Copious Notes

Lexington Philharmonic music director Scott Terrell conducts a combined rehearsal of the Central Kentucky Youth Orchestras' symphony orchestra and the Philharmonic Oct. 19. CKYO director Kayoko Dan stands at the back of the orchestra, in a black blouse. Photos by Matt Goins.

When I moved to Lexington in 1998, one thing that immediately struck me about the ­local arts scene was the prominence of children and organizations geared toward children.

The Lexington Children’s Theatre’s shows rated the same sort of attention as productions at Actors Guild of Lexington and other area stages.

The Central Kentucky Youth Orchestras’ events and personnel moves were prominent news. There were two institutions - the Explorium (then, the Lexington Children’s Museum) and the Living Arts and Science Center - geared toward children’s arts, particularly visual arts.

The School for Creative and Performing Arts had a prominent place in town, but there were stage, art and music programs at other schools also producing talented graduates who went on to arts careers.

Children’s Health magazine recently ranked Lexington No. 6 on its list of the 100 best places to raise a family. The criteria included crime and safety, education, economics, housing, cultural attractions and health.

I’d be willing to bet that if someone wanted to rank best places to be an artsy kid, Lexington would rate high on that list, too. By virtue of what is offered, we tell our children that the arts are something to do and be respected for doing.

Students Madelyn Nelson, left, Sara Arthur-Paratley, and Mary Rollins-Mathews rehearsed with the Lexington Ballet on Monday in preparation for Youth Arts Day.

The Lexington Philharmonic, the Horse Capitol of the World’s flagship arts organization, will celebrate young artists with its Youth Arts Day family concert at 3 p.m. Sunday at the Singletary Center for the Arts. It will include young singers from SCAPA, Fayette County Public Schools and the School of the Lexington Ballet.

The prominence of youth-oriented groups here is quite a bit more than other communities that I have lived in or observed. Over the nearly 12 years since I arrived, it has become clear that a big reason for that is quality.

Take the Children’s Theatre: In a town that has struggled with the concept of professional theater for adults, the Lexington Children’s Theatre has established itself with its own building on Short Street and a professional staff, including actors. What’s more, Larry and Vivian Snipes have developed a national reputation for the theater by being a venue that presents and creates new work. And the primary beneficiaries are kids.

And it really wasn’t terribly surprising that when the Central Kentucky Youth Orchestras went looking for a new music director at the same time that the Lexington Philharmonic was trying to fill a similar job, it ended up attracting and hiring Kayoko Dan, also a candidate for the Philharmonic post.

CKYO has graduated numerous professional musicians, including Chicago Symphony Orchestra violinist Nathan Cole and hard-to-categorize cello soloist Ben Sollee.

Outside of groups directly geared toward kids, Lexington arts groups have been generous to kids.
Look at Paragon Music Theatre, which routinely loads the stage with kids, including Hello Dolly! this weekend, and even makes a place for them in its cabaret shows.

During years without a professional company, the Lexington Ballet featured its students in productions, and it and Kentucky Ballet Theatre, which has always had a pro troupe, always find ways to present students. Former Ballet Theatre dancer Adalhi Aranda Corn saw such value in Central Kentucky’s young artists she left and formed Bluegrass Youth Ballet and eventually built CulturArte, an arts facility that acommodates a variety of disciplines.

Possibly one of the biggest statements about valuing student artists was when the Lexington Singers’ ­Children’s Chorus was invited to perform in the Our Lincoln performance at the Kennedy Center in Washington in February.

And now LexArts has formed a Youth Arts Council to help focus young artists in the area.

Clarinetists Andrew Burton, 14, left, of the Central Kentucky Youth Orchestras and Mike Acord of the Philharmonic rehearsed together Monday.

Full disclosure: My children have participated in some of these groups, and one is in the Central Kentucky Youth Orchestras, although not the ensemble performing Sunday with the Lexington Philharmonic.

In addition, I’ve gotten to know many other kids who participate in groups. Maybe the most important thing these groups engender is enthusiasm for the arts they are participating in. I hear spirited discussions about play rehearsal and genuine interest in Bach sonatas.

