Copious Notes
The journal of a Kentucky culture vulture
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Oct28Comments Off

Ten-year-old Jaylen Washington played Michael Jackson in the kids-only Thriller dance on the main stage during the annual downtown Thriller event. © Herald-Leader staff photo by Charles Bertram.
My friends and family are used to me chaffing at icons of my youth being declared “classic.” Even at 44, it still doesn’t feel like movies I saw in theaters when they opened or albums I bought on vinyl with my paper route money should be in the same category as black-and-white Jimmy Stewart movies or Beatles records I thought of as classic when I was a teen.
But a couple decades have passed since the 1980s, and I have to start acknowledging and maybe even appreciating that some of the things I enjoyed as new in my youth are now taking their rightful places among the icons.
Like Thriller.
I worked an editing shift Sunday night, so I was not able to take in the spectacle that is our annual Halloween-season Thriller parade in Downtown Lexington. But I did buzz by CentrePointe on a dinner run to hear the moments from the video when Michael Jackson transforms from an unlikely movie date into a monster and see a young dancer acting it out on stage.
It took me back to the night in 1983 when I went over to my best friend’s house to watch the premier of the video on MTV — we did not have cable, but Lee’s parents did. We had heard about this bizarre new video Michael Jackson was releasing — a 15-minute mini-movie for a five minute song. What? How do you do that? Play the song really slow?
Jackson did it by pulling together the kind of forces only a reigning King of Pop can including writer and director John Landis, whose 1981 hit movie An American Wearwolf in London heavily influenced the Thriller video. Jackson gave it more cinematic heft with incidental music by movie maestro Elmer Bernstein, makeup by horror master Rick Baker and, of course, that voiceover by Vincent Price. And Jackson surrounded his infectious hit with a fun little story about a girl, played by Ola Ray, dreaming she went to a horror movie with what turned out to be a monster.
Or was it a dream?
It was an instant classic, a video that redefined the then-very young genre of videos.
So yes, call this icon of my youth a classic. It isn’t one because I’m old. It earned the designation.
More: See Charles Bertram’s photos from Sunday night’s Thriller events.
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Jun26
Michael Jackson: What were your favorites?
Filed under: Film, Music, Television; Tagged as: Beat It, Michael Jackson, Off The Wall, The Wiz, Thriller, video8 CommentsThriller always gets all the props, but in many ways, the Beat It video (above) was Michael Jackson’s masterpiece — a gritty little drama with the classic Michael look and moves. You can look at this and see where a clip like the mini-movie of Thriller came from.
Last night, I wrote about how time has not been kind to Jackson’s public image and many young people today are probably mystified as to why there’s so much fuss about the gloved one.The thing is, his legacy is a matter of multimedia history: the videos, the albums, even a few film appearances. Beat It is the first video I would send people to. And as iconic and historic as Thriller was, I’m one of many who would call the Off the Wall album that preceeded Thriller Michael’s best. It was the coming-of-age album for the former child star, and bash disco if you want, but Jackson did it as well as anyone.
Fortunately, he didn’t pursue film with as much verve as other pop icons. But even there, The Wiz features a nice little performance by Jackson, and it was one of the keys to launching his career.
Those are a few of my favorites, evidence of his greatness. What are some of yours? Comment below and share.
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Jun25
Michael Jackson outlived his greatness
Filed under: Music, Rupp Arena, Television; Tagged as: Billie Jean, Don't Stop 'Til You Get Enough, Don't Stop the Music, Ed Sullivan Show, Eddie Van Halen, Elvis Presley, Lexington Center, Mecca, Michael Jackson, Motown 25: Yesterday Today and Forever, Rihanna, Rupp Arena, South Park, The Beatles, The Jeffersons, Thriller, Wanna Be Startin' Somethin', WGVN-1580 AM5 Comments
Michael Jackson in 1984, in his prime, onstage at opening night of the Jacksons' Victory Tour at Dodger Stadium in Los Angeles. Jackson's mother announced the tour would start at Rupp Arena, but negotiations broke down between the arena and the tour manager. Photo by Lennox McLendon | AP.
The last time we had the conversation, I was driving the kids to school.
Don’t Stop the Music by Rihanna came on the radio, and I mentioned that it used a Michael Jackson sample — Wanna Be Startin’ Somethin’, complete with a little bit of M.J.’s “woo-hoo!” in the background.
My daughter, a music nut who has a fairly loaded iPod, was genuinely astonished.
Michael Jackson recorded something good?
We’ve had this conversation before, because Michael Jackson as the King of Pop is kind of hard for them to grasp.
The Michael Jackson they know is a surgically made-over oddity who lived like a little boy and shouldn’t have been allowed around little boys. There are probably a lot of people like my kids, maybe even a generation older, who are a little mystified as to why he is so widely mourned.
Maybe you had to be in front of your TV on May 16, 1983, when Michael Jackson moonwalked across the stage on an NBC special, Motown 25: Yesterday, Today and Forever. It was one of those jaw-dropping moments that is hard for us to have now, in an era of 500 channels and nothing on. The next day, everybody was talking about that unreal move, about the single glove, about what he was really trying to say in Billie Jean.
We wondered: Was this what it felt like when The Beatles played the Ed Sullivan Show?
The thought occurred to us again on Dec. 2 of the same year as several of my friends and I gathered in the living room of a friend who had cable to watch the nearly-15-minute video for Thriller on MTV.
Fifteen minutes?! The song on the album was only six minutes.
That was Michael in his prime: a thriller, an innovator, a seasoned star perfectly positioned to take advantage of a quickly changing media market, and possibly the last truly galvanizing star in pop music.
Were rockers too cool for him?
Not Eddie Van Halen, the pre-eminent rock guitarist of the day, who lent a scorching solo to Beat It, one of seven Top 10 singles from the nine-track Thriller album.
Even if your primary tastes tended toward other genres, you knew about Michael Jackson and probably had the Thriller album. It was selling a million copies a week at its peak.

A Lexington Center employee takes calls from people asking about Jacksons concert tickets in 1984. Herald-Leader file photo.
Jackson sent a thrill through Lexington when his mother announced that The Jacksons’ 1984 tour would start in Rupp Arena. Fans flooded Lexington Center, area radio stations and the Herald-Leader with calls from people looking for ticket information.
Alas, contract negotiations broke down between the tour manager and Lexington Center, and the concert never happened. Pair that with the Elvis Presley concert that Rupp had scheduled shortly after the King died, and you have a pair of dream concerts that Lexington never saw.
Jackson recorded other hugely successful albums — Bad and Dangerous — before the Jackson train started running off the rails. There was his rapidly changing appearance, his self-aggrandizing gestures, his disappointing albums and his failed tours. And then there were the allegations of child molestation that landed him in a humiliating trial. He was acquitted, but the damage was done.
The Michael Jackson the world came to know was synthesized in an episode of South Park called The Jeffersons, in which a creepy man whose face is falling off arrives in town with his strange son.
Jackson spent the past couple of decades trying to reclaim his 1970s and ’80s fame, and maybe it would have been best if he had just enjoyed that. We did.
Lexington enjoys it every Halloween, when the dancers from Mecca restage the Thriller dance downtown.
We enjoy it when a 21-year-old pop princess uses one of his legendary riffs in a new hit.
WGVN-1580 AM let listeners re-enjoy it last night, going all-Michael Jackson all night. When Jackson’s howl ushered in Don’t Stop ‘Til You Get Enough, my fingers reflexively cranked up the volume.
In later years, Michael Jackson didn’t do himself a lot of favors, as the bizarre image of him grew.
But kids, have no doubt: He was great.




