Copious Notes

Timothy Hull, seen here with Allie Darden in the On the Verge production of "Another Part of the Forest" in May, will star as the Elf in Actors Guild of Lexington's production of "The SantaLand Diaries." Photo by Rich Copley.

Yes, Kentucky, there will be a Christmas production by Actors Guild of Lexington.

The troubled theater’s next show will be a site-specific staging of David Sedaris’ The SantaLand Diaries at the site of the former Portabella Restaurant on Locust Hill Drive. It will run Dec. 10 to 20.

The show comes in the wake of a stormy summer and uncertain fall for the theater, whose funding from LexArts was eliminated and whose top two directors resigned. LexArts cut the funding, which had been about $70,000 in recent years, saying it had concerns about the fiscal management and overall viability of the theater, Lexington’s only semi-professional stage troupe for adults.

The SantaLand Diaries is Actors Guild’s first production since Beguiled Again, a Rodgers and Hart musical revue that had a two-weekend run at the Downtown Arts Center in early fall. The season schedule that Actors Guild announced last spring was to include David Hare’s The Vertical Hour and, for the holidays, a one-man version of It’s a Wonderful Life.

Associate artistic director Eric Seale, currently the theater’s only paid staff member, said SantaLand is a signal that AGL will continue presenting shows.

“If people are wondering, ‘Is there an AGL?,’ Yes, there’s an AGL,” Seale said. “If they are wondering, ‘Are they putting on shows?,’ Yes, we’re putting on shows.”

He said the theater is not ready to announce any productions after SantaLand.

A site-specific production is staged in a venue that relates to the subject matter. It’s not a new concept and has been popular in Lexington in the past year. On the Verge Productions presented Lillian Hellman’s family dramas The Little Foxes and Another Part of the Forest in historic homes downtown.

SantaLand, a one-person show about a man who plays an elf in the Christmas display at Macy’s, will be presented in the vacant retail space formerly occupied by Portabella, next to the Kroger at Richmond Road and Man o’ War Boulevard.

It will star Tim Hull, an emerging Lexington actor who recently was in Another Part of the Forest. Co-directors will be Seale and Leif Erickson Rigney, an actor last seen in Studio Players’ production of The Unexpected Guest.

AGL previously staged SantaLand in 2004 at the Downtown Arts Center.

Seale said the site-specific nature of this fall’s production was an aesthetic decision inspired by ideas he had heard at theater conferences. He said AGL explored several retail-space options before settling on the old Portabella location.

The play, based on Sedaris’ 1992 essay, looks at how people try to find holiday happiness in retail experiences, including visiting a department-store Santa. Seale said the Portabella site will be done up like a mall-Santa display to make the show “an experience.”

Seale said he expects tickets to go on sale early next week through Actors Guild’s Web site, www.actorsguildoflexington.org, or by calling 1-866-811-4111.

Lexington Herald-Leader culture writer Rich Copley has a bullet wound applied to his head by makeup artist Scott Turner at the Carriage House Theatre, Sept. 17, 2009. Copley was playing a cameo role as the murder victim in Agatha Christie's "The Unexpected Guest." Photo by Rich Copley | staff.

Note: Studio has added a performance of The Unexpected Guest, Sept. 24.

Doesn’t every theater want this: A dead critic on its stage?

Studio Players got that wish Thursday night when I played Richard Warwick, the dead guy in Agatha Christie’s The Unexpected Guest. Seriously, my character is dead from the moment the play starts and the title character (Graeme Hart) comes through a window to find me with an entry wound on the left side of my forehead and my wife (Lisa Welch) standing in the shadows with a gun.

All the actor playing Richard has to do is play dead for 25 minutes at the beginning of the show and then come out at the curtain call. Since it’s fairly short order-acting, director Gary McCormick is passing the part around to area theater notables, celebs, and me.