Like anything, Lexington’s youth arts scene isn’t perfect. I remain baffled, for instance, why SCAPA does not have a theater of its own. Then again, SCAPA regularly solves that problem by putting its kids on stages usually graced by adults and pros.

It occurred to me as I left a CKYO rehearsal last week with my daughter that by virtue of her participation in the orchestra, she’s on the University of Kentucky campus every week. Most of us didn’t get used to being on a college campus until we had enrolled.

That’s just one of many ways that through our youth arts, regardless of whether the students pursue arts careers, by supporting such substantial programs, we’re preparing our kids for the rest of their lives.

Here’s our slide show of Lexington Children’s Theatre’s Celebrity Curtain Call. Mouse over the bottom of the slide show to get controls. Click on the little comment cloud to the left to activate captions (if you want captions on this show, it’s probably best to go to the large version of the show). If you click on a photo, it will take you to a larger version of it at Picasa, and you can click the link at the bottom left of the slide show window for a larger version of the whole show.

Emcee Jim Richardson opened the Lexington Children’s Theatre’s Celebrity Curtain Call 70th Anniversary show noting Gov. Steve Beshear had sent a letter congratulating the theater for “engaging young people in theater education.”

“That won’t happen tonight,” Richardson quipped.

Then he said U.S. Rep. Ben Chandler (D, Ky.) had sent a letter congratulating the theater for “bringing Central Kentucky youth to the stage” to the stage.

“That won’t happen tonight,” Richardson reiterated.

No. Saturday night was all about adults who had either been in or supported Lexington Children’s Theatre over the decades getting up and having a little fun. (There was an 18-cake party for the kids last weekend at Jospeh-Beth Booksellers.)

The Curtain Call probably didn’t change anyone’s life the way the theater clearly has, judging by some of the comments made during the evening. The event was a testimony to the lasting impact an arts group can have on a young person’s life.

But as unique evenings of theater go . . . well . . . where exactly do you think you’re ever going to see Alan and Kathy Stein play the marriage proposal scene between Tom and Becky from Tom Sawyer again?

There are lots of things that look good on paper, but don’t really work that well in practice. This was not one of those things.

The Steins delivered a really sweet moment, a lot of laughs and one epic smooch during their show-stealing scene.  Big L even demonstrated some theatrical acumen, tossing in stage phrases like “I shouldn’t have stepped on your line” and “back in character,” during the scene, which went so far off script prompter Vivian Snipes, LCT’s artistic director, threw up her hands.

Her husband, LCT producing director Larry Snipes, prominently pointed out the prompter before the show started, and it turned out she was greatly needed. One of the most accomplished actors in the cast, Transylvania University theater director Tim Soulis, gave something of a master class in covering line kerfuffles in his scene and staying in character playing the Mad Hatter in Alice in Wonderland.

Photographer Larry Neuzel, who was there shooting for LCT, observed that the show got funnier the more lines were dropped. Karyn Czar and Pamela Perlman, both active area performers, helped serve as ringers to hold scenes together.

A performer in no need of a ringer was WVLK radio host Jack Pattie as Bottom from William Shakespeare’s A Midsummer Night’s Dream. Pattie had played the role at LCT when he was 15, and he played it Saturday like he’d just turned 16.

Other participants in the show included Business Lexington editor Tom Martin, State Sen. Alice Forgy Kerr, Lexington Center director Bill Owen, former Mayor Teresa Isaac, former Major League Baseball Player Doug Flynn, past president of United Way of the Bluegrass Kathy Plomin and chief judge Megan Lake Thornton.

Isaac’s scene From The Goblin’s Goblin — with Owen, Flynn and Czar — had her giving her shoes to Flynn. She said she went into Shoe Carnival and told the sales person she needed something she and big man could wear, and showed off the resulting backless pair of heels Flynn donned at the end of the bit.

Check out our slide show from the Celebrity Curtain Call above or at Picasa.