletary Center for the Arts.

Thing is, you couldn’t fit this audience in a couple of Singletarys.

By taking the baton Friday night, he got in front of one of the Phil’s biggest audiences of the year for a concert that sent a few messages.

~ Masterclassics aren’t the only thing. Terrell has talked about reviving the Phil’s pops series and introducing other concerts and series in coming seasons. That he chose to debut with this concert and obviously put some thought into it says he’s serious about broadening the orchestra’s profile.

~ Get ready for some new ideas about repertoire. Friday night’s concert had some of the staples of the event, including a tribute to the Armed Forces and the “get out your sparklers” rendition of Stars-and-Stripes Forever. He also got to conduct My Old Kentucky Home for the first time, and complimented the “mass choir” of the audience joining the Lexington Singers for the state song.

But Terrell wanted to make it about the broader concept of American music, so he added a selection of traditional melodies, showtunes and movie themes.

My favorite moment of people watching came during All That Jazz, from Chicago, when near the front of the stage, a little girl was dancing with abandon while, a few yards behind her, a senior couple was walking in rhythm, as if they were about to cut a rug — or lawn, as the case would be.

Exploring American music for the Fourth is an interesting idea, and it could yield some intriguing programs in the future. I did hear that some people wanted a concert more in line with the traditional Fourth evening of patriotic standards. The audience immediately around me, near the front of the stage, seemed to enjoy the program. Just as Lexington will spend the next season hearing Terrell’s ideas, Terrell will certainly spend the next season — and beyond — hearing audience feedback.

One note: It was cool he included Leroy Anderson’s Blue Tango, as Anderson was a favorite of Terrell’s predecessor, George Zack.

Speaking of Zack . . .

~ Terrell is ready to embrace the role of “Face of the Philhamonic.” Replacing such an iconic figure in Lexington arts, Zack’s successor needed to be ready to step forward in a PR role as well as musical role. Terrell seems ready for that, picking a debut concert that had him talking to the audience quite a bit.  And by picking this concert, Terrell chose a venue that would put him center-stage before one of the orchestra’s biggest audiences.

And he seemed to have a great time, a big time — big gestures, big eyes and a big smile on the podium.

That would be the podium where he saw his orchestra and his audience, and we got out first good look at the Philharmonic’s future.

Friday’s concert will be repeated Saturday night in Versailles.

Comment: What did you think of the program?

Scott Terrell leads a rehearsal of the Lexington Philharmoinic Orchestra before the October 2008 audition concert that ultimately won him the job. Photo by Rich Copley | LexGo.

After Scott Terrell was named the new music director of the Lexington Philharmonic, most people, even the orchestra staff, figured the next time we’d see him would be in September for a gala season opener.

But Terrell had different ideas.

The conductor will be on the podium next weekend as the Philharmonic plays its annual Fourth of July concerts in Lexington Friday Night at Transylvania University and Versailles Saturday night at Woodford County Park.

“I was here, I was available, and it’s a big community event,” Terrell said from his Lexington home. “I thought it was an appropriate way to introduce myself.”

It’s also going to be a chance for Terrell to introduce a bit of his musical sensibility.

“There are going to be the traditional things that have always been there,” Terrell says. “But we’re also going to look at the breadth of American music, and what that means.”

What that means in this concert is we will hear some classic American tunes such as the Shaker melody, Simple Gifts; we’ll hear classic movie themes such as Henry Mancini’s for The Pink Panther and Lalo Schifrin’s Mission: Impossible theme; we’ll hear classic show tunes from Lerner and Lowe and standards from Cole Porter.

“While it is patriotic in parts, the broader scope is Americana,” Terrell says.

There will be numerous patriotic concert standbys, including the Star-Spangled Banner, My Old Kentucky Home and Stars and Stripes Forever.

But Terrell said he saw the concerts as chances to, “reshape that program, and usher in a new era.”

Thus far, Terrell says he’s received a good reaction from people in the orchestra and concert presenters who have seen the program.

Terrell has been putting the program together at the same time he has been moving to Lexington from Charleston, S.C., where he lived as resident conductor of the Charleston Symphony Orchestra.

He has also been solidifying the program for the Philharmonic’s upcoming 2009-10 season. Some noteworthy additions include:

■ Irish tenor Ronan Tynan in an Oct. 10 concert that will be part of the Alltech Fortnight Festival.

■ Acclaimed violinist Nadja Salerno-Sonnenberg in an April 17 concert to benefit UK HealthCare.

Information on those concerts and all upcoming Philharmonic events will be available at the Fourth concerts, which are some of the Philharmonic’s biggest events of the year.

“I wanted to do it, and that’s the bottom line,” Terrell said of the concerts. “It’s too much fun and too much of a community event not to take part.”

The Lexington Philharmonic’s new music director, Scott Terrell, is going to start his tenure with more marquee names on the season schedule than the orchestra has had in quite a while. In addition to Evelyn Glennie, probably the best-known classical solo percussionist in the world Sept. 25, the Phil will also present:

Ronan Tynan.

Irish tenor Ronan Tynan in a concert that will be part of the Alltech Fortnight Festival Oct. 10. Tynan came to fame as one of the Three Irish Tenors and has been a ubiquitous presence at New York Yankees games in the past decade singing the full version of God Bless America. Terrell says this concert will probably tell him a lot about possible directions in which to take a revived Philharmonic Pops season.

World-renowned violinist Nadja Salerno-Sonnenberg will join the orchestra for an April 17 concert benefitting UK HealthCare. Terrell says Sonnenberg will be playing Astor Piazolla’s take on The Four Seasons.

Nadja Salerno Sonnenberg. Photo by Grant Leighton.

The violinist added for the Feb. 12 Masterclassics concert is also a bit of a get: Arnaud Sussmann, who won a prestigious Avery Fisher career grant in April along with Alessio Bax, who is the pianist with the UBS Chamber Music Festival of Lexington, Aug. 26-30.

Also added to the full schedule, which will be released next week, are family concerts on Oct. 25 (a Youth Arts concert that will feature members of the Central Kentucky Youth Orchestras playing with the Phil and other young artists) and Dec. 13, which will bring Paragon Music Theatre director Ryan Shirar back to the Philharmonic podium.