My evening started with showing up for a 6:45 p.m. call so Polly Robinson could walk me through my part, which actually required a bit more prep than just sitting there. Though I am dead, there were still some things I needed to prepare for, like a welcome jostling by Hart, a few characters poking and prodding me, and a gunshot pretty darned close to my left ear — wouldn’t work out well if the dead guy suddenly leaped from his chair. There were also entrances and exits to prep for.

Then, it was to makeup where Scott Turner, who also plays my brother Jan, had to concoct my entry wound.

Scott started by having me apply a moisturizer where the wound would go while he created this rubbery little hole for my head. Then he applied the hole and started trying to blend it in with my skin. One frustration he had was that the blood he was using didn’t stream down my face the way he wanted. I saw Bob Singleton sporting the wound last week, and it was ghastly. I joked that my blood clots quickly, though it was probably that the faux blood was no longer flowing the way it should.

Me, center with the hole in my head, and the cast of "The Unexpected Guest." Photo by Tanya Spears.

Finally, I had my entry wound and I was in some PJ’s and a robe, apparently Richard’s attire of choice for his favorite evening activity: drinking brandy and shooting at cats in his yard. Really, this guy was a major creep. No wonder they had trouble figuring out who wanted to shoot him.

So, it was time to play dead, which is not as easy as you think.

I was seated at the back of the stage in front of a window with my back to the audience, so they could basically see my head, shoulders and arms. Still, I had to be perfectly still.

The second I heard the curtain open, every possible itch on my body came to life. For a few minutes, I seriously thought I would walk off the stage and scratch myself bloody. I was trying to keep my breathing pretty shallow, but after a few minutes, a bigger concern was a need to draw a deep breath. So, I started trying to remember, from seeing the show last week, where Graeme and Lisa were on stage so I could take bigger breaths when they were drawing attention elsewhere.

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Studio Players kicks off the 2009-10 arts season in Lexington Sept. 10 with a good ol’ Agatha Christie whodunnit: The Unexpected Guest. It’s a dark night — can’t remember if it’s stormy — and a stranded traveler enters a home looking for help, but finds a woman standing over her dead husband with a gun in her hand. Rather than turn her in, the weary traveler tries to help her cover up the crime. But is it a crime she committed? And if not, who did?

The show runs through Sept. 27 at the Carriage House Theatre on West Bell Court. Click here for show and ticket information.

Read more about this show and Balagula Theatre’s ‘B’ for Beckett here and see a Beckett slide show and hear a podcast with Balagula co-director Ryan Case here.

Studio Players announced the lineup for its 2009-10 season at Tuesday night’s members meeting in the lobby of the Carriage House Theatre on West Bell Court.

Sam Shepard

The highlight of the schedule is True West by celebrated playwright Sam Shepard, who lives in Midway. True West is a story of role reversal between two brothers, one a petty thief and the other an aspiring screenwriter. It is the first production of a Shepard play by one of Lexington’s leading theaters in several years. The play will be Studio’s March 2010 production, and a director has not been announced for the show.

All the other plays on the season have directors attached, though specific dates have not been nailed down yet. Here’s the rest of the lineup, as announced by Studio Players president-elect, David Bratcher:

• The Unexpected Guest by Agatha Christie — Gary McCormick will direct the play, which Bratcher says opens with a dead body in a wheel chair. Begins in September.
• Jacob Marley’s Christmas Carol by Tom Mula — Dickens’ classic tale, told from the perspective of the guy in the heavy chains. Carly Preston directs. November.
• Wait Until Dark by Frederick Knott — This is the original stage version of the hit 1967 movie starring Audrey Hepburn as a blind woman who has to contend with three thugs searching her house for a missing drug shipment. The Broadway cast was pretty good too: Lee Remick and Robert Duvall. Bob Singleton directs. January.
• Run for Your Wife by Ray Cooney — Director Ross Carter described this as a “quintessential British farce,” about a Taxi driving bigamist whose cover is blown. May.

Studio still has two productions left in its current season — Six Degrees of Separation, which runs March 19-April 5, and Dearly Beloved, May 21-June 7 — plus a summer musical, Always, Patsy Cline, July 9-Aug. 2.