Copious Notes

The journal of a Kentucky culture vulture

  • Jun
    17
    Wilmore-based Rookie is Landon Cunningham, Abe Parker and Grant Ebright. Photos by Rich Copley | LexGo.

    Wilmore-based Rookie is Landon Cunningham, Abe Parker and Grant Ebright. Photos by Rich Copley | LexGo.

    WILMORE — The trio Rookie did a lot of the right things when they started performing together.

    They picked bandmates they liked hanging out with. They defined a sort of jazzy edge to their sound that they say makes them different from most other Christian rock acts. They jettisoned a meaningless name, Auburn, for one that said something: Rookie, they say, is a commentary on the clumsiness with which most people go about their faith.

    And they got the director of the Ichthus Festival to come see their show.

    OK, that last element isn’t necessarily part of the prescription for most bands. And a few years ago, it might not have yielded much.

    Kevin Young of Disciple performs on the main stage at Ichthus on the festival's opening day. Young lives in Lawrenceburg.

    Kevin Young of Disciple performs on the main stage at Ichthus on the festival.

    But, while Ichthus’ calling card is still chart-topping international Christian bands such as Skillet and Family Force 5, Kentucky musicians have had a growing role in the festival, whether it’s competitors in the fest’s 3-year-old battle of the bands, local rockers invited to perform on secondary stages, area church leaders playing during late-afternoon worship sessions, or the occasional national artist who resides right here in the Bluegrass.

    “My family got to come out,” Disciple frontman and Central Kentucky resident Kevin Young said of the band’s Thursday main-stage set. “That’s why I like Ichthus a lot, because I actually get to do this and my family is close by. My daughter is 81/2 months old, and yesterday was her first Disciple concert. I didn’t get to see her face, but my wife said she was kicking a lot, so apparently she liked the music.”

    The biggest concentration of local talent was earlier that day on the worship stage where bands competed in the third annual Ascenxion Scout Competition. The first year of the competition, three bands were selected in an online competition to play Ichthus stages. The past two years, the competition’s finals have been live the opening morning of the festival, meaning even if they don’t advance, all the competitors can say they played Ichthus.

    They included 16-year-old Radfordville resident Allison Stafford, who said when she saw Christian rocker’s BarlowGirl at Ichthus two years ago, “I decided I wanted to do that.”

    Playing a festival like Ichthus gives local acts, as well as other less familiar bands, a chance for people to run across their music as opposed to concerts or club dates, where a lot of people who come are already familiar with the band.

    “We got a really good crowd response,” Landon Cunningham, Rookie’s drummer, said the day after their Friday set on the Edge Stage. “It’s great that they are providing this kind of opportunity to local bands,” he added, noting some other area acts such as Wilmore’s Shane Tracy Project also got moments in the spotlight.

    A few locals even got main-stage shots: The Lee Roessler Band, which won the Ascenxion Scout Competition, and Lexington’s Too Many Drummers, which got there via another competition.

    But possibly the most prominent local musicians on the Ichthus stage this year were area worship leaders who led devotional times late each afternoon.

    Amaris

    Amaris Blevins sang with the worship "all-star team," at Ichthus on June 12.

    A group from Quest Community Church and then a worship “all-star team” — comprising musicians from churches such as Southland Christian, Centenary United Methodist and Southern Acres — took the stage in the evenings, where nationally known artists used to play.

    “It’s different from church,” said Amaris Blevins, a singer at Southland who was part of the team. “It was a lot more people and a different energy from church.”

    And while the worship all-star team isn’t looking for a recording contract the way bands might, the musicians did appreciate the opportunity.

    “I like that they’re getting more locals involved,” Jonathan Mckeowen, a guitarist with the group, said. “It used to be kind of hard to get in here.”

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  • May
    28
    Mat Kearney. Photo courtesy of Columbia Records.

    Mat Kearney. Photo courtesy of Columbia Records.

    Review: Mat Kearney — City of Black & White

    Mat Kearney approaches sophomore album pressure in a different way: He sings about it . . . in the opening lines of the opening track of his sophomore album.

    Here we go at it three years later
    Will you help me to dream it all up again?
    Tired of the same song everyone’s singing
    Rather be lost with you instead

    Kearney’s 2006 Columbia Records debut, Nothing Left to Lose, was a mainstream hit and also found the artist embraced by Christian listeners for his faith and songs that certainly had faith-based underpinnings. Now, the aforementioned three years later, Kearney is back with a new album that should reaffirm the Christian market’s faith in him as well as his status as one of the leaders in the current singer-songrwriter ranks that includes Jason Mraz and Gavin DeGraw.

    City of Black & White has some ambition, clocking in with 14 tracks that run around an hour. It also finds Kearney diversifying his sound and subject matter. The unity of the album is a steady echo, as if we are always navigating concrete and glass towers in an urban jungle. That best resolves in the title track, which ends in lonely threads that sound like dulcimer and slide guitar.

    The lyrical content is empathetic, individualistic stories and portraits, Annie being the most immediate and memorable. Most of the songs have a spiritual interpretation, if not an overt message. With City of Black & White, Kearney has cleared the sophomore hurdle, and his future is sounding good.

    The Ichthus Battle is set: Get your coffee, kids, because the Ichthus Festival’s Battle of the Bands will get started at 9 a.m. June 11, the first full day of the fest. Nine bands will be vying for a spot on the Ichthus Main Stage during the festival, and that winner will advance to a national competition between bands that win battles at other fests during the summer, with the possibility of a Word Records deal being the big prize.

    The contendah’s are:

    Eyesuponus of Versailles, which won a secondary stage spot in Ichthus’ first band battle in 2007.

    7:13 of Paintsville

    Crosslife of Owingsville

    Too Many Drummers of Lexington

    The Lee Roessler Band of Alexandria

    Allison Stafford of Bradfordsville

    Chasing Canaan of Shreveport, La.

    Calling Glory of Athens, Tenn.

    Those seven acts got in through online voting in the Ascenxion Scout Competition. Two additional bands made it through preliminary competitions.

    Wisdom’s Call of Elizabethtown won a competition in Tennessee.

    Divine Day, which was an Ichthus winner last year, won an Ohio competition.

    The whole festival, numero 40 for the fish, is now under two weeks away. Keep checking in here and on my Twitter page for updates, stories and info. At Twitter, we use the hashtag #ichthus.

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About Rich Copley & Copious Notes

Raised by opera-loving parents in a rock ’n’ roll world, Rich Copley has parlayed his broad interests into his career writing about arts and entertainment. Since 1998, he has covered performing arts, film and faith-based popular culture for the Lexington Herald-Leader, the daily newspaper in Lexington, Ky. MORE | E-mail Rich


 

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